Douglas Oliver

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Douglas Dunlop Oliver (14 September 1937 – 21 April 2000) was a poet, novelist, editor, and educator. The author of more than a dozen works, Oliver came into poetry not as an academic but through a career in journalism, notably in Cambridge, Paris, and Coventry, before attending the University of Essex in the 1970s. He received a B.A. (literature) in 1975 and an M.A. (applied linguistics) in 1982. Oliver subsequently lived in Brightlingsea, Paris, New York, and again Paris, usually working as a lecturer. [1]

Contents

Biography

Oliver was born in 1937 in Southampton, Hampshire as the youngest of three children, and subsequently grew up near Bournemouth in the town of Branksome. [2] His parents, Athole and Marjorie Oliver, were Scottish Presbyterians. Having left school at fifteen, Oliver did his national service as a clerk in the RAF School of Cookery and then found his way into provincial journalism. He became a journalist first in Coventry and then in Cambridge, and was a staff reporter on the Cambridge Evening News.

"A poet of modern Paris has to write about more than the river mists ..., More than midway through my life I have begun writing Arrondissements, a series of books, or long sequences in poetry and prose, designed to reflect the world at large through the prism of Paris."
Douglas Oliver [3]

In 1962 he married Janet Hughes. They had two daughters, Kate and Bonamy, and a son, Tom. They moved to Cambridge in about 1968. It was there that Oliver formed some ties with a group of poets with connections to The English Intelligencer and the Ferry and Grosseteste presses: part of the group vaguely associated with J. H. Prynne which today is acknowledged as an important epicenter of innovative poetry in the United Kingdom. These poets subsequently became known as the Cambridge poets. At this time, Oliver's own poems began to be published.

In 1970, the family moved to Paris where Oliver worked for Agence France-Presse. Upon his return to England, Oliver took his place as a student at Essex University, which had also become a gathering place for poets. Significantly, it was there that he befriended the American poets Ted Berrigan (1934—1983) and Alice Notley.

During the 1970s and 1980s, Oliver continued to lecture, teach, edit and write. His first marriage dissolved in 1987. Eventually Oliver moved to New York and in February 1988 married Alice Notley who had two sons with Ted Berrigan: Edmund and Anselm Berrigan (both of whom, subsequently, have become established writers themselves). In 1992, Oliver returned to Paris, and lived there with Notley until his death from prostate cancer. According to John Hall, it was during this phase of his life that Oliver was working mostly on Arrondissements. [4]

Further reading

Related Research Articles

References

  1. "Douglas Oliver Arrondissements". Salt Publishing. Archived from the original on 4 February 2012.
  2. March-Russell, Paul (15 June 2005). "Douglas Oliver" . The Literary Encyclopedia. Retrieved 10 June 2015.
  3. Oliver, Douglas (2003). "Introduction". Arrondissements. Salt Publishing. ISBN   9781844710195.
  4. Hall, John (2006). "Ventriloquising Against Harm". Jacket magazine. Ostensibly a review of Oliver's posthumous publication Whisper ‘Louise’: A double historical memoir and meditation, Hall's piece extensively investigates Oliver's sense of a poetics in terms of a life devoted to family, friends, work, and poetry.

Selected bibliography

Peter Riley is a contemporary English poet, essayist, and editor. Riley is known as a Cambridge poet, part of the group loosely associated with J. H. Prynne which today is acknowledged as an important center of innovative poetry in the United Kingdom. Riley was an editor and major contributor to The English Intelligencer. He is the author of ten books of poetry, and many small-press booklets. He is also the current poetry editor of the Fortnightly Review and a recipient of the Cholmondeley Award in 2012 for "achievement and distinction in poetry".

Salt Publishing is an independent publisher whose origins date back to 1990 when poet John Kinsella launched Salt Magazine in Western Australia. The journal rapidly developed an international reputation as a leading publisher of new poetry and poetics. Over the next decade, Kinsella, together with Tracy Ryan, went on to develop Folio(Salt), publishing and co-publishing books and chapbooks focused on a pluralist vision of contemporary poetry which extended across national boundaries and a wide range of poetic practices.

Translations

John Hall on Oliver's work