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The Symphony No. 1, Op. 210, by Darius Milhaud is a work for orchestra composed in France in 1939, during a period of illness and anxiety following the outbreak of World War II. Nearly fifty years old at the time and already a very prolific and mature composer, Milhaud had never attempted a symphony before. In spite of his expressed antipathy toward the "German music" typified by the symphony, he accepted a commission for this work from the Chicago Symphony Orchestra, then approaching its 50th anniversary. Milhaud went on to write twelve more numbered symphonies by 1963.
The Symphony No. 2, Op. 247, is a work for orchestra by French composer Darius Milhaud. It was written in the U.S. in 1944 on a commission from the Koussevitzky Music Foundations in memory of Serge Koussevitzky's second wife Natalie, who had died in 1942. The premiere of the work was played by the Boston Symphony Orchestra in 1946, with the composer himself conducting.
The Symphony No. 3, Op. 271, sub-titled Te Deum, is a work for orchestra and chorus by French composer Darius Milhaud. The piece originated in a 1946 request by Radio France for a Te Deum celebrating the allied victory in World War II. Instead of confining himself to a setting of the liturgical text, Milhaud delivered a four-movement symphony in which the orchestra plays two movements alone. The chorus joins without words in Movement II; only in the finale is the Latin text of the Te Deum sung. This symphony is not to be confused with Milhaud's Chamber Symphony No. 3 "Sérénade," op. 71 (1921).
The Symphony No. 4, Op. 281, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1947 in response to a request by the French minister of education for a composition celebrating the 100th anniversary of the Revolution of 1848. Milhaud wrote this symphony on board a steamship to France from the U.S., where he had lived since 1940. This symphony is not to be confused with Milhaud's Chamber Symphony No. 4, op. 74 (1921).
The Symphony No. 5, Op. 322, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1953 on a commission from Italian Radio. This work is not to be confused with Milhaud's Chamber Symphony No. 5 for Ten Wind Instruments, op. 75 (1922).
The Symphony No. 6, Op. 343, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1955 at the request of Charles Munch, for the seventy-fifth anniversary of the Boston Symphony Orchestra. This work is not to be confused with Milhaud's Chamber Symphony No. 6, op. 79 (1923).
The Symphony No. 7, Op. 344, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1955 for a Radio Belge concert in Venice.
The Symphony No. 8, Op. 362, subtitled Rhôdanienne, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1957 on a commission from the University of California. Its four programmatic movements paint a musical landscape of the course of the Rhone River.
The Symphony No. 9, Op. 380, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1959 for the Fort Lauderdale Symphony Orchestra and its conductor Mario di Bonaventura.
The Symphony No. 10, Op. 382, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1960 for the hundredth anniversary of the U.S. state of Oregon.
The Symphony No. 11, Op. 384, nicknamed Romantique, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1960 on a joint commission from the Dallas Symphony Orchestra and the Dallas Public Library, and received its premiere under conductor Paul Kletzki.
The Symphony No. 12, Op. 390, subtitled La Rurale, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1961 for the dedication of the concert hall at the University of California, Davis, a campus historically focused on agricultural studies.
Kenneth Kiesler is an American symphony orchestra and opera conductor and mentor to conductors. Kiesler is conductor laureate of the Illinois Symphony Orchestra where he was music director from 1980 to 2000 and founder and director of the Conductors Retreat at Medomak. In 2014, Kiesler was nominated for a Grammy Award for his recording of Darius Milhaud's opera L'Orestie d'Eschyle. He is director of orchestras and professor of conducting at the University of Michigan.
The Little(Chamber) Symphony No.5, Op.75, also known as the Tentet, is a symphony for wind instruments written by French composer Darius Milhaud in 1922. It is his fifth chamber symphony, which is also referred to as the Petites Symphonies or Chamber Symphonies. The work was commissioned by Italian Radio and is dedicated to Marya Freúnd, a soprano singer and Milhaud's friend, who performed the premiere of Schoenberg's Pierrot Lunaire, conducted by Milhaud. The symphony was first performed at Champs-Elysées, Paris in 1923.
Little (Chamber) Symphony No. 3, Op. 71 by Darius Milhaud is a work for chamber orchestra that was composed in 1921. The work is also known by the title Sérénade.
Requiem für einen jungen Dichter is an extended composition by Bernd Alois Zimmermann, written from 1967 to 1969 for two speakers, soprano and baritone soloists, three choirs, jazz band, organ, tapes and a large orchestra. Subtitled Lingual, it sets a text that includes the Latin liturgical Mass for the Dead and literary, philosophical, religious and political texts, related to politics and the history of mind during the composer's life. The work has elements of a cantata, an oratorio and an audio play.
References
- ↑ Schulz, Reinhard. Darius Milhaud Symphonies 10-12 (CD liner notes). CPO, 1996. p. 9.
