Otto Schmöle (1890–1968) was a German actor.
Year | Title | Role | Notes |
---|---|---|---|
1922 | The Daughter of the Brigadier | ||
1922 | The Marquis of Bolibar | Salignac | |
1924 | Everybody's Woman | Philipp Thun | |
1924 | Vier Nächte einer schönen Frau | ||
1925 | The Curse | Torwächter | |
1925 | A Waltz by Strauss | Mann im Frack | |
1926 | Franz Schuberts letzte Liebe | Paganini | |
1927 | Seine Hoheit, der Eintänzer | Polizeikommissar | |
1927 | The Family without Morals | Josef Meisl | |
1928 | Der Geliebte seiner Frau | Taschendieb Stieglitz | |
1929 | The Midnight Waltz | ||
1929 | Little Veronica | ||
1931 | Purpur und Waschblau | Der Polizeipräfekt | |
1932 | Lumpenkavaliere | Generaldirektor | |
1933 | Invisible Opponent | ||
1934 | Spring Parade | Der Adjutant | Uncredited |
1934 | Frasquita | ||
1935 | Leutnant Bobby, der Teufelskerl | ||
1935 | Buchhalter Schnabel | Der Syndikus | |
1939 | Linen from Ireland | Nagel | |
1940 | Das jüngste Gericht | ||
1941 | Oh, diese Männer | Polizeikommissar | |
1942 | Whom the Gods Love | ||
1948 | Der Prozeß | Prussian, Gast im Hause Solymosi | |
1948 | Gottes Engel sind überall | Hugo | |
1948 | Der Herr Kanzleirat | ||
1949 | Duel with Death | Präsident des deutschen Feldkriegsgerichts | |
1949 | Mysterious Shadows | Präsident Ries | |
1952 | Ich hab' mich so an Dich gewöhnt | Herr von Prittwitz, Hotelgast | |
1955 | The Last Ten Days | Generaloberst Alfred Jodl | |
1955 | Gasparone | Cavalaliero | |
1955 | Sonnenschein und Wolkenbruch | ||
1956 | Wilhelm Tell | Walter Fürst | |
1957 | Die Lindenwirtin vom Donaustrand | Dicker Herr | |
1958 | Die Landärztin vom Tegernsee | ||
1959 | Maria Stuart | ||
1960 | Herr Puntila and His Servant Matti | Richter | |
1960 | The Good Soldier Schweik | Generalmajor von Schwarzenberg | Uncredited |
1962 | Adorable Julia | Albert, Chauffeur bei Gosselyns | |
1962 | He Can't Stop Doing It | Lord Bannister | |
1963 | Mit besten Empfehlungen | Fohnsheim, Bankpräsident |
Adorable Julia is a 1962 Austrian comedy film directed by Alfred Weidenmann and starring Lilli Palmer, Charles Boyer and Jean Sorel. It was entered into the 1962 Cannes Film Festival. It is based on the 1937 novel Theatre by W. Somerset Maugham, and the subsequent play that Guy Bolton and Marc-Gilbert Sauvajon adapted from the novel.
vocaldente are an a cappella quintet from Hanover, Germany.
Mysterious Shadows is a 1949 Austrian drama film directed by G. W. Pabst and starring Paul Hubschmid, Ilse Werner, and Elfe Gerhart. It was shown at the Venice Film Festival. It was shot at the Rosenhügel Studios in Vienna and at the Hoher Dachstein ice caves. The film's sets were designed by the art director Isabella Schlichting and Werner Schlichting
The Last Ten Days is a 1955 Austrian-German drama film directed by G. W. Pabst. It was the first film in post-World War II Germany to feature the character of Adolf Hitler. It follows him and others in what were the last days of the Third Reich.
He Can't Stop Doing It is a 1962 West German mystery film directed by Axel von Ambesser and starring Heinz Rühmann, Rudolf Forster and Grit Boettcher. It was loosely based on the Father Brown stories by G. K. Chesterton, Rühmann reprising his role from the 1960 film The Black Sheep. It is part in the post-war tradition of German krimi films, similar to the ongoing series of Edgar Wallace adaptations.
Everybody's Woman is a 1924 Austrian silent drama film directed by Alexander Korda and starring María Corda, May Hanbury, and Jeffrey Bernard. A Montmartre flower-seller is transformed into a society lady for a bet. It is also known as The Folly of Doubt.
The Curse is a 1924 Austrian drama film directed by Robert Land and starring Lilian Harvey, Oscar Beregi and Albert Heine. It was shot at the Sievering Studios.
Whom the Gods Love is a 1942 Austrian historical musical film directed by Karl Hartl and starring Hans Holt, Irene von Meyendorff, and Winnie Markus. The film is a biopic of the Austrian composer Wolfgang Amadeus Mozart. It was made as a co-production between the giant German studio UFA and Wien-Film which had been set up following the German annexation of Austria. The film was part of a wider attempt by the Nazis to portray Mozart as an authentic German hero. Like many German biopics of the war years, it portrays the composer as a pioneering visionary.
Spring Parade is a 1934 comedy film directed by Géza von Bolváry and starring Paul Hörbiger, Franciska Gaal, and Wolf Albach-Retty.
Invisible Opponent is a 1933 German-Austrian drama film directed by Rudolph Cartier and starring Gerda Maurus, Paul Hartmann, and Oskar Homolka. The film's sets were designed by the art director Erwin Scharf. The plot revolves around an oil swindle in a South American country. The film was made at the Sievering Studios in Vienna. The critics were not generally impressed with the film, the Deutsche Allgemeine Zeitung described it as "unbelievable and unbelievably awful picture".
A Waltz by Strauss is a 1925 Austrian silent film directed by Max Neufeld and starring Eugen Neufeld, Tessy Harrison, and Svet Petrovich.
Linen from Ireland is a 1939 German drama film directed by Heinz Helbig and starring Otto Treßler, Irene von Meyendorff, and Friedl Haerlin. It was part of an ongoing campaign of anti-Semitism in German cinema of the era, and was also intended to discredit the governance of the old Austro-Hungarian Empire. By the time of the film's release in October 1939, Britain and Germany were at war, so it was also useful in creating anti-British sentiment.
Little Veronica is a 1929 Austrian-German silent film directed by Robert Land and starring Käthe von Nagy, Maly Delschaft and Mizzi Zwerenz.
Herr Puntila and His Servant Matti is a 1960 Austrian comedy film directed by Alberto Cavalcanti and starring Curt Bois, Heinz Engelmann and Maria Emo. It was made at the Soviet-controlled Rosenhügel Studios in Vienna. Production began in 1955, but wasn't completed until 1960. The film is based on the 1948 play Mr Puntila and his Man Matti by Bertolt Brecht which in turn is based on the 1940 Finnish play The Sawdust Princess by Hella Wuolijoki.
Duel with Death is a 1949 Austrian war drama film directed by Paul May and starring Rolf von Nauckhoff, Annelies Reinhold, and Fritz Hinz-Fabricius. The film portrays the Austrian resistance to Nazi Germany during the Second World War.
Frasquita is a 1934 Austrian musical film directed by Karel Lamač and starring Jarmila Novotná, Charlott Daudert, and Heinz Rühmann. An operetta film, it is an adaptation of Franz Lehár's 1922 stage work of the same name. It was shot at the Sievering Studios in Vienna and on location in Sicily. The film's sets were designed by the art director Julius von Borsody.
The Family without Morals is a 1927 Austrian silent film directed by Max Neufeld and starring Anna Kallina, Colette Brettel, and Carmen Cartellieri.
The Marquis of Bolibar is a 1922 Austrian silent film directed by Friedrich Porges and starring Hans Schindler. It is based on the 1920 novel of the same title by Leo Perutz.
The Daughter of the Brigadier is a 1922 Austrian silent film directed by Friedrich Porges and starring Grit Haid, Nora Gregor and Max Devrient.
The Midnight Waltz is a 1929 Austrian silent film directed by Heinz Paul and starring Elisabeth Pinajeff, André Mattoni and Gritta Ley. The film's sets were designed by the art director Hans Ledersteger. The plot was based on the 1926 operetta of the same title by Robert Stolz.