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A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons usually on both ends, unlike accordion buttons, which are on the front.
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A button accordion is a type of accordion on which the melody-side keyboard consists of a series of buttons. This differs from the piano accordion, which has piano-style keys. Erich von Hornbostel and Curt Sachs categorize it as a free reed aerophone in their classification of instruments, published in 1914. The sound from the instrument is produced by the vibration of air in reeds. Button accordions of various types are particularly common in European countries and countries where European people settled. The button accordion is often confused with the concertina; the button accordion's buttons are on the front of the instrument, where as the concertina's are on the sides and pushed in parallel with the bellows.
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Jeremy Adam Eichler is an American music critic, and cultural historian. Since 2006 he has been the chief classical music critic of The Boston Globe, frequently writing in his column the "Third Ear". Having written for a variety of newspaper publications, Eichler has received numerous awards and fellowships. His forthcoming book, Time's Echo, explores music and the cultural memory of the Second World War.
The Elliott–Savonas were a troupe of British music hall, circus and variety entertainers, between the 1870s and 1920s, who performed two distinct stage acts. As The Cycling Elliotts, they performed cycling tricks; and, as The Musical Savonas, the same individuals formed a saxophone band. They used various combinations of names in their billings, including The Elliotts as the Musical Savonas, and were described as "one of the most successful and original of the early music hall speciality acts".
References
- ↑ Litwin, Steve; Kohan, Mark (2004). "The Chemnitzer Concertina: Polka Music's Workhorse". Polish American Journal. Retrieved 30 January 2015.
- ↑ Philip Vilas Bohlman(Philip Bohlman); Otto Holzapfel (2002). Land Without Nightingales: Music in the Making of German-America. University of Wisconsin-Madison. p. 206. ISBN 978-0-924119-04-0.
- ↑ American Folk Art. ABC-CLIO. pp. 408–. ISBN 978-0-313-34936-2.