Oscar Chelimsky | |
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| Chelimsky in Paris, 1948 | |
| Born | 5 January 1923 New York City |
| Died | 9 January 2010 (aged 87) Shaker Heights, Ohio |
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Oscar Chelimsky (January 5, 1923 - January 9, 2010) was an American painter of the lyrical abstractionist movement. He lived and exhibited in France from 1947 to 1970.
Oscar Chelimsky was born in New York, where his father Max Chelimsky and his mother Bertha had established themselves after immigrating from Russia. He attended Cooper Union, the Art Students League of New York from 1939 to 1943, and the Hans Hoffmann School of Art in 1946 and 1947.
Chelimsky arrived in France in 1947, supported by a G.I. Bill grant. After a brief stay in Fontainebleau, he moved to Paris and enrolled in the Académie de la Grande Chaumière.. [1] [2]
Between 1949 and 1950, Chelimsky moved into a vacant studio that he had discovered by chance on Impasse Ronsin, home to Constantin Brâncuși's social circle. However, he had to leave after a year when the studio was demolished. [3]
In 1950, Chelimsky was one of the founding members of Galerie Huit, a co-operative gallery founded by young American artists to display their work. Chelimsky and his wife Eleanor Chelimsky spent their summers from 1954 to 1970 in Saint-Maurice-d'Ibie alongside the sculptor Étienne Hajdú and were visited there by their friends Stanley William Hayter and Helen Phillips (from nearby Alba-la-Romaine) and the poet Jacques Dupin. [4]
Oscar and Eleanor Chelimsky returned to the United States in 1970 where he taught painting at the Maryland College of Art and Design until his retirement in 1991.
Chelimsky was diagnosed with Parkinson's disease in 2005 and died in 2010 in Shaker Heights, Ohio. [5]
Built directly on the ground with no second story, [the ateliers] consisted of four windowless walls, perhaps four yards high, and their dimensions were about six yards by five. The roof was made up of two slanting spans, one of red tile, the other of glass, which started from the top of two opposite walls and met at a height of some eight yards. […] In 1949 few Parisians suspected the bucolic life which reigned in the heart of the metropolis only a few steps from one of its biggest and busiest arteries. Among the abundant foliage […] cats, dogs, chickens, rabbits, and even a majestic goose ran about as they do on any farm. And although one might hear an occasional auto horn, there was a farm like sense of peace.