Otto Moroder (born 29 January 1894 in Ortisei in Val Gardena; died 27 July 1977 in Mayrhofen, Zillertal) was an Austrian sculptor from South Tyrol. [1]
He was the last born son of Josef Moroder, he learned his trade in his father's workshop. In 1919 he married the Grödner Anna Knottner and settled in Mayrhofen in the Zillertal. The marriage produced two sons, Klaus and Albin, and a daughter Anne Marie. The girl died aged 10 weeks. The family adopted a boy named Rudolf Geisler-Moroder, who founded a woodcarving school in Elbigenalp in the Lechtal. [2] In 1916, on the occasion of the centenary of the Tyrolean Kaiserjäger, Otto made a created a statue on the subject of the traditional "Tyrolean firefighter", which was presented to the Kaiser on his birthday. The Emperor gave the artist in a private audience on 16 September 1916 in the Schönbrunn Palace and awarded him with a golden clock. In 1977 he was awarded the Cross of Honor for Art and Science of the Republic of Austria . [3] Because of his style and his motives, Otto Moroder was nicknamed the "Albin Egger-Lienz of Wood Carver". [4]
In the Viennese Museum of Military History, there is the Zirbenholz sculpture Kameradentreue, created around 1918 .
In 1964, the forest cemetery was built in Mayerhofen. The large wooden cross in the cemetery chapel was created by the sculptor Otto Moroder. [5]
For the Fatima pilgrimage church in Droß in the Waldviertel, he created a statue of the Virgin Mary. [6]
In the St. Canisius Church in Vienna, consecrated in 2002, a Madonna carved by Otto Moroder in 1943 stands on the crescent moon, which was saved in 1995 during a major fire of the previous church. [7]
For the parish Zwentendorf on the Danube, he also created a statue of the Virgin Mary. [8]
In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
South Tyrol is an autonomous province in northern Italy. An English translation of the official German and Italian names could be the Autonomous Province of Bolzano – South Tyrol, reflecting the multilingualism and different naming conventions in the area. Together with Trentino, South Tyrol forms the autonomous region of Trentino-Alto Adige/Südtirol. The province is the northernmost of Italy, the second largest with an area of 7,400 square kilometres (2,857 sq mi), and has a total population of about 534,000 inhabitants as of 2021. Its capital and largest city is Bolzano.
Walther von der Vogelweide was a Minnesänger who composed and performed love-songs and political songs (Sprüche) in Middle High German. Walther has been described as the greatest German lyrical poet before Goethe; his hundred or so love-songs are widely regarded as the pinnacle of Minnesang, the medieval German love lyric, and his innovations breathed new life into the tradition of courtly love. He was also the first political poet to write in German, with a considerable body of encomium, satire, invective, and moralising.
The Palazzo Vecchio is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.
The Hagenbund or Künstlerbund Hagen was a group of Austrian artists that formed in 1899. The group's name derived from the name Herr Hagen, the proprietor of an inn in Vienna which they frequented.
Albin Egger-Lienz was an Austrian painter known especially for rustic genre and historical paintings.
Michael Pacher was a painter and sculptor from Tyrol active during the second half of the fifteenth century. He was one of the earliest artists to introduce the principles of Renaissance painting into Germany. Pacher was a comprehensive artist with a broad range of sculpting, painting, and architecture skills producing works of complex wood and stone. He painted structures for altarpieces on a scale unparalleled in North European art.
Urtijëi is a town of 4,637 inhabitants in South Tyrol in northern Italy. It occupies the Val Gardena within the Dolomites, a mountain chain that is part of the Alps.
The Golden Madonna of Essen is a sculpture of the Virgin Mary and the infant Jesus. It is a wooden core covered with sheets of thin gold leaf. The piece is part of the treasury of Essen Cathedral, formerly the church of Essen Abbey, in North Rhine-Westphalia, Germany, and is kept on display at the cathedral.
Gert Heinrich Wollheim was a German expressionist painter later associated with the New Objectivity, who fled Nazi Germany and worked in the United States after 1947.
Otto Pankok was a German painter, printmaker, and sculptor.
Moroder is a germanised version of the Ladin surname Mureda.
Josef Theodor Moroder, also known as the Lusenberger, was a painter and sculptor, the most prominent artist of the Moroder family from the Grödenthal in South Tyrol.
Paul Ondrusch was a German sculptor who created religious works of art. Ondrusch was an active artist in Silesian towns and villages at the time when they belonged to the German Empire and later when they were part of Weimar Republic and the Third Reich since 1919 and 1933 respectively. After the Second World War he moved to Germany when his hometown was included in the territory of post-war communist-ruled Poland in 1945.
Franz Defregger was an Austrian artist known for producing genre art and history paintings set in his native county of Tyrol.
Kiepenkerl was originally a sandstone statue of a travelling merchant created by August Schmiemann in Münster, Germany, in 1896. Destroyed in World War II, it was re-created in cast metal by Albert Mazzotti Jr in 1953. The statue now stands in a small square in the Old Quarter of Münster. In 1987 American sculptor Jeff Koons created a replica of the design in polished cast stainless steel.
Nail Men or Men of Nails were a form of propaganda and fundraising for members of the armed forces and their dependents in the Austro-Hungarian Empire and the German Empire in World War I. They consisted of wooden statues into which nails were driven, either iron (black), or coloured silver or gold, in exchange for donations of different amounts. Some took different forms, including pillars, shields or local coats of arms and crosses, especially the Iron Cross, and in German there are a variety of alternate names for them, including Wehrmann in Eisen or eiserner Wehrmann, Nagelfigur, Nagelbild or Nagelbrett, Wehrschild and Kriegswahrzeichen. The most famous were the original Wehrmann in Eisen in Vienna and the 'Iron Hindenburg', a 12-metre (39 ft) statue of Hindenburg adjacent to the Victory Column in Berlin.
Rudolf Moroder-Lenèrt was an Austrian sculptor specializing in religious art, who was a member of the Moroder family of South Tyrol, which was notable for the many artists of repute they produced.
Albin Moroder was an Austrian sculptor.
Walter Moroder is a contemporary South Tyrolean sculptor and draftsman.