Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
Thomas J. Moore was an Irish-American actor and director. He appeared in at least 186 motion pictures from 1908 to 1954. Frequently cast as the romantic lead, he starred in silent movies as well as in some of the first talkies.
James Cruze was a silent film actor and film director.
Marguerite Snow was an American silent film and stage actress. In her early films she was billed as Margaret Snow.
Walter Miller was an American actor of the silent era and the early sound era. He appeared in nearly 250 films between 1911 and 1940.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Woman to Woman is a 1923 British silent drama film directed by Graham Cutts, with Alfred Hitchcock as the uncredited assistant director and co-screenwriter. The film was the first of three adaptions of the 1921 play Woman to Woman by Michael Morton. To capitalise on the success of the film, Cutts and Hitchcock made another film, The White Shadow, with Compson before she returned to the United States.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
For Those We Love is a 1921 American silent romantic drama film produced by and starring Betty Compson, and featuring Lon Chaney and Richard Rosson. Written and directed by Arthur Rosson, the film was based on a story by Perley Poore Sheehan (who later co-wrote the script for Chaney's The Hunchback of Notre Dame. The film was distributed by Goldwyn Pictures. Some sources list the release date as being in March 1921. This is unlikely since the film was only copyrighted in July, but the exact release date has not been confirmed. It is now considered a lost film. A still exists showing Chaney holding the heroine.
The Devil's Trail is a 1919 American silent drama film that is set in the woods of the Pacific Northwest. It was directed by Stuart Paton and stars Betty Compson. It is not known whether the film currently survives.
The Little Minister is a 1921 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based on an 1891 novel and 1897 play by J. M. Barrie. Betty Compson stars in the film. Earlier film adaptations of Barrie's novel were mad and this one was released within weeks of a version by Vitagraph starring Alice Calhoun.
Prisoners of Love is a lost 1921 American silent drama film produced by and starring Betty Compson and distributed by Goldwyn Pictures. It was directed by Arthur Rosson and was Compson's first film after a year's hiatus from film making.
Heart of the Wilds is a lost 1918 American silent drama film directed by Marshall Neilan and starring Elsie Ferguson. The story is from "Pierre and His People", by Gilbert Parker, which Edgar Selwyn also based his play Pierre of the Plains on. Ferguson had become a star in 1908 in Selwyn's Broadway play.
The Law and the Woman is a lost 1922 American silent drama film directed by Penrhyn Stanlaws and starring Betty Compson. This film is a version of Clyde Fitch's play The Woman in the Case and a remake of a 1916 silent version The Woman in the Case starring Pauline Frederick. Jesse Lasky produced.
The Desert Bride is a 1928 American silent drama film directed by Walter Lang and starring Betty Compson and Allan Forrest. The film is considered to be lost.
New Lives for Old is a 1925 American silent drama film that was produced by Famous Players–Lasky, directed by Clarence G. Badger, and starred Betty Compson.
Beggar on Horseback is a 1925 American silent comedy film based upon the 1924 play written by Marc Connelly and George S. Kaufman. It was adapted for the screen by Walter Woods and directed by James Cruze. It stars Edward Everett Horton, Esther Ralston, Erwin Connelly, Gertrude Short, Ethel Wales, Theodore Kosloff, and Betty Compson. It was released on August 24, 1925, by Paramount Pictures.
Mr. Barnes of New York is a 1922 American silent drama film directed by Victor Schertzinger and starring Tom Moore, Anna Lehr and Naomi Childers. It is an adaptation of the novel of the same name by Archibald Clavering Gunter, which had previously been turned into a 1914 film.
The Border Raiders is a 1918 American silent Western film directed by Stuart Paton and starring Betty Compson and George Larkin. It was shot on the Hopi Reservation in Arizona.
Skin Deep is a 1929 American pre-Code drama film directed by Ray Enright and starring Monte Blue. It was produced and distributed by the Warner Brothers. It was also released in the U.S. in a silent version for theaters not equipped yet with sound. The film is a remake of a 1922 Associated First National silent film of the same name directed by Lambert Hillyer and starring Milton Sills.
