Osiris Rising

Last updated
Osiris Rising
Osiris Rising.jpg
Author Ayi Kwei Armah
Cover artistR. M. Osotsi
CountrySenegal
LanguageEnglish
Genre Novel
PublisherPer Ankh
Publication date
1995
Media typePrint (Paperback)
Pages348
ISBN 2-911928-00-8
OCLC 256475128

Osiris Rising: A Novel of Africa Past, Present and Future is a novel written by Ayi Kwei Armah and published in 1995. The story revolves around an African-American woman, Ast, who goes to Africa looking for heritage after she gets her PhD. The text addresses a number of contemporary African issues, including the residual colonial institutions that limit African culture, the hypocritical nature of African Americans and expatriates who try to help Africa and the contemplation of "What is African history and culture?" The book is published by Per Ankh, a Senegalese publishing company.

Contents

Characters

Many of Osiris Rising's characters appear one-dimensional and ludicrous, almost "puppet-like". [1] Ast, the main character, seems the most credible and developed among the characters, yet even her psychology in the interactions with Seth can become absurd. [2] At best the characters, act as principles representing further exploration of the book's themes. [1] The following are the book's main characters:

Setting

Armah sets the story in a contemporary unnamed West African country. A majority of the story takes place on the campus of Manda's Teachers' College, where Asar and Ast both teach and many of their agendas come to fruition.

Thematic elements

As the title implies, Armah transposes the ancient Egyptian Osiris myth into modern Africa. [3] This first becomes evident when Armah names each chapter using Egyptian words. [3] The main characters closely align with the major movers of the myth: the reforming Asar identifying with Osiris, Asar's companion, Ast, portrayed as Isis, and Soya representing Set. [3]

The relationship between Ast and Asar reflects a Pan-African model of uniting both the African American with no ethnic tribe and the native African who clearly identifies with a single village. [4] This represents a similar relationship to that between an Afro-Caribbean man and an African women in Armah's novel Fragments . [4] This relationship, one of love and commitment that works fervently for the emancipation of African thought, helps reinforce Armah's message of pan-African cooperation. [4]

Armah presents a very critical view of the character Sheldon Tubman. [4] He portrays this character, a strong civil-rights activist in the state, as nothing more than a "Diaspora Hustler" - someone who makes a big deal of returning to the African tradition but instead uses this fake "tradition" to benefit himself. [4] Anne Adams, in her comparison of the two authors' repertoires in "Literary Pan-Africanism", identifies this as a position also strongly expressed by Guadeloupean Maryse Condé. [4]

Critical reception

Osiris Rising has been reviewed by a handful of world literature scholars in institutions that provide a western education:

Andrew Perrin of UCLA comments "Artistically the book leaves something to be desired as well," however, "Ayi Kwei Armah is an astute observer and analyst of Africa's contemporary conditions." [5] However, he says that Ast and Asar's intellectual movement to change the political situation is almost "inspiring, even hopeful." [5]
Derek Wright comments that "This powerful and searching novel is not without its weaknesses... it makes unexciting fiction." [3] To better explain this he says "Osiris Rising is very low on both dramatic incident and psychological intensity." [3] Wright, though he acknowledges the book is principally "to explore the real, albeit restricted, options for change open to Africa's inventive and radical thinkers", feels that much of the book is largely undeveloped: lacking development in character dynamics, the context of the state, and the characters themselves. [3]

See also

For individuals using a similar definition of the culture and history of Africa:

Related Research Articles

<span class="mw-page-title-main">Libation</span> Cultural offering of beverage to a deity or spirit

A libation is a ritual pouring of a liquid, or grains such as rice, as an offering to a deity or spirit, or in memory of the dead. It was common in many religions of antiquity and continues to be offered in cultures today.

<span class="mw-page-title-main">Kwame Kwei-Armah</span> Actor, playwright, singer, and broadcaster

Kwame Kwei-Armah is a British actor, playwright, director, singer and broadcaster. He is best known for playing paramedic Finlay Newton in the BBC medical drama Casualty from 1999 until 2004. In 2005 he became the second black Briton to have a play staged in the West End of London. Kwei-Armah's award-winning piece Elmina's Kitchen transferred to the Garrick Theatre in 2005. He was appointed Officer of the Order of the British Empire (OBE) in the 2012 Birthday Honours for services to drama. He is currently the artistic director of the Young Vic theatre in London, succeeding David Lan.

The Ga-Dangbe, Gã-Daŋbɛ, Ga-Dangme, or GaDangme are an ethnic group in Ghana, Togo and Benin. The Ga and Dangbe people are grouped respectively as part of the Ga–Dangme ethnolinguistic group. The Ga-Dangmes are one ethnic group that lives primarily in the Greater Accra of Ghana. Ethnic Ga family names (surnames) include Nikoi, Amon, Kotey, Kotie, Adei, Kutorkor, Oblitey, Lartey, Nortey, Aryee, Poku and Lamptey. The following are names derived from the ethnic Dangme and common among the Ningos Nartey, Tetteh, Kwei, Kweinor, Kwetey, Narteh, Narh, Dugbatey, Teye, Martey, Addo, Siaw, Saki, Amanor, Djangba. These are aligned to the ethnic Ga as well: Lomotey, Tetteh, Ankrah, Tetteyfio, Laryea, Ayitey, Okai, Bortey, Quaye, Quaynor, Ashong, Kotei, Sowah, Odoi, Ablor, Adjetey, Dodoo, Darku and Quartey.

<span class="mw-page-title-main">Ayi Kwei Armah</span> Ghanaian writer

Ayi Kwei Armah is a Ghanaian writer best known for his novels including The Beautyful Ones Are Not Yet Born (1968), Two Thousand Seasons (1973) and The Healers (1978). He is also an essayist, as well as having written poetry, short stories, and books for children.

<i>The Beautyful Ones Are Not Yet Born</i> 1968 novel by Ayi Kwei Armah

The Beautyful Ones Are Not Yet Born is the debut novel by Ghanaian writer Ayi Kwei Armah. It was published in 1968 by Houghton Mifflin, and then republished in the influential Heinemann African Writers Series in 1969. The novel tells the story of an unnamed man who struggles to reconcile himself with the reality of post-independence Ghana.

Ato Sekyi-Otu is a Ghanaian political philosopher. He was born at Saltpond, Ghana in 1941 and until 1971 was known as Daniel Sackey Walker. He was educated at Mfantsipim School, Cape Coast, where he was Head Prefect in 1960-61 and completed his Cambridge Higher School Certificate in 1961 with distinctions in Greek and Latin. He went to Harvard and received an A.B. in Government in 1966. He pursued graduate studies at the University of Toronto where he worked with the renowned Canadian political theorist C.B. Macpherson and received his PhD in 1971.

Mildred Kiconco Barya is a writer and poet from Uganda. She was awarded the 2008 Pan African Literary Forum Prize for Africana Fiction, and earlier gained recognition for her poetry, particularly her first two collections, Men Love Chocolates But They Don't Say (2002) and The Price of Memory: After the Tsunami (2006).

<i>Okyeame</i>

Okyeame was a literary magazine founded by the Ghana Society of Writers in the post-Independence era, which saw the rapid rise of a new generation of thinkers, writers and poets in the country. The first issue of Okyeame appeared in 1960, and issues were published, at irregular intervals, up until 1972. Inspired by Kwame Nkrumah, the first Prime Minister of Ghana, the publication sought to explore the experiences of Africa from a new intellectual framework. Writers published in the magazine include its first editor Kofi Awoonor, Efua Sutherland, Ayi Kwei Armah and Ama Ata Aidoo.

<span class="mw-page-title-main">Jane Naana Opoku-Agyemang</span> Ghanaian academician and former education minister

Jane Naana Opoku-Agyemang is a Ghanaian academic and politician who served as Minister for Education from February 2013 to January 2017. She is a full professor of literature. She served as the first female Vice-Chancellor of a state university in Ghana when she took over as Vice-Chancellor of University of Cape Coast. She currently serves as the Chancellor of the Women's University in Africa.

<span class="mw-page-title-main">Robert Fraser (writer)</span>

Robert Fraser FRSL is a British author and biographer.

<span class="mw-page-title-main">Ken Lipenga</span>

Ken Diston Lipenga is a Malawian politician, journalist, and writer. He was the Member of Parliament for Phalombe East from 1997 to 2014. He has served in various ministerial positions.

Benjamin Kwakye is a Ghanaian novelist and lawyer. His first novel, The Clothes of Nakedness, won the 1999 Commonwealth Writers' Prize, best first book, Africa, and has been adapted for radio as a BBC Play of the Week. His novel The Sun by Night won the 2006 Commonwealth Writers' Prize, Best Book Africa. His novel The Other Crucifix won the 2011 IPPY award. His is also the winner of the 2021 African Literature Association's Book of the Year Award for Creative Writing.

Ode Ogede is a Nigerian-born American academic who is professor of African literature and was a lecturer at Ahmadu Bello University.

B. Kojo Laing or Bernard Kojo Laing was a Ghanaian novelist and poet, whose writing is characterised by its hybridity, whereby he uses Ghanaian Pidgin English and vernacular languages alongside standard English. His first two novels in particular – Search Sweet Country (1986) and Woman of the Aeroplanes (1988) – were praised for their linguistic originality, both books including glossaries that feature the author's neologisms as well as Ghanaian words.

<i>The Beautyful Ones Are Not Yet Born</i> (album) 1991 studio album by Branford Marsalis

The Beautyful Ones Are Not Yet Born is a jazz album by Branford Marsalis, leading a trio with Jeff "Tain" Watts and Robert Hurst and with guest appearances from Wynton Marsalis and Courtney Pine. It was recorded May 16–18, 1991, at CTS Studio A, Wembley, England, and June 24, 1991, at RCA Studio B in New York, New York. It peaked at number 3 on the Top Jazz Albums chart.

<span class="mw-page-title-main">Two Thousand Seasons</span>

Two Thousand Seasons is a novel by Ghanaian novelist Ayi Kwei Armah. The novel was first published in 1973 and subsequently published a number of times, including in the influential Heinemann African Writers Series. It is an epic historical novel, attempting to depict the last "two thousand seasons" of African history in one narrative arc following a Pan-African approach.

<span class="mw-page-title-main">Ayesha Harruna Attah</span> Ghanaian-born fiction writer (born 1983)

Ayesha Harruna Attah is a Ghanaian-born fiction writer. She lives in Senegal.

<i>The Emergence of African Fiction</i> 1972 academic study on African literature by Charles Larson

The Emergence of African Fiction is a 1972 academic monograph by American scholar Charles R. Larson. It was published initially by Indiana University Press, and again, in a slightly revised edition, in 1978 by Macmillan. Larson's study has elicited very different responses: it was praised as an early and important book in the study and appreciation of African literature in the West, but for others it remained stuck in a Eurocentric, even colonizing mode in which Western aesthetics were still the unspoken standard for artistic assessment.

The Healers is a novel by Ayi Kwei Armah. It was Armah's fifth novel which was published in 1979.

Ghanaian literature is literature produced by authors from Ghana or in the Ghanaian diaspora. The tradition of literature starts with a long oral tradition, was influence heavily by western literature during colonial rule, and became prominent with a post-colonial nationalist tradition in the mid 20th century. The current literary community continues with a diverse network of voices both within and outside the country today, including film, theatre, and modern digital formats such as blogging.

References

  1. 1 2 Jackson 266
  2. Jackson 265-266
  3. 1 2 3 4 5 6 Wright, Derek (March 1985). "Review:Returning Voyagers: The Ghanaian Novel in the Nineties". The Journal of Modern African Studies. Cambridge University Press. 23 (1): 179–192. doi:10.1017/s0022278x00055269. JSTOR   161744. S2CID   153884548.
  4. 1 2 3 4 5 6 Adams, Anne (2003). "Literary Pan-Africanism". Thamyris/Intersecting: Place, Sex and Race. 11: 137–150.
  5. 1 2 Perrin, Andrew J. (Winter 1999). "Review:What is African?". Callaloo . The Johns Hopkins University Press. 22 (1): 247–249. doi:10.1353/cal.1999.0004. S2CID   162229505.

Book sources