Pamela Longobardi | |
---|---|
Born | 1958 Glen Ridge, New Jersey |
Nationality | American |
Education | University of Georgia (BFA) Montana State University (MFA) [1] |
Known for | eco art, conceptual art, painting, installation, sculpture, plastic pollution, art activism |
Years active | 2004–present |
Pam Longobardi (born 1958) is an American contemporary artist and ecofeminist, currently living and working in Atlanta, Georgia. She is known internationally for sculptural works and installations created from plastic debris, primarily from marine and coastal environments, as a primary material. Much of her work includes community-based research, such as carbon or plastic audits, as well as collaborative art creation.
In 2013, Longobardi was awarded The Hudgens Prize [2] and in 2014, she earned the title Distinguished University Professor of Art at Georgia State, and was named Artist-in-Residence of the Oceanic Society. [3] In 2019, she was appointed Regents’ Professor by the Board of Regents for the State of Georgia. [4]
Pam Longobardi grew up in New Jersey, [5] the child of an ocean lifeguard and a Delaware state diving champion, and credits her parents' relationship to the water with her own scientific and artistic interests. Longobardi moved to Atlanta in 1970. [6] She received a B.S. in Science Education from Montana State University in 1982. [7] Longobardi then went on to earn her M.F.A. degree, also from Montana State University in 1985.[ citation needed ]
The entanglement of science and art is central to Longobardi's practice and aesthetic: "I see some aspects of the methodology of the artist and scientist as very similar: long periods of intensive research, immersion in materials to better understand their properties, inquisitiveness and curiosity as driving forces, a desire to unpack ‘reality’ to better understand our relationship to it." [8]
Since 2006, Longobardi has been engaged in The Drifters Project. [6] Begun in 2006, its name taken from the term drift – objects that are carried by currents and air. Ocean drift is, today, primarily plastic. Longobardi has collected this drift plastic to create abstract sculptures and installations. One iteration of The Drifters Project was displayed at the 2009 Venice Biennale, at the ARTE VISIVI collateral exhibitions. In 2010, Edizione Charta (Milan, NY) produced a photo-essay book entitled Drifters: Plastics, Pollution, Personhood that included photographs and essays by Longobardi and three other writers. [9]
"All these things collapse for me in the drifting ocean plastic object: it IS an artifact of my specific human evolutionary time; it IS made from petroleum that is the fossil sunlight and ancient plants, animals and yes, dinosaurs, that roamed the past Earth; it IS a biological raft for invasive creatures; it IS a toxic floating time bomb that is changing the human and animal body and the very ocean itself; and it IS a future fossil of the Anthropocene." [8]
In 2013 Longobardi was selected to be lead artist in the GYRE Expedition, an art-science research expedition that assembled a team of notable marine scientists, journalists, filmmakers and artists to trawl remote Alaskan coastlines and to document collaboratively the impacts of plastic pollution on these delicate ecosystems. Her colleagues on the expedition included chief exhibition scientist Carl Safina, artist Mark Dion, filmmaker J.J. Kelly, photographer Andy Hughes, and others: all of these are featured, along with Longobardi, in a twenty-minute National Geographic film, GYRE, which aired in 2013. Of Longobardi, Dion says "Her knowledge of the subject and commitment is extraordinary." [10] The artistic outcomes from this expedition were shown first at the exhibition entitled Gyre: The Plastic Ocean at the Anchorage Museum at Rasmuson Center in Anchorage, Alaska, a show which later travelled to the CDC's Museum in Atlanta, Georgia and other museums across the U.S. [11] Longobardi's contributions include "Economies of Scale" and "Bounty, Pilfered," both characteristic of her sculptural found-plastic installations. [12] Longobardi uses "materials like sulfurated potash and sodium chloride to oxidize expanses of copper, pouring and wiping different mixtures over the surfaces" to make scenes that "appear otherworldly" but in a series entitled Anthropocene, she "keeps them decidedly earth-based." [13]
Longobardi also produces paintings with an "elemental aesthetic," incorporating natural processes such as chemical patinas that also crystallize; light-sensitive photo imaging, magnetism, mirror reflection, after-image, and phosphorescence. [14]
In oceanography, a gyre is any large system of circulating ocean surface currents, particularly those involved with large wind movements. Gyres are caused by the Coriolis effect; planetary vorticity, horizontal friction and vertical friction determine the circulatory patterns from the wind stress curl (torque).
Marine debris, also known as marine litter, is human-created waste that has deliberately or accidentally been released in a sea or ocean. Floating oceanic debris tends to accumulate at the center of gyres and on coastlines, frequently washing aground, when it is known as beach litter or tidewrack. Deliberate disposal of wastes at sea is called ocean dumping. Naturally occurring debris, such as driftwood and drift seeds, are also present. With the increasing use of plastic, human influence has become an issue as many types of (petrochemical) plastics do not biodegrade quickly, as would natural or organic materials. The largest single type of plastic pollution (~10%) and majority of large plastic in the oceans is discarded and lost nets from the fishing industry. Waterborne plastic poses a serious threat to fish, seabirds, marine reptiles, and marine mammals, as well as to boats and coasts.
The Great Pacific garbage patch is a garbage patch, a gyre of marine debris particles, in the central North Pacific Ocean. It is located roughly from 135°W to 155°W and 35°N to 42°N. The collection of plastic and floating trash originates from the Pacific Rim, including countries in Asia, North America, and South America.
Plastic pellet pollution is a type of marine debris originating from the plastic particles that are universally used to manufacture large-scale plastics. In the context of plastic pollution, these pre-production plastic pellets are commonly known as 'nurdles'. These microplastics are created separately from the user plastics they are melted down to form, and pellet loss can occur during both the manufacturing and transport stages. When released into the open environment, they create persistent pollution both in the oceans and on beaches. About 230,000 tonnes of nurdles are thought to be deposited in the oceans each year, where they are often mistaken for food by seabirds, fish and other wildlife. Due to their small size, they are notoriously difficult to clear up from beaches and elsewhere.
A garbage patch is a gyre of marine debris particles caused by the effects of ocean currents and increasing plastic pollution by human populations. These human-caused collections of plastic and other debris, cause ecosystem and environmental problems that affect marine life, contaminate oceans with toxic chemicals, and contribute to greenhouse gas emissions. Once waterborne, marine debris becomes mobile. Flotsam can be blown by the wind, or follow the flow of ocean currents, often ending up in the middle of oceanic gyres where currents are weakest. Garbage patches grow because of widespread loss of plastic from human trash collection systems.
Marine plastic pollution is a type of marine pollution by plastics, ranging in size from large original material such as bottles and bags, down to microplastics formed from the fragmentation of plastic material. Marine debris is mainly discarded human rubbish which floats on, or is suspended in the ocean. Eighty percent of marine debris is plastic. Microplastics and nanoplastics result from the breakdown or photodegradation of plastic waste in surface waters, rivers or oceans. Recently, scientists have uncovered nanoplastics in heavy snow, more specifically about 3,000 tons that cover Switzerland yearly.
The North Atlantic garbage patch is a garbage patch of man-made marine debris found floating within the North Atlantic Gyre, originally documented in 1972. A 22-year research study conducted by the Sea Education Association estimates the patch to be hundreds of kilometers across, with a density of more than 200,000 pieces of debris per square kilometer. The garbage originates from human-created waste traveling from rivers into the ocean and mainly consists of microplastics. The garbage patch is a large risk to wildlife through plastic consumption and entanglement. There have only been a few awareness and clean-up efforts for the North Atlantic garbage patch, such as The Garbage Patch State at UNESCO and The Ocean Cleanup, as most of the research and cleanup efforts have been focused on the Great Pacific garbage patch, a similar garbage patch in the north Pacific.
Microplastics are fragments of any type of plastic less than 5 mm (0.20 in) in length, according to the U.S. National Oceanic and Atmospheric Administration (NOAA) and the European Chemicals Agency. They cause pollution by entering natural ecosystems from a variety of sources, including cosmetics, clothing, food packaging, and industrial processes.
The Indian Ocean garbage patch, discovered in 2010, is a marine garbage patch, a gyre of marine litter, suspended in the upper water column of the central Indian Ocean, specifically the Indian Ocean Gyre, one of the five major oceanic gyres. The patch does not appear as a continuous debris field. As with other patches in each of the five oceanic gyres, the plastics in it break down to ever smaller particles, and to constituent polymers. As with the other patches, the field constitutes an elevated level of pelagic plastics, chemical sludge, and other debris; primarily particles that are invisible to the naked eye. The concentration of particle debris has been estimated to be approximately 10,000 particles per square kilometer.
A junk raft is a type of home-built watercraft made of plastic bottles or other recycled materials constructed by artists and community-minded groups organizing recreational flotillas, or by environmentally concerned individuals seeking to draw attention to the problem of floating debris and the need for recycling. It can also be an improvised small, functional watercraft from readily available materials.
Plastic pollution is the accumulation of plastic objects and particles in the Earth's environment that adversely affects humans, wildlife and their habitat. Plastics that act as pollutants are categorized by size into micro-, meso-, or macro debris. Plastics are inexpensive and durable, making them very adaptable for different uses; as a result, manufacturers choose to use plastic over other materials. However, the chemical structure of most plastics renders them resistant to many natural processes of degradation and as a result they are slow to degrade. Together, these two factors allow large volumes of plastic to enter the environment as mismanaged waste which persists in the ecosystem and travels throughout food webs.
Ocean Recovery Alliance (ORA) is a 501c3 registered non-profit organization in California, and registered charitable organization in Hong Kong, with the aim to use new technologies, innovations, creativity and collaborations to solve issues that face the health of the ocean today.
The 5 Gyres Institute is a 501(c)(3) non-profit organization that focuses on reducing plastics pollution by focusing on primary research. Programs concentrate on science, education and adventure. Since 2017, 5 Gyres has been in special consultative status with the United Nations Economic and Social Council. The organization's 2015 Expedition was featured in the 2017 documentary "Smog of the Sea," produced by Jack Johnson, who participated in the voyage.
The Ocean Cleanup is a nonprofit environmental engineering organization based in the Netherlands that develops technology to extract plastic pollution from the oceans and to capture it in rivers before it can reach the ocean. Their initial focus was on the Pacific Ocean and its garbage patch, and extended to rivers in countries including Indonesia, Guatemala, and the United States.
Annie Crawley is an American underwater photographer, filmmaker, speaker, educator, and ocean advocate. In 2007, she founded Dive Into Your Imagination, a multimedia ocean inspiration, entertainment, and education series for youth. In 2010, she became a member of the Women Divers Hall of Fame. Crawley resides in Edmonds, Washington.
The Plastic Pollution Coalition (PPC) is an advocacy group and social movement organization which seeks to reduce plastic pollution. PPC operates under the fiscal sponsorship of the umbrella organization Earth Island Institute.
The South Pacific garbage patch is an area of ocean with increased levels of marine debris and plastic particle pollution, within the ocean's pelagic zone. This area is in the South Pacific Gyre, which itself spans from waters east of Australia to the South American continent, as far north as the Equator, and south until reaching the Antarctic Circumpolar Current. The degradation of plastics in the ocean also leads to a rise in the level of toxics in the area. The garbage patch was confirmed in mid-2017, and has been compared to the Great Pacific garbage patch's state in 2007, making the former ten years younger. The South Pacific garbage patch is not visible on satellites, and is not a landmass. Most particles are smaller than a grain of rice. A researcher said: "This cloud of microplastics extends both vertically and horizontally. It's more like smog than a patch".
Sustainable Development Goal 14 is about "Life below water" and is one of the 17 Sustainable Development Goals established by the United Nations in 2015. The official wording is to "Conserve and sustainably use the oceans, seas and marine resources for sustainable development". The Goal has ten targets to be achieved by 2030. Progress towards each target is being measured with one indicator each.
Judith Selby Lang is an American artist and environmental activist working with found beach plastic. Selby Lang is known for sourcing beach plastic from a single site: 1000 yards of Kehoe Beach along the Point Reyes National Seashore in Northern California, and then turning that plastic into artworks. Selby Lang works both independently and with her partner Richard Lang.
The Mediterranean Sea has been defined as one of the seas most affected by marine plastic pollution.