This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Oscar Abreu | |
---|---|
Born | San Juan de la Maguana, Dominican Republic | March 6, 1978
Nationality | Dominican |
Style | Psycho-Expressionism |
Website | oscarabreu |
Oscar Abreu (born March 6, 1978) is one of the top three most valued Dominican painters according to artprice.com. [1] Oscar Abreu is also a sculptor, art collector, cultural personality and performance artist, who lives and works in Dominican Republic. Abreu is the founder of Centro Abreu and of Psycho-Expressionism, an artistic movement that emphasizes causal relationships that characterize specific psychological states. [2]
Abreu began his formal art education (in 1987) under the notable art instructor José Nicolás Jiménez, who was the director of visual arts at La Escuela de Bellas Artes de San Juan de la Maguana in San Juan de la Maguana, Dominican Republic.
Abreu moved to Alcalá de Henares, Spain in 1989 and was enrolled in the Francisco de Quevedo School, an elementary school. While in Spain, Abreu had the opportunity to impress an art shopkeeper named Master Muñoz, who gave art lesson aside from selling art. And like Jiménez, Muñoz would further his artistic training.
Abreu continued developing his ideas and technique at the Marwen Foundation of Chicago (1994) and also at a special program, for gifted high school students, at the School of the Art Institute of Chicago the following year (1995). [3]
At the age of 16, Abreu immigrated to the city of Chicago and experienced substantial hardship and poverty. Throughout this period, Abreu pioneered Psycho-Expressionism, an artistic movement that canvasses the causal relationships that characterize specific psychological states. [4]
Abreu's works, in essence, deal with the question concerning what events cause the development or the stagnation of personality. Also, he entertains questions directed to the phenomenon of memory and human behavior.
In answering this question Abreu has developed a language or patterns over the years. These languages are a culmination of distinct tokens that continually present themselves in his works. The tokens that Abreu formulates through brush strokes, colors, scratches and collages further serve as symbols that reflect the elements which he believes makes the human physique. For example, a pattern that transcribes itself through most of his paintings is that of a set of small squares that surround a central figure.
The central figure usually symbolizes a particular memory or psychological state. Abreu's squares account for routine and history, two components of the mind, that in most cases, are not consciously accounted for, but that play an integral part in the formation of our personalities. Thus, he metaphorically deposits these squares in the background to represent their apparent secondary nature and to simultaneously establish the fact that they are a necessary part of the image.
He represents his squares with contrasting colors, or within the same domain of the background color, to expose and represent situations in which we find ourselves every day.
The central figure is constructed with layers of color, one above the other. After this is done, Abreu uses a spatula and scratches certain areas of the figure. Through the scratches, hints of different and earlier color layers are revealed. This method is symbolic of the evolutionary processes that transform our personalities and further of our psychological histories.
Abreu has been featured in over 28 solo exhibitions and participated in over 50 group exhibitions worldwide. [5] Abreu has presented his works in major cities and countries that include: Chicago, New York City and Miami, Puerto Rico and the Dominican Republic. Some of Abreu's most notable exhibitions are titled: El mal de las drogas, Huellas: La invención de lo visible, [6] The Glory of Our Independence, [7] and Irónicamente Absurdo. [8]
In 2015, Abreu was invited as a featured artist to Artexpo New York [9] and to the 4th annual Miami River Art Fair. [10] During October 2015, Abreu honored the memory of major league player Mateo Rojas Alou in New York City, by painting a portrait of Alou. [11]
In 2016, the Galería Nacional de Bellas Artes in Santo Domingo, held an exhibition titled Mi Psico- Expressionismo, to honor Abreu's career thus far. [12] Abreu premiered ArtForo, Art Fair in the Spring of 2016. ArtForo was the first-ever art fair exclusively featuring Dominican artists in the United States., [13]
In 2017, the New York State Senate, the New York State Assembly and the New York City Council recognized Abreu for his community work and his dedication to the Dominican community in Washington Heights. [14]
Abreu currently is one of the top 3 most valued artists of the Dominican Republic(according to auction records found in www.artprice.com). [15]
2017
"El Origen De La Personalidad" Boutaleb Gallery, New York, N.Y. [16]
"Live Painting Performance" Boutaleb Gallery, New York, N.Y. “Live Art Performance” ARTEXPO, New York, N.Y. . [17]
2016
"Mi Psico-Expresionismo" La Galería Nacional de Bellas Artes, Santo Domingo, Rep. Dom. [18]
“Live Art Demonstration” ARTEXPO, New York, N.Y.
“Obras recientes” ARTFORO, New York, NY
2015
“Fenómeno de la Memoria” Miami River Art Fair, Miami, FL.
“Cabezas” ARTEXPO, New York, N.Y.
“Performance” The Malcolm X & Dr. Betty Shabazz Center, New York, N.Y.
“Performance” Mitchell Square Park, New York, N.Y. [19]
2014
“Estructura de la Memoria” Nina Torres Fine Art, Miami, FL.
“Aspectos de la conducta” Miami River Art Fair, Miami, FL.
“Cabezas” ARTEXPO, New York, N.Y.
2009
“Irónicamente absurdo” Aliaza Francesa, Santo Domingo, Rep. Dom. [20]
“Agitación de la memoria” Centro Abreu, Santo Domingo, Rep. Dom.
2006
"Obras reciente," Artforo Centro Cultural, Santo Domingo, Rep. Dom.
"Detachment of the ego," Marwen Foundation, Chicago, Ill.
"Life of the mind", ARTFORO, Art Off the Main, NYC, NY.
"Punishment of Memory", Joe Hintersteiner Gallery, NYC, NY.
2005
"Acontecimiento del Espiritud," Alianza Gallery, New York, N.Y.
"La forma de la Música" Sofitel, Santo Domingo, R. D.
"Acontecimiento del Espiritud," Galería Prinardi, Hato Rey, Puerto Rico. [21]
"Conexión Cósmica," Palacio Consistorial, Santiago., Republica Dominicana.
"Conexión Cósmica," Colegio Dominicanos de artistas plásticos y las Escuela Nacional de Artes Visuales, Santo Domingo, Republica Dominicana.
"Gloria de la Independencia" Casa de la Cultura Mestizarte, Chicago, Ill.
2004
"Huellas: La invención de lo visible," Museo del Hombre Dominicano, Santo Domingo, R.D. [22]
1999
"Mira a través de mis ojos," Casa Dominicana, Chicago, Ill.
"Resaca de la existencia," Truman Collage, Chicago, Ill.
1997
"Obras recientes," Wells Community Academy, Chicago, Ill.
1996
"El mal de las drogas," Riverside Arts Center, Riverside, Ill.
Fernando Cabrera is a Dominican-American poet, essayist, visual artist, songwriter and professor. He is a National Poetry and Literary Essay Prize Winner.
Miguel D. Mena is a Dominican writer, poet, essayist and publisher. He studied sociology in the Autonomous University of Santo Domingo, where he graduated in 1986 with the thesis Ciudad, espacio y poder en Republica Dominicanca. He continued his research on the city of Santo Domingo in Germany, where he has been living since 1990. His PhD from the Free University of Berlin has been recently published under the title: Iglesia, Espacio y Poder: Santo Domingo (1498–1521) Experiencia Fundacional del Nuevo Mundo. He has also written a collections of essays about the urban cuestion in the Dominican Republic and hundred of articles for newspapers and magazines about contemporary aspects of the Dominican capital. He has also written extensively about Dominican literature and especially about Vanguardism in the Dominican literature. He has been one of the leading figures in independent publishing since the mid-1980s in Dominican Republic. He is now at the head of “Cielonaranja Ediciones”
Jaime Antonio Gumercindo González Colson was a Dominican modernist painter, writer, and playwright born in Tubagua, Puerto Plata in 1901. He is remembered as one of the most important Dominican artists of the 20th century, and as one of the leading figures of the modernist movement in 20th century Dominican art, along with Yoryi Morel, Dario Suro, and Celeste Woss y Gil.
Darío Antonio Suro García-Godoy was a Dominican painter, art critic, and diplomat from La Vega, Dominican Republic, remembered as one of the most influential Dominican artists from the 20th century. Suro's paintings encompassed a wide range of styles from the impressionist mood of his early paintings, to the neo-realism of his maturity, and finally to the abstraction of his later works. Together with his contemporaries Yoryi Morel, Jaime Colson, and Celeste Woss y Gil, he is known as one of the progenitors of modernist art in the Dominican Republic.
Pedro José Borrell Bentz is an internationally recognized Dominican architect and archeologist who has earned several awards and is recognized for the transcendence in his architectural designs.
Clara Ledesma Terrazas was an artist from the Dominican Republic.
Sully Osvaldo de Jesús Bonnelly Canaán is a Dominican-American fashion designer of women's ready-to-wear. Trained at Oscar de La Renta. He is the founder, owner, and creative director of Sully Bonnelly, the brand.
White Dominicans are Dominican people of predominant or full European descent. They are 17.8% of the Dominican Republic's population, according to a 2021 survey by the United Nations Population Fund. The majority of white Dominicans have ancestry from the first European settlers to arrive in Hispaniola in 1492 and are descendants of the Spanish and Portuguese who settled in the island during colonial times, as well as the French who settled in the 17th and 18th centuries.
Carlos de la Mota is a Dominican architect, actor and singer. His acting career began in 2003 and he received critical acclaim for his role in the telenovela Destilando Amor, as Britishman James O'Brian.
Tito Enrique Canepa Jiménez was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in New York. Cánepa is accented in Spanish but not in the original Ligurian.
Manuel Alejandro Grullón Viñas is a businessman from the Dominican Republic. In April 2014, he was appointed the Chairman of Grupo Popular, a company whose subsidiaries include Banco Popular Dominicano, the largest private bank in the Dominican Republic. He has been president of the Banco Popular Dominicano since 1990. Forbes listed Grullón as one of the ten wealthiest men of the Dominican Republic.
Juan Andújar is a Dominican artist known by his modern paintings inspired in the ocean and rural life.
Martha Ellen Davis is an emeritus professor from the University of Florida, anthropologist and ethnomusicologist known for her multifarious work on African diasporic religion and music. Professor Davis' research has defied conventional tenets about Haitian and Dominican folk music, and her cultural preservation projects has raised awareness of the significance of the Samaná Americanos' enclave.
Karima Boutaleb is an artist and entrepreneur born in the city of Champigny-sur-Marne in France. Her artistic career started in Santo Domingo, where she lived to study the culture, folklore, and music of the Caribbean.
Psycho-Expressionism refers to an artistic style created in the mid-1990s by Dominican painter Oscar Abreu, in which causal relationships that characterize specific psychological states are represented by Abreu through colorful brush strokes, scratches on canvass and the interplay between the background and subject of the piece.
Aída Teresa Mencía Ripley is an academic from the Dominican Republic. She is currently Vice-Chancellor for Research and Innovation and UNESCO Chairholder in Intersectional Gender Studies in Education and Psychology at Universidad Iberoamericana of the Dominican Republic (UNIBE).
Alberto Ulloa was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson, who also mentored Mario Carreño, the Cuban-Chilean master. Ulloa also studied drawing with illustrator and painter Domingo Liz.
Luis Marín is a Cuban Neo-expressionist painter and visual artist. He has been active internationally in the arts since the 1980s and is featured in the permanent collections of several prominent fine art institutions including the Museum of Latin American Art and Museum of Art Fort Lauderdale.
Zenobia Galar is a Dominican painter.