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John Mark Ainsley is an English lyric tenor. Known for his supple voice, Ainsley is particularly admired for his interpretations of baroque music and the works of Wolfgang Amadeus Mozart. In the course of his career, he has gravitated towards 20th-century music, singing in operas by Henze, Janáček, and Britten.
Kurt Moll was a German operatic bass singer who enjoyed an international career and was widely recorded.
Helen Jeanette Donath is an American soprano with a career spanning fifty years.
José Francisco Araiza Andrade, is a Mexican operatic tenor and lied singer who has sung as soloist in leading concert halls and in leading tenor operatic roles in the major opera houses of Europe and North America during the course of a lengthy career. Born in Mexico City, he studied singing at the Conservatorio Nacional de Música de México and later in Germany, with Mozartian tenor Richard Holm, and lieder interpretation with Erik Werba. He made his operatic debut in 1970 in Mexico City as First Prisoner in Beethoven's Fidelio. Araiza initially came to international prominence singing in Mozart and Rossini operas, but in the 1980s broadened his repertoire to include Italian and French lyric tenor roles and Wagnerian roles such as Lohengrin and Walther von Stolzing. He was made a Kammersänger of the Vienna State Opera in 1988. Now retired from the opera stage, he teaches singing and serves on the juries of several international singing competitions.
Diana Damrau is a German soprano. She has been successful in coloratura soprano roles, especially admired as the Queen of the Night in The Magic Flute and Zerbinetta in Ariadne auf Naxos. She has gradually proceeded into 19th-century Italian bel canto repertoire, singing roles such as Violetta in La traviata and the title role in Lucia di Lammermoor. Damrau is also known as a lieder singer.
Wolfgang Brendel is a German opera singer (baritone), and a professor of voice at the Jacobs School of Music at Indiana University. He has performed throughout Europe, Asia, and North America.
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Sylvia Geszty was a Hungarian-German operatic coloratura soprano who appeared internationally, based first at the Staatsoper Berlin in East Berlin and from 1970 at the Staatstheater Stuttgart. She is remembered as Mozart's Queen of the Night and an ideal Zerbinetta in Ariadne auf Naxos, but also performed Baroque opera and in the world premiere of Kurt Schwaen's Leonce und Lena.
Kieth Engen was an American operatic bass who was a member of Munich's Bavarian State Opera for decades. Although his career was based in Munich, he appeared internationally as a guest singer at major opera houses and festivals and performed and recorded many of Bach's Passion oratorios and cantatas, primarily with the conductor Karl Richter. He was born Keith Sheldon Engen in Frazee, Minnesota, and died in Murnau am Staffelsee, Germany at the age of 79. He was given the title of Kammersänger in 1962 and was a recipient of the Bavarian Order of Merit. In the mid-1950s he also had a brief parallel career as a pop singer under the pseudonym Stan Oliver.
Carmen Anhorn is a Swiss operatic soprano and mezzo-soprano.
Agnieszka Beata Mikołajczyk, better known by the stage name Aga Mikolaj, is a Polish operatic soprano who made an international career. She was a member of the Bavarian State Opera in Munich from 2002 to 2007, focusing on Mozart roles, especially Donna Elvira in Don Giovanni, and performed from San Francisco to Tokyo. She performed and recorded Four Last Songs by Richard Strauss, Penderecki's The Seven Gates of Jerusalem, and Detlev Glanert's Requiem for Hieronymus Bosch, live in Rotterdam in 2016 in its first recording.
References
- 1 2 3 "Aus für Robin Hood". Spiegel.de (in German). 25 November 1985.
- ↑ Naxos_Profile_2016-08_Hires.pdf (PDF), retrieved 2020-07-12
- 1 2 3 "Orfeo - un label retrouvé". Qobuz.com (in French). 20 February 2017.
- 1 2 "Orfeo aims to fill catalog gap". Billboard. 4 December 1982.
- 1 2 3 "Munich Attorney Issues Warrant for Mehrle's Arrest" (PDF). Billboard. 14 December 1985.
