Opus scutulatum, literally "shield work", is a type of masonry construction used in Roman architecture. It consists of irregular chunks of stone or polychrome marbles on a background of white tesserae lacking figural decoration. [1]
Opus scutulatum, literally "shield work", is a type of masonry construction used in Roman architecture. It consists of irregular chunks of stone or polychrome marbles on a background of white tesserae lacking figural decoration. [1]
A mosaic floor in opus scutulatum, also called crustae or lithostroton, [2] consists of an almost always monochrome background with inlaid larger scutulae, literally “shields”. These scutulae consist of marble stone fragments of various sizes, colours and shapes. The fragments exist in many shapes; in addition to rectangular ones, triangular and diamond-shaped stones are common. The mosaics of the scutulatum style have the appearance of a simple mosaic pavement lacking figural decoration and were in use throughout the entire Roman Empire. [3]
Pliny (Naturalis Historia XXXV.185) reports that opus scutulatum was first used in Rome at the beginning of the Third Punic War (149 BC) in the Temple of Jupiter Capitolinus. [4]
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
The Alexander Mosaic, also known as the Battle of Issus Mosaic, is a Roman floor mosaic originally from the House of the Faun in Pompeii, Italy.
Eretria is a town in Euboea, Greece, facing the coast of Attica across the narrow South Euboean Gulf. It was an important Greek polis in the 6th and 5th century BC, mentioned by many famous writers and actively involved in significant historical events.
Daphni or Dafni is an eleventh-century Byzantine monastery eleven kilometers northwest of central Athens in the suburb of Chaidari, south of Athinon Avenue (GR-8A). It is situated near the forest of the same name, on the Sacred Way that led to Eleusis. The forest covers about 18 km2 (7 sq mi), and surrounds a laurel grove. "Daphni" is the modern Greek name that means "laurel grove", derived from Daphneion (Lauretum).
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality.
Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and bishop's thrones. The name derives from the Cosmati, the leading family workshop of craftsmen in Rome who created such geometrical marble decorations.
Opus sectile is a form of pietra dura popularized in the ancient and medieval Roman world where materials were cut and inlaid into walls and floors to make a picture or pattern. Common materials were marble, mother of pearl, and glass. The materials were cut in thin pieces, polished, then trimmed further according to a chosen pattern. Unlike tessellated mosaic techniques, where the placement of very small uniformly sized pieces forms a picture, opus sectile pieces are much larger and can be shaped to define large parts of the design.
Opus vermiculatum is a method of laying mosaic tesserae to emphasise an outline around a subject. This can be of one or more rows and may also provide background contrast, e.g. as a shadow, sometimes with opus tessellatum. The outline created is often light and offset by a dark background for greater contrast. The name opus vermiculatum literally means "worm-like work", and has been described as one of the most demanding and elaborate forms of mosaic work. Usually opus vermiculatum is meant to put emphasis on the main design and foreground details of a work, using a smooth and flowing halo-effect. Sometimes it was used only around the head of a figure. The tesserae used were often square but can be variously shaped.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.
Vacone is a comune (municipality) in the Province of Rieti in the Italian region of Latium, located about 20 kilometres (12 mi) west of Rieti.
Carranque is a town in the Toledo province, Castile-La Mancha, Spain. It is located in the area of the province bordering the province of Madrid called the Alta Sagra.
The House of the Faun, constructed in the 2nd century BC during the Samnite period, was a grand Hellenistic palace that was framed by peristyle in Pompeii, Italy. The historical significance in this impressive estate is found in the many great pieces of art that were well preserved from the ash of the eruption of Mount Vesuvius in 79 AD. It is one of the most luxurious aristocratic houses from the Roman Republic, and reflects this period better than most archaeological evidence found even in Rome itself.
Solomon's knot is a traditional decorative motif used since ancient times, and found in many cultures. Despite the name, it is classified as a link, and is not a true knot according to the definitions of mathematical knot theory.
Philoxenus of Eretria was a painter from Eretria. He was a disciple of Nicomachus of Thebes, whose speed in painting he imitated and even surpassed, having discovered new and rapid methods of coloring. According to Pliny, a picture of his was inferior to none, in particular his depiction of a battle between Alexander the Great and Darius, which he painted for King Cassander.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The mosaics of Delos are a significant body of ancient Greek mosaic art. Most of the surviving mosaics from Delos, Greece, an island in the Cyclades, date to the last half of the 2nd century BC and early 1st century BC, during the Hellenistic period and beginning of the Roman period of Greece. Hellenistic mosaics were no longer produced after roughly 69 BC, due to warfare with the Kingdom of Pontus and the subsequently abrupt decline of the island's population and position as a major trading center. Among Hellenistic Greek archaeological sites, Delos contains one of the highest concentrations of surviving mosaic artworks. Approximately half of all surviving tessellated Greek mosaics from the Hellenistic period come from Delos.
The House of the Prince of Naples is a Roman domus (townhouse) located in the ancient Roman city of Pompeii near Naples, Italy. The structure is so named because the Prince and Princess of Naples attended a ceremonial excavation of selected rooms there in 1898.
The House of the Small Fountain, aka House of the Second Fountain or House of the Landscapes, is located in the Roman city of Pompeii and, with the rest of Pompeii, was preserved by the eruption of Mount Vesuvius in or after October 79 CE. It is located on the Via di Mercurio, a street running north from the Arch of Caligula, at its crossroads with Via delle Terme, and Via della Fortuna, to Pompeii's fortification tower XI in the northwest part of the city. The street is named after a public fountain at VI.8.24 with a relief of the god, Mercury. Insula 8 is on the west side of the street. The house is named after a mosaic fountain adorned with shells at the rear of its peristyle. The property is immediately adjacent to the House of the Large Fountain, a structure with an even larger mosaic fountain adorned with shells and marble sculptures of theatrical masks excavated earlier in 1826. So the size difference between the fountains was used to distinguish the two structures.
The Villa of Trajan was a palatial summer residence and hunting lodge of the ancient Roman Emperor Trajan, dating from the beginning of his reign. Its location, near the modern village of Arcinazzo, was, like many patrician villas, carefully chosen on high plateau at the foot of Monte Altuino and in a splendid wooded landscape to escape the summer heat of Rome. It is 2 km from the river Aniene which supplied Rome with water and on which Nero's villa at Subiaco is located about 12 km downstream. It occupies an area of about 5 hectares, much of which has yet to be excavated. Many fine room decorations have been recovered here, despite the mass robbing of expensive marbles in previous centuries.