The Palazzo Dario is a palace located between the Palazzo Barbaro Wolkoff and the narrow Rio delle Torreselle on the Grand Canal in the sestiere of Dorsoduro, of the city of Venice, Italy. The palace was built in the Venetian Gothic style and was renovated in Renaissance style. [1]
The palace was remodelled after 1486 by a follower of Pietro Lombardo for the patrician Giovanni Dario, Secretary to the Venetian Senate, diplomat, and merchant. [2] After Dario's death in 1494, it passed to his daughter, Marietta, who was married to Vincenzo Barbaro, the son of Giacomo Barbaro and owner of the neighboring Palazzo Barbaro Wolkoff. [3] [4] Marietta's sons received possession of the house in 1522. Before that time, the Senate rented it on occasion as a residence for Turkish diplomats. [5]
The land-side of Palazzo Dario rises on a small square shaded by trees, the Campiello Barbaro, named in honor of the patrician Barbaro family who lived there. [6] The English art critic John Ruskin was particularly entranced with and wrote about the palace's Gothic marble-encrusted oculi. The corner treatments of the palace resemble those found in the Palazzo Priuli a San Severo. The rear facade of the palace on the Campiello Barbaro has Gothic arches of the fifth order. [7]
A large project of renovation was undertaken at the end of the 19th century, when the palace belonged to the Countess de la Baume-Pluvinel, a French aristocrat and writer under the name of "Laurent Evrard". She was pleased to surround herself with French and Venetian writers, one of whom — Henri de Régnier — is commemorated by an inscription on the garden wall, saying "In questa casa antica dei Dario, Henri de Regnier—poeta di Francia—venezianamente visse e scrisse—anni 1899-1901". The Countess is responsible for the staircase, the external chimneys, the majolica stoves, and the fine carvings (vaguely reminiscent of the Scuola di San Rocco) in the dining room on the second piano nobile , looking down to the garden, as well as a great deal of stabilization and replacement of marble on the facade. [8] [9]
In 1908 the painter Claude Monet created impressionist depictions of Palazzo Dario, including canvases at the Art Institute of Chicago and the National Museum of Art of Wales. [10] [11]
The Patriarchal Cathedral Basilica of Saint Mark, commonly known as St Mark's Basilica, is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
The Grand Canal is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city.
The Ca' d'Oro or Palazzo Santa Sofia is a palace on the Grand Canal in Venice, northern Italy. One of the older palaces in the city, its name means "golden house" due to the gilt and polychrome external decorations which once adorned its walls. Since 1927, it has been used as a museum, as the Galleria Giorgio Franchetti.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
Francesco Barbaro (1390–1454) was an Italian politician, diplomat, and humanist from Venice and a member of the patrician Barbaro family. He is interred in the Church of the Frari, Venice.
Antonio Barbaro was a Venetian general and governor, a member of the patrician Barbaro family of Venice. Barbaro lived at a time when Venice had a maritime empire in the Mediterranean. He served in Candia, Crete during the long-lasting Siege of Candia. He was Captain of the Gulf from 1655 to 1656, and in 1667 he became Provveditore generale di Candia. He also served in the Balkans; from 1670 he became the provveditore generale of Venetian Dalmatia and Venetian Albania. When he died, he left 30 thousand "ducati" for the rebuilding of the church of Santa Maria Zobenigo in Venice.
The Barbaro family was a patrician family of Venice. They were wealthy and influential and owned large estates in the Veneto above Treviso. Various members were noted as church leaders, diplomats, patrons of the arts, military commanders, philosophers, scholars, and scientists.
Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular.
The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis. It is one of the least altered of the Gothic palaces of Venice.
Francesco Barbaro was a Venetian diplomat and an Italian Catholic bishop.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
Minerva between Geometry and Arithmetic is a 1550 fresco fragment, usually attributed to Paolo Veronese but by some art historians to Anselmo Canera or Giambattista Zelotti. It was painted for the Palazzo de Soranzi in Castelfranco Veneto but now in the Palazzo Balbi in Venice.
Palazzo Barbaro Wolkoff is a Venetian civil building located in the Dorsoduro district and overlooking the Grand Canal between Ca' Dario and Casa Salviati.
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
The House of Loredan-Santo Stefano was a cadet branch of the House of Loredan that existed from the 14th century until 1767. The branch was mainly settled in the Palazzo Loredan in Campo Santo Stefano, which they acquired in 1536 from the Mocenigo family. The progenitor of the branch is considered to be Gerolamo Loredan "dal Barbaro" di S. Vitale (d.~1474), father of Doge Leonardo Loredan and Dogaressa Caterina Loredan. Besides Leonardo, the branch also gave Doge Francesco Loredan.
The Palazzo Loredan at Campo Santo Stefano is a palace in the San Marco district of Venice, overlooking Campo Santo Stefano. Before the acquisition by the Loredan family in 1536 and the restoration by the architect Antonio Abbondi, it was a group of adjacent buildings, in the Gothic style, belonging to the Mocenigo family. The purchased buildings were substantially restored and made into a single building for the residence of the wealthy noble family of Loredan. The palace has throughout history been home to at least seven Doges of Venice.
The Venetian patriciate was one of the three social bodies into which the society of the Republic of Venice was divided, together with citizens and foreigners. Patrizio was the noble title of the members of the aristocracy ruling the city of Venice and the Republic. The title was abbreviated, in front of the name, by the initials N.H., together with the feminine variant N.D.. Holding the title of a Venetian patrician was a great honour and many European kings and princes, as well as foreign noble families, are known to have asked for and obtained the prestigious title.
