Operas performed at the Teatro San Cassiano

Last updated July 18, 2024

This is the list of operas performed at the Teatro San Cassiano in Venice.^[1]

No.	Year	Title	Librettist	Composer	Notes
1	1637	Andromeda [ it; fr ]	Benedetto Ferrari	Francesco Manelli
2	1638	La maga fulminata	Benedetto Ferrari	Francesco Manelli
3	1639	Le nozze di Teti e di Peleo	Orazio Persiani	Francesco Cavalli
4	1640	Gli amori d'Apollo e di Dafne	Giovanni Francesco Busenello	Francesco Cavalli
5	1641	La Didone	Giovanni Francesco Busenello	Francesco Cavalli
6	1642	La virtù de' strali d'Amore	Giovanni Faustini	Francesco Cavalli
7	1643	L'Egisto	Giovanni Faustini	Francesco Cavalli
8	1644	L'Ormindo	Giovanni Faustini	Francesco Cavalli
9	1645	Doriclea	Giovanni Faustini	Francesco Cavalli
10	1645	Il Titone	Giovanni Faustini	Francesco Cavalli
11	1649	Giasone	Giacinto Andrea Cicognini	Francesco Cavalli
12	1650	Orimonte	Nicolò Minato	Francesco Cavalli
13	1651	L'Armidoro	Bortolo Castoreo	Francesco Cavalli
14	1658	L'incostanza trionfante overo il Theseo	F. Piccoli	Pietro Andrea Ziani
15	1658	Antioco	Nicolò Minato	Francesco Cavalli
16	1659	Elena	Nicolò Minato	Francesco Cavalli
17	1666	Il Giasone	Giacinto Andrea Cicognini	Francesco Cavalli
18	1666	La Zenobia	Matteo Noris	Giovanni Antonio Boretti
19	1679–80	Candaule	Adriano Morselli	Pietro Andrea Ziani
20	1680	Tomiri	A. Medolago	A. Vitali
21	1683	Temistocle in bando	Adriano Morselli	Antonio Gianettini
22	1683	L'innocenza risorta overo Etio	Adriano Morselli	Pietro Andrea Ziani
23	1690	Il gran macedone	Giulio Pancieri	Giuseppe Boniventi
24	1691	L'Almerinda	Giulio Pancieri	Giuseppe Boniventi
25	1696	Basilio re d'Oriente	G. B. Neri	F. Navarra
26	1696	La Clotilde	G. B. Neri	G. M. Ruggieri
27	1696	Zenone imperator d'Oriente	A. Marchi	Tomaso Albinoni
28	1697	Il Tigrane re d'Armenia	Giulio Cesare Corradi	Tomaso Albinoni
29	1697 (–98?)	Primislao primo re di Boemia	Giulio Cesare Corradi	Tomaso Albinoni
30	1698	L'ingratitudine castigata	Francesco Silvani [ it ]	Tomaso Albinoni
31	1698	L'Egisto re di Cipro	Giulio Cesare Corradi	Marc'Antonio Ziani
32	1699	Gl'amori fra gl'odii o sia il Ramiro in Norvegia	M. A. Remena	Marc'Antonio Ziani
33	1699	Il Teodosio	Vincenzo Grimani	Marc'Antonio Ziani
34	1700	L'Aristeo	Giulio Cesare Corradi	Antonio Pollarolo
35	1701	Griselda	Apostolo Zeno	Antonio Pollarolo
36	1702	L'ingratitudine castigata	Francesco Silvani	Tomaso Albinoni
37	1702	L'arte in gara con l'arte	Francesco Silvani	Tomaso Albinoni
38	1702	La pastorella al soglio	Giulio Cesare Corradi	Various
39	1702–03	Gli imenei stabiliti dal caso	Francesco Silvani	Francesco Gasparini
40	1703	Il miglior d'ogni amore per il peggiore d'ogni odio	Francesco Silvani	Francesco Gasparini
41	1703	Il più fedele fra i vassalli	Francesco Silvani	Francesco Gasparini
42	1704	La fede tradita e vendicata	Francesco Silvani	Francesco Gasparini
43	1704	La maschera levata al vitio	Francesco Silvani	Francesco Gasparini
44	1705	La Fredegonda	Francesco Silvani	Francesco Gasparini
45	1705	Il principato custodito dalla frode	Francesco Silvani	Francesco Gasparini
46	1705	Antioco	Apostolo Zeno; Pietro Pariati	Francesco Gasparini
47	1705	Ambleto	Apostolo Zeno; Pietro Pariati	Francesco Gasparini
48	1706	Statira	Apostolo Zeno; Pietro Pariati	Francesco Gasparini
49	1706	Sidonio	Pietro Pariati	Antonio Lotti
50	1707	Taican re della Cina	U. Rizzi	Francesco Gasparini
51	1707	L'amor generoso	Apostolo Zeno	Francesco Gasparini
52	1707	Achille placato	U. Rizzi	Antonio Lotti
53	1707	Anfitrione	Pietro Pariati	Francesco Gasparini
54	1707–08	Teuzzone	Apostolo Zeno	Antonio Lotti
55	1708	Flavio Anicio Olibrio	Apostolo Zeno; Pietro Pariati	Francesco Gasparini
56	1708	Astarto	Apostolo Zeno; Pietro Pariati	Tomaso Albinoni
57	1709	Il falso Tiberino	Apostolo Zeno; Pietro Pariati	Carlo Francesco Pollarolo
58	1709	Engelberta	Apostolo Zeno; Pietro Pariati	Francesco Gasparini; Tomaso Albinoni
59	1709	La principessa fedele	A. Piovene	Francesco Gasparini
60	1709–10	Ciro	Pietro Pariati	Tomaso Albinoni
61	1710	Sesostri re d'Egitto	Apostolo Zeno; Pietro Pariati	Francesco Gasparini
62	1710	La ninfa Apollo	Francesco de Lemene [ it ]	Francesco Gasparini; Antonio Lotti	"scherzo scenico pastorale per musica"
63	1710	L'amor tirannico	Domenico Lalli	Francesco Gasparini
64	1710	Il tiranno eroe	V. Cassani	Tomaso Albinoni
65	1711	Tamerlano	A. Piovene	Francesco Gasparini
66	1711	Costantino	Apostolo Zeno; Pietro Pariati	Francesco Gasparini
67	1712	Merope	Apostolo Zeno	Francesco Gasparini
68	1712	Le gare generose	A. Zaniboni	Tomaso Albinoni
69	1712–13	I veri amici	Francesco Silvani; Domenico Lalli	A. Paulati
70	1713	La verità nell'inganno	Francesco Silvani	Francesco Gasparini
71	1717	L'Argippo	Domenico Lalli	Giovanni Porta
72	1718	Farnace	Domenico Lalli	Carlo Francesco Pollarolo
73	1718	Antigona	B. Pasqualigo	Giuseppe Maria Orlandini
74	1724	Antigona	B. Pasqualigo	Giuseppe Maria Orlandini
75	1724	Despina e Niso	G. Papis (?)	Alessandro Scarlatti	"intermezzo in musica"
76	1724–25	Didone abbandonata	Pietro Metastasio	Tomaso Albinoni
77	1725	Alcina delusa da Ruggero	A. Marchi	Tomaso Albinoni
78	1725	L'impresario delle Canarie	Pietro Metastasio	Tomaso Albinoni	"intermezzo in musica"
79	1725–26	L'inganno innocente	Francesco Silvani	Tomaso Albinoni
80	1726	Amor e sdegno	M. Boccardi	L. Tavelli
81	1727	Il Bertarido re de' Longobardi	Antonio Salvi	Giuseppe Boniventi
82	1728	Griselda	Apostolo Zeno	Tomaso Albinoni
83	1728	Ormisda	Apostolo Zeno	Bartolomeo Cordans [ it ]
84	1728–29	Gianguir	Apostolo Zeno	Geminiano Giacomelli
85	1729	La generosità di Tiberio	Nicolò Minato	S. Lapis; Bartolomeo Cordans
86	1729	Adelaide	Antonio Salvi	Giuseppe Maria Orlandini
87	1730	La fede in cimento	Apostolo Zeno	Francesco Gasparini; S. Lapis
88	1730	La donna nobile	Unknown	Giuseppe Maria Orlandini	"intermezzo in musica"
89	1735	L'Anagilda	A. Zaniboni	Antonio Gaetano Pampani
90	1736	La Zoe	Francesco Silvani	Luca Antonio Predieri
91	1736–37	L'Arsace	Antonio Salvi	Geminiano Giacomelli
92	1737	Demetrio	Pietro Metastasio	Johann Adolph Hasse	revival^[2]
93	1737	Lucio Papirio	Antonio Salvi	Nicola Porpora
94	1742	Barsina	Francesco Silvani	G. A. Paganelli
95	1742	Atalo	Francesco Silvani	G. Chinzer
96	1743	Engelberta	Apostolo Zeno	G. Paganelli
97	1743	Ambleto	Apostolo Zeno; Pietro Pariati	G. Carcani
98	1743	La forza del sangue	B. Vitturi	G. A. Paganelli
99	1744	La libertà nociva	G. Barlocci	R. di Capua
100	1744	Madama Ciana	G. Barlocci	G. Latilla
101	1744–45	L'ambizione delusa	F. Vanneschi	R. di Capua
102	1744–45	La finta cameriera	G. Barlocci	G. Latilla
103	1745	La forza d'amore	P. Panicelli	Baldassare Galuppi
104	1745	Lo scialacquatore alla fiera	A. Borghesi	G. Orlandini; various
105	1745	I rigiri delle cantarine	B. Vitturi	F. Maggiore
106	1746	La vedova accorta	A. Borghesi (?)	F. Bertoni
107	1746	La fata meravigliosa	Unknown	G. Scolari
108	1746	Alcibiade	G. Roccaforte	G. Carcani
109	1746–47	Il Catone in Utica	Pietro Metastasio	L. Vinci; (N. Jommelli)
110	1747	Caio Marzio Coriolano	Z. Seriman	P. Pulli
111	1747	Arminio	Antonio Salvi	B. Galuppi
112	1748	L'Adriano	Pietro Metastasio	V. Ciampi
113	1748	La clemenza di Tito	Pietro Metastasio	G. Pampani
114	1748	Clotilde	F. Passarini	B. Galuppi
115	1748	Il conte immaginario	Unknown	P. Auletta	"intermezzo in musica" for Clotilde
116	1748–49	Camilla regina de' Volsci	S. Stampiglia	Various
117	1749	Il vello d'oro	G. Palazzi; M. Zanetti (?)	G. Scolari
118	1749	La commedia in commedia	G. G. Barlocci; F. Vanneschi (?)	R. di Capua
119	1749	Tra due litiganti il terzo gode	G. B. Lorenzi	G. B. Pescetti
120	1749	Il finto principe	C. Goldoni	Various
121	1749	Il protettore alla moda	G. M. Buini	G. M. Buini; B. Galuppi
122	1750	Alcimena principessa dell'isole fortunate ossia l'amore fortunato ne' suoi disprezzi	P. Chiari	B. Galuppi
123	1750	Il ciarlatano fortunato nelle sue imposture	Unknown	Unknown	"farsa per musica" – intermezzo for Alcimena
124	1750	Ernelinda	Francesco Silvani	Francesco Gasparini; A. Vivaldi; B. Galuppi
125	1750	La preziosa ridicola	M. Trotti	Giuseppe Maria Orlandini	"intermezzo in musica" for Ernelinda
126	1750	Il mondo alla roversa, ossia le donne che comandano	C. Goldoni	B. Galuppi
127	1750–51	La mascherata	C. Goldoni	G. Cocchi (?); B. Galuppi (?)
128	1751	Le donne vendicate	C. Goldoni	G. Cocchi
129	1751	Griselda	Apostolo Zeno	G. Latilla
130	1752	Venceslao	Apostolo Zeno	Antonio Gaetano Pampani
131	1752	L'Adriano in Siria	Pietro Metastasio	G. Scarlatti
132	1752	L'olimpiade	Pietro Metastasio	G. Latilla
133	1753	Alessandro nell'Indie	Pietro Metastasio	G. Latilla
134	1753	Semiramide riconosciuta	Pietro Metastasio	G. Cocchi
135	1753	Il pazzo glorioso	C. Goldoni (after A. Villani)	G. Cocchi
136	1753–54	De gustibus non est disputandum	C. Goldoni	G. Scarlatti
137	1754	La maestra	A. Palomba	G. Cocchi
138	1763	La morte di Dimone o sia l'innocenza vendicata	J. J. F. von Kurz; G. Bertati	A. Tozzi
139	1764	Li creduti spiriti	J. J. F. von Kurz; G. Bertati	J. G. Naumann; various
140	1764	Achille in Sciro	Pietro Metastasio	F. Bertoni
141	1764	L'ingannatore ingannato	P. Chiari	F. Bertoni
142	1765	L'olimpiade	Pietro Metastasio	F. Bertoni
143	1765	Semiramide	Pietro Metastasio	T. Traetta
144	1765	L'amore industrioso	F. Casorri	G. M. Rutini
145	1765	Le villeggiatrici ridicole	A. Bianchi	A. Boroni
146	1765	I matrimoni in maschera	F. Casorri	G. M. Rutini
147	1765	Gli amori di Zeffiro	–	Unknown	"ballo" by G. Fabiani (choreographer)
148	1765	La ghirlanda incantata	–	Unknown	"ballo" by G. Fabiani (choreographer)
149	1766	La buona figliuola supposta vedova	A. Bianchi	G. Latilla
150	1766	La notte critica	C. Goldoni	A. Boroni
151	1766	Solimano	G. Migliavacca	G. Sciroli
152	1769	Il contratto malizioso o sia sior Bastian Marzer	P. Candoni	Unknown	"farsa" in "lingua veneziana"
153	1770	La villeggiatura di Mestre	G. Dolfin	S. Perillo	"farsa per musica"
154	1770	La marenda alla Zuecca	G. Dolfin	Unknown	"farsa per musica"
155	1771	La serenata in tartana	G. Dolfin	Unknown	"farsa per musica"
156	1771	La ritornata dalla villeggiatura di Mestre	G. Dolfin	S. Perillo (?)	"farsa per musica"
157	1772	La fiera	G. Dolfin	Unknown	"farsa per musica"
158	1772	Le putte della Zuecca	Unknown	Unknown	"farsa per musica"
159	1773	La serva astuta	Unknown	Unknown	"farsa per musica"
160	1773	Le finezze d'amore o sia la farsa non si fa ma si prova	G. Bertati (?)	G. Astarita	"farsa per musica"
161	1773	Amore in puntiglio	Unknown	J. M. Pfeiffer	"farsa per musica"
162	1773	La costanza d'amore o sia l'inganno per necessità	Unknown	Unknown	"farsa per musica"
163	1774	Li cavalieri lunatici	Unknown	G. Rust	"farsa per musica"
164	1774	Le nozze concluse alla Zueccha	Unknown	Unknown	"farsa per musica"
165	1775	La critica teatrale	R. Calzabigi	G. Astarita
166	1775	Li due amanti in inganno	Unknown	G. Rust; M. Rauzzini
167	1776	Il baron di Lago Nero	Unknown	M. Mortellari
168	1776	Il Giove di Creta	P. Pisoni	G. Rust
169	1776	Li tre vagabondi	Unknown	S. Perillo
170	1777	Il convitato di pietra	Pietro Pariati (?)	G. Callegari
171	1777	L'idolo cinese	Unknown	G. Rust
172	1779	L'isola d'amor	Unknown	A. Sacchini
173	1780	Le nozze alla Mira	Unknown	A. Gagni	"farsa per musica"
174	1780	Le donne rivali	Unknown	D. Cimarosa	"intermezzo in musica"
175	1781	L'amor per rigiro	N. Tassi	A. Gagni	"intermezzo in musica" for five voices
176	1781	Il matrimonio per inganno	G. Bertati (?)	P. Anfossi	"intermezzo in musica"
177	1781	Rosina consolata o sia l'innocenza protetta	P. A. Bagliacca	G. Valentini	"intermezzo in musica" for four voices
178	1782	Li tre difettosi rivali in amore	G. Prettini	Unknown	"intermezzo in musica"
179	1783	Le due finte gemelle	G. Petrosellini	N. Piccinni	"intermezzo in musica" for four voices
180	1783	I matti gloriosi	Unknown	A. Gagni	"intermezzo in musica"
181	1784	Il parigino in Italia	Unknown	L. Baini	"intermezzo in musica"
182	1784	Il finto parigino	Unknown	L. Baini	"intermezzo in musica"
183	1784	Il matrimonio inaspettato	Unknown	G. Paisiello	"intermezzo in musica"
184	1787	Le stravaganze in campagna	Unknown	A. Brunetti
185	1787	Li tre Orfei	Unknown	M. Bernardini
186	1788	L'impostor punito	G. Neri	P. Guglielmi
187	1791	I capricci in amore	Unknown	G. Astarita
188	1791	Don Mirtillo contrastato	Unknown	G. Giordani
189	1792	Il medico parigino o sia l'ammalato per amore	G. Palomba	G. Astarita
190	1792	L'ultima che si perde è la speranza	F. S. Zini (?)	M. Bernardini (?)	"farsa per musica"
191	1793	Attila	–	V. Trento	"ballo" by D. Ballon (choreographer)
192	1793	La cifra	L. Da Ponte	Antonio Salieri
193	1793	Le trame amorose	A. Valli	F. Paër (o G. Paisiello?)
194	1794	Il mercato di Monfregoso	C. Goldoni	N. A. Zingarelli
195	1794	L'amante statua	A. Valli	L. Piccinni	"farsa per musica"
196	1794	I veneziani a Costantinopoli	–	V. Trento	"ballo" by D. Ballon (choreographer)
197	1794	La finta ammalata	G. Squilloni	V. Trento
198	1798	La sposa di stravagante temperamento	Unknown	P. Guglielmi
199	1798	Gli umori contrari	G. Bertati	S. Nasolini

Related Research Articles

Arrigo Boito was an Italian librettist, composer, poet and critic whose only completed opera was Mefistofele. Among the operas for which he wrote the libretti are Giuseppe Verdi's monumental last two operas Otello and Falstaff as well as Amilcare Ponchielli's La Gioconda.

Il crociato in Egitto is an opera in two acts by Giacomo Meyerbeer, with a libretto by Gaetano Rossi. It was first performed at La Fenice theatre, Venice on 7 March 1824. The part of Armando was sung by the famous castrato, Giovanni Battista Velluti; the opera was probably the last written to feature a castrato. It is the last of Meyerbeer's series of operas in Italian, and became the foundation of the composer's international success.

Betly, ossia La capanna svizzera is a dramma giocoso in two acts by the Italian composer Gaetano Donizetti. The composer wrote the Italian libretto after Eugène Scribe and Mélésville's libretto for Adolphe Adam's opéra comique Le chalet, in its turn based on Goethe's Singspiel Jery und Bätely (1779).

Gabriella di Vergy is an opera seria in two acts by Gaetano Donizetti written in 1826 and revised in 1838, from a libretto by Andrea Leone Tottola, which was based on the tragedy Gabrielle de Vergy (1777) by Dormont De Belloy. Prior to that, the play was itself inspired by two French medieval legends, Le châtelain de Coucy et la dame de Fayel and Le Roman de la chastelaine de Vergy.

The Teatro San Cassiano was the world's first public opera house, inaugurated as such in 1637 in Venice. The first mention of its construction dates back to 1581. The name with which it is best known comes from the parish in which it was located, San Cassiano, in the Santa Croce district (‘sestiere’) not far from the Rialto.

<span class="mw-page-title-main">Clorinda Corradi</span> Italian opera singer 1804-77

Clorinda Corradi was an Italian opera singer and one of the most famous contraltos in history.

Tomaso Benvenuti was a nineteenth-century Italian composer of opera. He was born in Cavarzere in the Veneto and died in Rome at the age of 68.

<span class="mw-page-title-main">Carlo Francesco Pollarolo</span> Italian composer (d. 1723)

Carlo Francesco Pollarolo was an Italian composer, organist, and music director. Known chiefly for his operas, he wrote a total of 85 of them as well as 13 oratorios. His compositional style was initially indebted to the opera tradition of Giovanni Legrenzi and Carlo Pallavicino, but he moved beyond this style with innovations to the compositional structure of the aria characterized by expanded forms and orchestral elaborations. His early work used three part strings in the Legrenzi and Pallacino tradition of orchestration, but his mid and later works had developed into a richer orchestration of five strings parts and expanded instrumentation of brass and woodwinds. He was the first Venetian opera composer and one of the earliest Italian composers to use the oboe in his opera orchestrations.

Giuseppe Maria Orlandini was an Italian baroque composer particularly known for his more than 40 operas and intermezzos. Highly regarded by music historians of his day like Francesco Saverio Quadrio, Jean-Benjamin de La Borde and Charles Burney, Orlandini, along with Vivaldi, is considered one of the major creators of the new style of opera that dominated the second decade of the 18th century.

<span class="mw-page-title-main">Eugenio Da Venezia</span> Italian painter (1900-1992)

Eugenio Da Venezia was an Italian painter. He was a member of the group known as I Giovani di Palazzo Carminati. This group rejected the prevailing style of the Italian Academy at the beginning of the 20th century. Da Venezia painted in a post-impressionist style, influenced by the Venetian tradition of the vedutisti. He exhibited in ten editions of Venice Biennale between 1934 and 1956, including the XL anniversary in 1935.

Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894.

La passione di Gesù Cristo is a libretto by Pietro Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period.

Anna Girò, also known as l'Annina del Prete Rosso, la Nina del Prete Rosso, or l'Annina della Pietà, was the stage name of Anna Maria(?) Maddalena Tessieri, an Italian mezzo-soprano/contralto of the 18th century. She is best remembered for her numerous collaborations with composer Antonio Vivaldi who wrote operatic roles for her. She is the singer who performed the greatest number of Vivaldi's operas, the one who kept them in her repertoire the longest time and who made them known across the largest geographical area.

Juti Ravenna was an Italian painter.

The following is a timeline of the history of the city of Venice, Veneto, Italy.

<i>Lavaro</i> (Anfossi) Opera by Pasquale Anfossi

L'avaro, is an opera in three acts composed by Pasquale Anfossi. The libretto by Giovanni Bertati is based on Molière's 17th-century comedy The Miser. Considered one of Anfossi's best operas, it premiered at the Teatro San Moisè in Venice in the autumn season of 1775 and was subsequently performed throughout Italy and in other European cities.

Il mondo della luna is an opera in 3 acts by Baldassare Galuppi. The Italian-language libretto was by Carlo Goldoni. It premiered on 29 January 1750 at the Teatro San Moisè, Venice.

Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.

The following is a timeline of the history of the city of Padua in the Veneto region of Italy.

Maria Gabriella Zen is an Italian composer.

References

↑ Franco Mancini, Maria Teresa Muraro, Elena Povoledo, I Teatri del Veneto – Venezia, vol 1, Venice, Regione del Veneto ― Corbo e Fiore, 1995, pp. 144–147, revised, completed and amended in the light of the consulted bibliography and external links. Year given in Gregorian calendar and not more veneto.
↑ Loewenberg 1978, column 169.

Bibliography

Alm, Irene (1993). Catalog of Venetian Librettos at the University of California. Los Angeles, Berkeley, Oxford: University of California Press. ISBN 9780520097629.
Bonlini, Giovanni Carlo (1730). Le glorie della poesia e della musica [...]. Venice: C. Buonarrigo. Copy at Google Books.
Groppo, Antonio (1745). Catalogo di tutti i drammi per musica recitati ne’ teatri di Venezia [...]. Venice: A. Groppo. OCLC 11395876.
Loewenberg, Alfred (1978). Annals of Opera 1597–1940 (third edition, revised). Totowa, New Jersey: Rowman and Littlefield. ISBN 978-0-87471-851-5.
Sartori, Claudio (1990–1994). I libretti italiani a stampa dalle origini al 1800. Catalogo analitico con 16 indici, 7 vols. Cuneo: Bertola & Locatelli. OCLC 21782984.
Selfridge-Field, Eleanor (2007). A New Chronology of Venetian Opera and Related Genres, 1660–1760. Stanford: Stanford University Press. ISBN 978-0-8047-4437-9.
Sonneck, Oscar George Theodore (1914). Catalogue of Opera Librettos Printed Before 1800, 2 vols. Washington: Government Printing Office. Vol. 1 and 2 at Internet Archive.
Whenham, John (2004). "Perspectives on the Chronology of the First Decade of Public Opera at Venice", “Il Saggiatore musicale”, vol. 11 no.2, (2004), pp. 253–302. JSTOR 43029778.
Wiel, Taddeo [ ca ] (1897). I teatri musicali veneziani del Settecento. Venice: Visentini.

External links

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.

[1] Franco Mancini, Maria Teresa Muraro, Elena Povoledo, I Teatri del Veneto – Venezia, vol 1, Venice, Regione del Veneto ― Corbo e Fiore, 1995, pp. 144–147, revised, completed and amended in the light of the consulted bibliography and external links. Year given in Gregorian calendar and not more veneto.

[2] Loewenberg 1978, column 169.

[1]

[2]

Operas performed at the Teatro San Cassiano

Contents

Related Research Articles

References

Bibliography

External links