The Curse | |
---|---|
German | Der Fluch |
Directed by | Robert Land |
Written by | Walter Reisch Ernst Weizmann |
Produced by | Robert Land |
Starring | |
Cinematography | Nicolas Farkas |
Production company | Land-Film |
Release date |
|
Country | Austria |
Languages | Silent German intertitles |
The Curse ( ‹See Tfd› German : Der Fluch) is a 1924 Austrian drama film directed by Robert Land and starring Lilian Harvey, Oscar Beregi and Albert Heine. It was shot at the Sievering Studios.
The film marked the screen debut of Lilian Harvey who would go on to become one of the top stars at the German box office during the late Weimar and early Nazi eras. Harvey was in Vienna at the time because she was appearing in a stage revue show. [1]
A young Jewish woman in an Eastern European shtetl struggles to reconcile her aspirations with her duty to her family. As her lifestyle grows wilder, her mother is shocked by her immoral behaviour and commits suicide by drowning - repeating "the curse" which has haunted the family for centuries. [2]
Franciska Gaal was a Hungarian cabaret artist and film actress of Jewish heritage. Gaal starred in a popular series of European romantic comedies during the 1930s. After attracting interest in Hollywood she moved there and made three films.
Oscar Beregi was a Hungarian-Jewish actor who appeared primarily in German films.
Marriage in the Shadows is 1947 German melodrama film directed by Kurt Maetzig and starring Paul Klinger, Ilse Steppat and Alfred Balthoff. It was produced in the Soviet zone in what later became East Germany and was released by DEFA. The film was described as an "attempt to confront the German people about the morals of the past", being the first film to confront the people about the persecution of the Jews and the atrocities conducted during World War II.
Albert Heine was a German-Jewish stage and film actor. He also directed two silent films. He was the director of the Burgtheater in Vienna between 1918 and 1921.
Let's Live Tonight is a 1935 American musical comedy film directed by Victor Schertzinger and starring Lilian Harvey, Tullio Carminati and Janet Beecher. The film was made as part of an unsuccessful attempt to establish Harvey, who was a top box office draw in Germany, as a major star in Hollywood. Harvey was under contract to Fox Film, but was loaned out to Columbia Pictures for the production. After making it, Harvey returned to Europe, first to Britain to appear in Invitation to the Waltz and then to Germany, where she starred in Black Roses, which relaunched her German career.
The Motorist Bride is a 1925 German silent romance film directed by Richard Eichberg and starring Hans Mierendorff, Lee Parry and Ernst Hofmann. The film is notable for the use of Lilian Harvey as a stunt double for Parry during the mountaineering scenes shot in Switzerland. Harvey quickly graduated to become the top star of Richard Eichberg's production company.
Passion is a 1925 German silent drama film directed by Richard Eichberg and starring Otto Gebühr, Lilian Harvey and Camilla von Hollay. Harvey was by this time a rising star, and followed it with her breakthrough film Love and Trumpets released the same year.
The Woman in the Advocate's Gown is a 1929 Norwegian-German silent drama film directed by Adolf Trotz and starring Aud Egede-Nissen, Paul Richter, and Fritz Kortner. The screenplay was based on Peter Bendow's novel Frk. Statsadvokat, published in 1929. It was shot at the EFA Studios in Berlin. The film's art direction was by Hans Jacoby.
Waltz of Love is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch and Georg Alexander. It was shot at the Babelsberg Studios in Berlin with sets designed by the art director Erich Kettelhut. It premiered at the Gloria-Palast in Berlin on 7 February 1930. A separate English language version The Love Waltz was also produced.
The Love Waltz is a 1930 German English language musical film directed by Carl Winston and starring Lilian Harvey, Georg Alexander and John Batten. It is the English-language version of Waltz of Love (1930) which also starred Harvey.
Serenade or Schubert's Serenade is a 1940 French historical film directed by Jean Boyer and starring Lilian Harvey, Louis Jouvet and Bernard Lancret. It portrays a fictional romance between the Austrian composer Franz Schubert and an English dancer. The film was the first of two the Anglo-German actress Lillian Harvey made in France, after leaving Nazi Germany.
Greetings and Kisses, Veronika is a 1933 German comedy film directed by Carl Boese and starring Franciska Gaal, Paul Hörbiger, and Otto Wallburg. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Kurt Dürnhöfer and Max Heilbronner. The film's popularity made Gaal an international star. However the rise of the Nazi Party to power meant that the Jewish Gaal had to make her next films in Hungary and Austria.
The Son of Hannibal is a 1926 German silent film directed by Felix Basch and starring Liane Haid, Alfons Fryland, and Ferdinand von Alten.
Hunted Men is a German silent film made in 1924 and directed by Erich Schönfelder and starring Lucy Doraine, Johannes Riemann and Hans Albers.
The Love Commandment or Thou Shalt Not Steal is a 1928 German silent film directed by Victor Janson and starring Werner Fuetterer, Dina Gralla and Lilian Harvey.
The Only Girl is a 1933 British-German musical film directed by Friedrich Hollaender and starring Lilian Harvey, Charles Boyer, and Mady Christians. It is the English-language version of The Empress and I which also starred Harvey and Christians. It was the last in a series of MLV co-productions between UFA and Gainsborough Pictures. It was released in the United States in 1934 by Fox Film.
Reluctant Imposter is a 1925 German silent film directed by Géza von Bolváry.
Men Are That Way is a 1939 German drama film directed by Arthur Maria Rabenalt and starring Hertha Feiler, Hans Söhnker and Hans Olden. The film's sets were designed by the art director Willi Herrmann. It was remade by Rabenalt in Austria as Arena of Fear (1959).
Enjoy Yourselves is a 1934 German musical comedy film directed by Hans Steinhoff and starring Dorit Kreysler, Ida Wüst and Wolfgang Liebeneiner. The film's sets were designed by the art directors Artur Günther and Benno von Arent. It premiered at the Ufa-Palast am Zoo in Berlin.
The Gentleman from Maxim's is a 1933 German comedy film directed by Carl Boese and starring Lee Parry, Johannes Riemann and Oskar Karlweis. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Gustav A. Knauer and Walter Reimann.