Founded | 1880 |
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President | Laura Plumley |
Senior Member | Fiona Macintosh |
The Oxford University Classical Drama Society (OUCDS) is the funding body behind the triennial Oxford Greek Play, an institution that has lasted for over 130 years.
As well as choosing and funding the Greek Play, selecting a production team from a number of applications, the Society has in recent times aimed to extend its reach to other productions. As the Committee is appointed annually and the Greek Play is triennial, this leaves considerable opportunity for funding other Classical drama in Oxford. The Society is also involved in Education and Outreach programmes for both current and prospective students, as well as the wider community.
Now held once every three years, the Oxford Greek Play (OGP) is performed in the original Greek, often with a specially commissioned English translation as accompaniment. Unlike the Cambridge Greek Play the Senior Member (the don responsible for the society to the University) is traditionally less involved in the production of the play itself, although access to some of the leading Classical scholars in the world is often used to great effect, especially in terms of pronunciation, translation, and textual coherence. This student-led approach means that there is often a dramatic change in style from play to play, because there is an entirely new team of directors, producers, designers, and actors each time (although some students have become veterans, experiencing several roles within different productions).
The OGP always attracts very large audiences, drawing students, academics, and schoolchildren from a wide area. The latest play, The Furies, ran for 7 performances (Wednesday-Saturday) at the Oxford Playhouse, one of Oxford largest theatres, and its total audience numbered almost 3,000.
Recent OGPs have included (at the Playhouse unless otherwise stated): [1]
As well as the triennial Greek Play, the Society has occasionally run other productions in the past, although it now prefers to partially fund productions that are run separately from the Committee (although Committee members are often involved as individuals). Past productions have included: [1]
Aeschylus was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Euripides was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
Electra, also spelt Elektra, is one of the most popular mythological characters in tragedies. She is the main character in two Greek tragedies, Electra by Sophocles and Electra by Euripides. She is also the central figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal, and Eugene O'Neill. She is a vengeful soul in The Libation Bearers, the second play of Aeschylus' Oresteia trilogy. She plans out an attack with her brother to kill their mother, Clytemnestra.
The Dionysia was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.
Medea is an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and was first produced in 431 BC as part of a trilogy; the two other plays have not survived. The plot centers on the actions of Medea, a former princess of the kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering his new wife as well as her own two sons, after which she escapes to Athens to start a new life.
The Frogs is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place.
Greek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Philip Humphrey Vellacott was an English classical scholar, known for his numerous translations of Greek tragedy.
The Cambridge Greek Play is a play performed in Ancient Greek by students and alumni of the University of Cambridge, England. The event is held once every three years and is a tradition which started in 1882 with the Ajax of Sophocles.
Orestes (408 BCE) is an Ancient Greek play by Euripides that follows the events of Orestes after he had murdered his mother.
Hjalmar Gullberg was a Swedish poet and translator.
Kaloi k'Agathoi is a theatre company specialising in Classical drama. It is based in Herefordshire and operates throughout the UK. The company stages original adaptations of Ancient Greek plays, and has developed an educational programme to promote and foster the teaching of Classical dramatic texts through drama. Improvisation is a key feature of Kaloi k'Agathoi performances, facilitating interactivity and enabling educational workshops to be tailored easily and effectively. In August 2009 Kaloi k'Agathoi performed their version of Agamemnon and Daedalus and Icarus for Three Choirs Plus, part of the Three Choirs Festival.
Edith Hall, is a British scholar of classics, specialising in ancient Greek literature and cultural history, and professor in the Department of Classics and Ancient History at Durham University. She is a Fellow of the British Academy. From 2006 until 2011 she held a Chair at Royal Holloway, University of London, where she founded and directed the Centre for the Reception of Greece and Rome until November 2011. She resigned over a dispute regarding funding for classics after leading a public campaign, which was successful, to prevent cuts to or the closure of the Royal Holloway Classics department. Until 2022, she was a professor at the Department of Classics at King's College London. She also co-founded and is Consultant Director of the Archive of Performances of Greek and Roman Drama at Oxford University, Chair of the Gilbert Murray Trust, and Judge on the Stephen Spender Prize for poetry translation. Her prizewinning doctoral thesis was awarded at Oxford. In 2012 she was awarded a Humboldt Research Prize to study ancient Greek theatre in the Black Sea, and in 2014 she was elected to the Academy of Europe. She lives in Cambridgeshire.
Andromeda is a lost tragedy written by Euripides, based on the myth of Andromeda and first produced in 412 BC, in a trilogy that also included Euripides' Helen. Andromeda may have been the first depiction on stage of a young man falling in love with a woman. The play has been lost; however, a number of fragments are extant. In addition, a number of ancient sources refer to the play, including several references in plays by Aristophanes.
Marianne McDonald is a scholar and philanthropist. Marianne is involved in the interpretation, sharing, compilation, and preservation of Greek and Irish texts, plays and writings. Recognized as a historian on the classics, she has received numerous awards and accolades because of her works and philanthropy. As a playwright, she has authored numerous modern works, based on ancient Greek dramas in modern times. As a teacher and mentor, she is highly sought after for her knowledge of and application of the classic themes and premises of life in modern times. In 2013, she was awarded the Distinguished Professor of Theatre and Classics, Department of Theatre, Classics Program, University of California, San Diego. In 1994, she was inducted into the Royal Irish Academy, being recognized for her expertise and academic excellence in Irish language history, interpretation and the preservation of ancient Irish texts. As a philanthropist, Marianne partnered with Sharp to enhance access to drug and alcohol treatment programs by making a $3 million pledge — the largest gift to benefit behavioral health services in Sharp’s history. Her donation led to the creation of the McDonald Center at Sharp HealthCare. Additionally, to recognize her generosity, Sharp Vista Pacifica Hospital was renamed Sharp McDonald Center.
Minos Volonakis was a Greek theatre director and translator.
Philocles, was an Athenian tragic poet during the 5th century BC. Through his mother, Philopatho, he had three famous uncles: Aeschylus, the famous poet, Cynaegirus, hero of the battle of Marathon, and Ameinias, hero of the battle of Salamis. The Suda claims that Philocles was the father of the tragic playwright Morsimus, who was in turn the father of the tragedian Astydamas.
Theristai, is a lost satyr play by Attic playwright Euripides. It was initially performed at the Dionysia in Athens in 431 BCE along with the tragedies Medea, Philoctetes and Dictys. The tetralogy finished in 3rd place, behind tetralogies by Euphorion, who won 1st prize, and Sophocles.
Ian C. Johnston is a Canadian author and translator, a retired university-college instructor and a professor emeritus at Vancouver Island University.