This article focuses on poetry from the United Kingdom written in the English language. The article does not cover poetry from other countries where the English language is spoken, including the Republic of Ireland after December 1922.
Basil Cheesman Bunting was a British modernist poet whose reputation was established with the publication of Briggflatts in 1966, generally regarded as one of the major achievements of the modernist tradition in English. He had a lifelong interest in music that led him to emphasise the sonic qualities of poetry, particularly the importance of reading poetry aloud: he was an accomplished reader of his own work.
Irish literature is literature written in the Irish, Latin, English and Scots languages on the island of Ireland. The earliest recorded Irish writing dates from back in the 7th century and was produced by monks writing in both Latin and Early Irish, including religious texts, poetry and mythological tales. There is a large surviving body of Irish mythological writing, including tales such as The Táin and Mad King Sweeny.
The British Poetry Revival is the general name now given to a loose movement in the United Kingdom that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology The New American Poetry (1960) edited by Donald Allen.
Richard Caddel was a poet, publisher and editor who was a key figure in the British Poetry Revival.
The New British Poetry 1968-88 was a poetry anthology from 1988, jointly edited by Gillian Allnutt, Fred D'Aguiar, Ken Edwards and Eric Mottram, respectively concerned with feminist, Black British, younger experimental and British poetry revival poets. The book's general editor was John Muckle, founder of the Paladin Poetry Series. He attempted to challenge what many saw as a narrowly defined 'mainstream' by creating a book around different strands in radical poetry and four editors who might not otherwise have worked together: "Their differences, both in the shape they have given their selections and in their introductory remarks, make this a many-sided, exciting, unpredictable - and no doubt contentious book." The anthology's multicultural and counter-cultural stance gave it a strong anti-Thatcherite flavour. The book was widely if critically reviewed and went on to influence a number of subsequent anthologies of British poetry.
Conductors of Chaos: A Poetry Anthology is a poetry anthology edited by Iain Sinclair, and published in the United Kingdom in 1996 by Picador.
Randolph Healy is an Irish poet and publisher.
British Poetry since 1945 is a poetry anthology edited by Edward Lucie-Smith, published in 1970 by Penguin Books, with a second and last edition in 1985. The anthology is a careful attempt to take account of the whole span of post-war British poetry, including poets from The Group, a London-centred workshop that Lucie-Smith himself had once been chairman of, following the departure of founder Philip Hobsbaum.
Nationality words link to articles with information on the nation's poetry or literature.
John Kerrigan, is a British literary scholar, with interests including the works of Shakespeare, Wordsworth and modern poetry since Emily Dickinson and Hopkins, along with Irish studies.
Bloodaxe Books is a British publishing house specializing in poetry.
Nationality words link to articles with information on the nation's poetry or literature.
— closing lines of Rudyard Kipling's If—, first published this year in Rewards and Fairies
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Paladin Poetry was a series of paperback books published by Grafton Books under its Paladin imprint, intended to bring modernist and radical poetry before a wider audience. Its founding anthology The New British Poetry 1968-88 attempted to revive the fortunes of the modernist tradition, to correct the gender imbalance of previous anthologies and to bring a new generation of ‘Black British’ poets to prominence. The series was originally edited by writer John Muckle, then Grafton’s editorial copywriter (1985–88), and later by the London writer Iain Sinclair. Many of the Paladin Poetry books were paperback originals. The entire poetry series was pulped within months of the publication of its last titles. However, it did affect poetry readers and had a considerable influence on the output of other poetry publishers, such as Bloodaxe, Penguin, Carcanet and Salt.
Scottish Gaelic literature refers to literary works composed in the Scottish Gaelic language, which is, like Irish and Manx, a member of the Goidelic branch of Celtic languages. Gaelic literature was also composed in Gàidhealtachd communities throughout the global Scottish diaspora where the language has been and is still spoken.
Wendy Mulford is a Welsh-born poet, associated with the contemporary avant garde scene, with the British Poetry Revival, and with the development of feminist poetry in the 1970s. Her poetry has been viewed as "difficult to categorise" and as "multi- and non-linear". Her early poetry had particularly strong feminist and Marxist elements, but latterly she has moved towards more personal themes.
That part of the United Kingdom called Northern Ireland was created in 1922, with the partition of the island of Ireland. The majority of the population of Northern Ireland wanted to remain within the United Kingdom. Most of these were the Protestant descendants of settlers from Great Britain.
