Pam Tanowitz (born 1969) is an American dancer, choreographer, professor, and founder of the company, Pam Tanowitz Dance.[1] She is a current staff member at Rutgers University's Mason Gross School of the Arts where she teaches dance and choreography. Her work has been performed at notable performance venues such as the Joyce Theater,[2] the Joyce SoHo,[3] and New York Live Arts, Kennedy Center for the Performing Arts.[4][5]
Dance companies such as the Martha Graham Dance Company, the Paul Taylor Dance Company, and the New York City Ballet have commissioned works by Tanowitz.[8] Gia Kourlas, a dance critic for The New York Times, describes Tanowitz as a "modern choreographer much admired for the way she recharges classical steps."[9] Roslyn Sulcas, dance critic for The New York Times, says "Tanowitz, who worked in relative obscurity for a long time, is a kind of choreographic collector, a passionate student of dance history, techniques and styles. Her work deploys physical ideas and images from Petipa, Balanchine, Merce Cunningham, Martha Graham, Erick Hawkins, Nijinsky and more, but shifts lightly among them. And it doesn’t matter whether you know or recognize any of it. There is no insistence in Tanowitz’s work; its beauties flower and dematerialize before your eyes."[10]
2017 Baryshnikov Art Center Cage Cunningham Fellowship[14]
2019 first-ever Choreographer in Residence at the Richard B. Fisher Center for the Performing Arts at Bard College in Annandale-on-Hudson, New York[15]
1 2 Nadel, Marc Raymond Strauss with Myron Howard (2012). Looking at contemporary dance: a guide for the internet age. Hightstown, NJ: Princeton Book Co. ISBN978-0871273543.
↑ Mannino, Trina (March 2014). "Pam Tanowitz Dance: "Passagen"/"Pause Dance"/"Heaven on One's Head": The Joyce Theater, New York". Dance Europe. pp.78–79.
↑ Russo, Marilyn (Fall 2007). "Quoth the Raven". Vol.21, no.3. Attitude-The Dancers' Magazine. pp.32–33.
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