Operator is an artist duo composed of Ania Catherine and Dejha Ti. [1] The duo is based in Madrid and have worked collaboratively since 2016. [2] They are known for creating conceptual large-scale installations that have been exhibited internationally in museums, galleries and festivals. [3] [4]
Operator was started in 2016 in Los Angeles. Prior to Operator, Ti worked as a multimedia artist and human and computer interaction (HCI) technologist, creating immersive, interactive installations. Catherine is a choreographer and performance artist; she works with the human body as a medium and holds a master's degree in Gender & Policy. [4] [3]
The artwork of the artist duo in Operator bridges several artistic mediums but is mainly experiential focusing on conceptual art and immersive environments, with an approach to technology. Through their work, they focus on bringing the body into digital art, and exploring the shifting nature of performance in the context of modern technological influences. Since 2019, they have explored the subject of privacy in their work. They engage and immerse audiences not just physically, but also highlight the emotional and psychological aspects of immersion as a state. [1] [4] They have spoken about their work at events and institutions including Christie's Art+Tech Summit, University of Cambridge, Art Basel, ZKM, and MIT Open Documentary Lab. [5]
In 2023, Operator won their second Lumen Prize in the Generative Art category. In 2021, they won a Lumen Prize in the Immersive Environments category, a Gold Cube from the 100th Annual ADC Awards for I'd rather be in a dark silence than, and an Honorary Mention for the STARTS Prize for On View. Operator won ADC Awards for Experiential Design in 2020 and was shortlisted for the 2020 Lumen Prize for Art and Technology in the 3D/Interactive category for On View. [3] [9]
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap.
Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process. It can also refer to computational art that uses and engages with digital media. Since the 1960s, various names have been used to describe digital art, including computer art, electronic art, multimedia art, and new media art.
Jennifer and Kevin McCoy are an artistic duo and couple based in Brooklyn, NY. They work with interactive media, film, performance and installation to explore personal experience in relation to new technology, mass media, and global commerce. The McCoys are influenced by Lev Manovich and his theories on digital culture and their work often re-examines classic cinema, science fiction, or television through sculptural objects, net art, robotic movies or live performance. They were the recipients of the Creative Capital Award in the discipline of Emerging Fields in 2002 and the Guggenheim Fellowship in 2011. In 2014, Kevin collaborated with Anil Dash to co-create Monegraph, short for “monetized graphics.” The work "Quantum", was included in Sotheby's "Natively Digital: A Curated NFT Sale" in June 2021.
Art historians and philosophers of art have long had classificatory disputes about art regarding whether a particular cultural form or piece of work should be classified as art. Disputes about what does and does not count as art continue to occur today.
Neo-conceptual art describes art practices in the 1980s and particularly 1990s to date that derive from the conceptual art movement of the 1960s and 1970s. These subsequent initiatives have included the Moscow Conceptualists, United States neo-conceptualists such as Sherrie Levine and the Young British Artists, notably Damien Hirst and Tracey Emin in the United Kingdom.
Maurice Benayoun is a French new-media artist, curator, and theorist based in Paris and Hong Kong.
Surveillance art is the use of technology intended to record human behavior in a way that offers commentary on the process of surveillance or the technology used to surveil. Surveillance art manifests itself in many different forms, from short films to architecture, but all have been shown to provide some type of critical response to the rise of surveillance by various authorities and the technology used to achieve it, especially when dealing with issues of security and enforcing laws.
Tomer Peretz is a Los Angeles–based Israeli conceptual artist and painter. An artist since his early childhood in Jerusalem, Peretz utilizes a spectrum of platforms, including oil and acrylic painting, photography, and conceptual art, to express his unique and contemporary point of view. With an appreciation for realism, surrealism and the unknown, his breadth of work spans across contemporary and figurative art. Every piece highlights an underlying theme, element of mystery and more than meets the eye. Peretz does not paint in vain, a traveler and spiritual wanderer, his work is inspired by stories and people that have impacted his life and spirit as he captures his subjects in a raw and candid light. A passionate philanthropist and visionary, his art and installations serve to highlight his passions and beliefs and have helped raise money for philanthropic causes he strongly resonates with.
Guerrilla Zoo is a contemporary arts organisation formed in 2004 by founder and creative director James Elphick. The group produce a variety of creative events from experiential environments, live concerts, festivals, immersive theatre, art exhibitions, arts awards, parties and masquerade balls.
The Lumen Prize is an international award which celebrates art created with technology, especially digital art.
Natasha Johns-Messenger is an Australian conceptual artist and filmmaker, who has lived and worked in New York and Melbourne. Johns-Messenger is best known for her large-scale site-determined installations that examine spatial perception and light. Her work is a process of imitation, illusion and trickery, often activated by architectural interventions and optical physics.
Maja Petrić is a contemporary new media artist who works primarily in interactive art that combines light, sound and cutting-edge technologies such as artificial intelligence, computer vision, and robotics to expand the multi-sensory apparatus through which art can be experience. She was born in 1981 in Zagreb, Croatia. She lives and works in Madrid, Seattle, New York City, and Zagreb. She received a PhD in new media art from the University of Washington Center for Digital Arts and Experimental Media and Masters from the New York University's Tisch School of the Arts, Interactive Telecommunications Program (ITP).
Single-channel video is a video art work using a single electronic source, presented and exhibited from one playback device. Electronic sources can be any format of video tape, DVDs or computer-generated moving images utilizing the applicable playback device and exhibited using a television monitor, projection or other screen-based device. Historically, video art was limited to unedited video tape footage displayed on a television monitor in a gallery and was conceptually contrasted with both broadcast television and film projections in theatres. As technology advanced, the ability to edit and display video art provided more variations and multi-channel video works became possible as did multi-channel and multi-layered video installations. However, single-channel video works continue to be produced for a variety of aesthetic and conceptual reasons and the term usually now refers to a single image on a monitor or projection, regardless of image source or production.
Libby Heaney is a British artist and quantum physicist known for her pioneering work on AI and quantum computing. She works on the impact of future technologies and is widely known to be the first artist to use quantum computing as a functioning artistic medium. Her work has been featured internationally, including in the Victoria and Albert Museum, Tate Modern and the Science Gallery.
Nancy Baker Cahill is an American new media artist based in Los Angeles, California. She has created immersive augmented reality (AR) and virtual reality (VR) experiences, video installations and blockchain projects, oftentimes rooted in drawing. Her work frequently merges technology and public art, drawing upon both feminist land art and the history of political interventions to examine systemic power, body autonomy, civics and climate crisis, among other issues.
Michael Joseph Winkelmann, known professionally as Beeple, is an American digital artist, graphic designer, and animator known for selling NFTs. In his art, he uses various media to create comical, phantasmagoric works that make political and social commentary while using pop culture figures as references. British auction house Christie's has called him "A visionary digital artist at the forefront of NFTs". Beeple was introduced to NFTs in October 2020 and credits Pak for providing his first "primer" on selling NFTs. The NFT associated with Everydays: the First 5000 Days, a collage of images from his "Everydays" series, was sold on March 12, 2021, for $69 million in cryptocurrency to an investor in NFTs. It is the first purely non-fungible token to be sold by Christie's. The auction house had previously sold Block 21, an NFT with accompanying physical painting for approximately $130,000 in October 2020.
Refik Anadol is a Turkish-American new media artist and designer. His projects consist of data-driven machine learning algorithms that create abstract, colorful environments. He lives and works in Los Angeles.
Lundahl & Seitl is a Stockholm-based artist duo formed in 2003 by Christer Lundahl and Martina Seitl. The duo's practice consists of site-specific situations and cross-disciplinary projects, "where the line between action and perception is renegotiated", as noted by Frida Sandström.
zzyw is a New York-based New media art and research duo, founded in 2013 by Zhenzhen Qi and Yang Wang. The duo is known for creating software applications, installations, and texts that examine the cultural, political, and educational impacts of computation. Since 2014, zzyw has collaborated with various art institutions, including the New Museum, Asia Art Archive, and Power Station of Art, to develop educational initiatives that examine the potential of computation as a mode of expression and speculation. Zzyw's works have been exhibited in arts and culture institutions worldwide, including the Power Station of Art, Rhizome (organization) of the New Museum. Zzyw has made scholarly contributions to the field of new media art and simulation through presentations and publications. Notable events in which zzyw has participated include the Art School Critique 2.0 Symposium and Museum 2050's 2020 Annual Symposium.
Emi Kusano is a Japanese multidisciplinary artist based in Tokyo. She is recognized for her integration of artificial intelligence into retro-futuristic artwork. In a collaboration with Christie's New York, an auction house, and Gucci, she unveiled an AI-generated 3D dress.