Pamphlet wars refer to any protracted argument or discussion through printed medium, especially between the time the printing press became common, and when state intervention like copyright laws made such public discourse more difficult.[ citation needed ] The purpose was to defend or attack a certain perspective or idea. Pamphlet wars have occurred multiple times throughout history, as both social and political platforms. Pamphlet wars became viable platforms for this protracted discussion with the advent and spread of the printing press. Cheap printing presses, and increased literacy made the late 17th century a key stepping stone for the development of pamphlet wars, a period of prolific use of this type of debate. Over 2200 pamphlets were published between 1600–1715 alone. [1]
Pamphlet wars are generally credited for powering many key social changes of the era, including the Reformation and the Revolution Controversy, the English philosophical debate set off by the French Revolution.
Throughout Europe in the 16th century, printed tracts were used to argue religious doctrine and foment support for religious causes. In England, Henry VIII used print literature to justify his break from the Catholic Church. [2] During the subsequent reigns of Edward and Mary, print polemics escalated into propaganda warfare, as print media gained enormous potential to sway common opinion. [2] By the 1560s, print was widely used to convey news. In 1562, the first pamphlets appeared, which discussed the English forces sent to aid the Protestant French Huguenots. In 1569, pamphlets reported the revolt of the Northern Earls and the subsequent Rebellion of the same year. In the 1580s, pamphlets began to replace broadsheet ballads as the means to convey information to the general public. Over the next century, the pamphlet became the principal means of garnering support for a cause or an idea, and was particularly influential during the English Civil Wars (1642-1651) and the Glorious Revolution of 1688. [2] Through the ensuing decades, the pamphlet lost some popularity due to the emergence of newspapers and journals, [3] but continued to be an important medium of public debate, as illustrated by the Revolution Controversy a full century later in the 1790s.
Coming from a Latin word, "pamphlet" literally means "small book." In the early days of printing, the format of the book or pamphlet depended on the size of the paper used and the number of times it was folded. If a page was only folded once, it was called a folio. If it was folded twice, it was known as a quarto. An octave was a paper folded three times. A pamphlet was usually 1-12 sheets of paper folded in quarto, or 8-96 pages. It was sold for one or two pennies apiece. [2] The printing of a pamphlet involved many people: the author, the printer, suppliers, print-makers, compositor, correctors, pressmen, binders, and distributors. Once the pamphleteer had written the pamphlet, it was sent to the printing house to be corrected, set into type, and printed. The papers were then given to the printer's warehouse-keeper, who bundled the copies and sent them to the bookseller, who was probably the one financing the printing. He was responsible to bind the pamphlets, usually by sewing them, and then sold them wholesale to individual bookselling vendors. The booksellers then sold them from a stall in the marketplace. [2]
Pamphlets began as the means of conveyance for religious debates, and therefore religious topics were one of the main subjects they dealt with. [1] The definition of a pamphlet came to mean a short work dealing with social, political, or religious issues. [2] Typical topics included the Civil war, Church of England doctrines, Acts of Parliament, the Popish Plot (see below), the Stuart Era, and Cromwell propaganda. [1] In addition, pamphlets were also used for romantic fiction, autobiography, scurrilous personal abuse, and social criticism. They contained much of the propaganda of the 17th century in the midst of the religious and political turmoil. They were also used for debates between the Puritans and the Anglican. During the Glorious Revolution, pamphlets were political weapons. [3]
There were many authors of pamphlets. However some of the more popular authors include Daniel Defoe, Thomas Hobbes, Jonathan Swift, John Milton, and Samuel Pepys. [1] Also included in the midst are Thomas Nashe, Joseph Addison, Richard Steele, and Matthew Prior. [3] In 1591–1592, Robert Greene released a series of pamphlets which later inspired many other authors including Thomas Middleton and Thomas Dekker. [2]
Pamphlets, along with their vast popularity, received criticism. There were many in the time period who believed that pamphlets were full of foolishness. They thought the pamphlets were not good enough literature and that they would turn people from "good" writing. They believed that pamphlets would be the end of the great volumes of literature and that great writing would be forgotten. [2]
Pamphlets made a great difference in the way news was reported to the general public. With the publication of pamphlets, it was no longer difficult for people to hear of events taking place far away. The closer the occurrence was to London, the easier and faster people heard of it. For example, the Battle of Edgehill took place on 23 October 1642. The first pamphlet reporting the incident was printed on 25 October 24 hours after some of the orders reported had been given. While not entirely accurate, and hurriedly made, the pamphlet nonetheless was able to tell the general public what had happened in the battle. A more accurate, specific, and readable account was available in a pamphlet printed on 26 October, and the "authorized" version was available only five days after the battle took place. [4]
In 1588, a series of pamphlets marked a turning point for the Puritans, dividing them from other Protestants in the country. The authors wrote under the pseudonym of Martin Marprelate and his two sons of the same name. The true identities of the authors were never discovered. The pamphlets aimed to provoke authorities to take action against censorship. The series was among the first to ask questions directly of its readers. [2]
As a means of forming or swaying public opinion, pamphlets like these had a in both influencing society, and the content being influenced by society. [5] During the 16th century and continuing for a short while in the early 17th century in England there was rise in the use of pamphlet wars to discuss a myriad of issues spanning from the civil war, to religious freedoms and the roles of women in society. The Queen herself participated in these discussions, making sure that she was widely read and understood by her people in order to gain favor and establish herself as the monarch despite being a woman. Examples of her use of this medium appear in To the Troops at Tilbury written in 1588, On Mary's Execution written in 1586, and many more. Another famous writer of this period to take advantage of the pamphlet was Emilia Lanier, famous for her arguments about the role of women. A common idea promoted by many literary works and the general attitude towards females, Lanier's work "Eve's Apology in Defense of Women" refuted the belief that Eve is responsible for the fall of man. A very uncommon and unpopular stance to take, Lanier accomplishes her defense through structuring it as an apology, one of the earliest subversive feminist texts. [6] Similarly, Francis Bacon wrote his Essays to promote his idea of morality and other complicated social issues. For example, his work, "Of Love" examines the various understandings of the concept of love, particularly as it was perceived during the Elizabethan era. [7]
This section may contain information not important or relevant to the article's subject.(November 2018) |
From 1649 until 1651, some five pamphlets were published in a debate about the execution of King Charles I of England (1600-1649). Prior to his execution, King Charles wrote the first pamphlet in the discussion, Eikon Basilike’’ (from the Greek “eikon” for image and “basileus” for king). The subtitle of this work - Portraiture of His Sacred Majesty in His Solitudes and Sufferings - indicates that Charles sought to portray himself as a martyr to the cause of regal prerogative. In the following months, several response pamphlets were published (collectively known as the "Eikon" series), including: Eikon Alethine, Eikon e Pistes, Eikonoklastes , and Eikon Aklastos,” alternately attacking or defending the king, his regicide, and his self-portrait in “Eikon Basilike.”
In the 1680s, after being acquitted of the "Meal-Tub Plot" for which she was accused, Elizabeth Cellier wrote Malice Defeated, which, along with The Matchless Picaro, sparked a pamphlet war surrounding debate of the ascension of a Catholic king to the throne. She, and many associates, published several dozen works regarding the issues of their time in dealing with the Popish Plot. The repercussions of Cellier's writings were widespread as members of her company were arrested and punished. Cellier herself was convicted of libel and received harsh punishment, including being stoned and imprisoned for a time.
These early pamphlet wars served to change the way literary, and even social, conversations were viewed and carried out. They also created new ways of conversation, and new styles of language. Elizabeth Cellier was also a key figure in her defiance of normal gender roles and willingness to publicly submit her writings and vocalize her views.
A book is a medium for recording information in the form of writing or images. Books are typically composed of many pages, bound together and protected by a cover. Modern bound books were preceded by many other written mediums, such as the codex and the scroll. The book publishing process is the series of steps involved in their creation and dissemination.
The Levellers were a political movement active during the Wars of the Three Kingdoms who were committed to popular sovereignty, extended suffrage, equality before the law and religious tolerance. The hallmark of Leveller thought was its populism, as shown by its emphasis on equal natural rights, and their practice of reaching the public through pamphlets, petitions and vocal appeals to the crowd.
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment or education to the reader, as well as the development of the literary techniques used in the communication of these pieces. Not all writings constitute literature. Some recorded materials, such as compilations of data are not considered literature, and this article relates only to the evolution of the works defined above.
A pamphlet is an unbound book. Pamphlets may consist of a single sheet of paper that is printed on both sides and folded in half, in thirds, or in fourths, called a leaflet or it may consist of a few pages that are folded in half and saddle stapled at the crease to make a simple book.
A pamphleteer is a historical term used to describe someone who creates or distributes pamphlets, unbound booklets intended for wide circulation.
The Eikon Basilike, The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, is a purported spiritual autobiography attributed to King Charles I of England. It was published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
John Gauden was an English cleric. He was Bishop of Exeter then Bishop of Worcester. He was also a writer, and the reputed author of the important Royalist work Eikon Basilike.
A tract is a literary work and, in current usage, usually religious in nature. The notion of what constitutes a tract has changed over time. By the early part of the 21st century, a tract referred to a brief pamphlet used for religious and political purposes, though far more often the former. Tracts are often either left for someone to find or handed out. However, there have been times in history when the term implied tome-like works. A tractate, a derivative of a tract, is equivalent in Hebrew literature to a chapter of the Christian Bible.
Popular prints is a term for printed images of generally low artistic quality which were sold cheaply in Europe and later the New World from the 15th to 18th centuries, often with text as well as images. They were some of the earliest examples of mass media. After about 1800, the types and quantity of images greatly increased, but other terms are usually used to categorise them.
William Marshall was a seventeenth-century British engraver and illustrator, mostly known for his allegorical portrait of King Charles I of England as a Christian martyr, which was published as the frontispiece to the Eikon Basilike.
Elizabeth Cellier, commonly known as the "Popish Midwife", was a notable Catholic midwife in seventeenth-century England. She stood trial for treason in 1679 for her alleged part in the "Meal-Tub Plot" against the future King James II, but was eventually freed. Cellier was later imprisoned for allegations made in her 1680 work Malice Defeated, in which she recounted the events of the alleged conspiracy against the future King. She later became a pamphleteer and advocated for advancements in the field of midwifery. Cellier published A Scheme for the Foundation of a Royal Hospital in 1687, where she outlined plans for a hospital and a college for instructions in midwifery, as well as proposing that midwives of London should enter into a corporation and use their fees to establish parish houses where any woman could give birth. Cellier resided in London, England until her death.
Richard Royston was an English bookseller and publisher, bookseller to Charles I, Charles II and James II.
William Levett, Esq., was a long serving courtier to King Charles I of England. Levett accompanied the King during his flight from Parliamentary forces, including his escape from Hampton Court palace, and eventually to his imprisonment in Carisbrooke Castle on the Isle of Wight, and finally to the scaffold on which he was executed. Following the King's death, Levett wrote a letter claiming that he had witnessed the King writing the so-called Eikon Basilike during his imprisonment, an allegation that produced a flurry of new claims about the disputed manuscript and flamed a growing movement to rehabilitate the image of the executed monarch.
Eikonoklastes is a book by John Milton, published October 1649. In it he provides a justification for the execution of Charles I, which had taken place on 30 January 1649. The book's title is taken from the Greek, and means "Iconoclast" or "breaker of the icon", and refers to Eikon Basilike, a Royalist propaganda work. The translation of Eikon Basilike is "icon of the King"; it was published immediately after the execution. Milton's book is therefore usually seen as Parliamentarian propaganda, explicitly designed to counter the Royalist arguments.
Politics were an important part of John Milton's life. Milton enjoyed little wide-scale early success, either in prose or poetry, until the production of his later, controversial political works starting with The Tenure of Kings and Magistrates and Eikonoklastes.
William Dugard, or Du Gard, was an English schoolmaster and printer. During the English Interregnum, he printed many important documents and propaganda, first in support of Charles I and later of Oliver Cromwell. He also proved a successful master at a number of schools, including the Merchant Taylor's School, Colchester Royal Grammar School and Stamford School, and wrote a number of non-fiction works.
A novel is an extended work of narrative fiction usually written in prose and published as a book. The English word to describe such a work derives from the Italian: novella for "new", "news", or "short story ", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and in the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term "romance". M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. Works of fiction that include marvellous or uncommon incidents are also novels, including Mary Shelley's Frankenstein, J. R. R. Tolkien's The Lord of the Rings, and Harper Lee's To Kill a Mockingbird. Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love.
Early American publishers and printers played a central role in the social, religious, political and commercial development of the Thirteen Colonies in British America prior to and during the American Revolution and the ensuing American Revolutionary War that established American independence.
The Reliquiae Sacrae Carolinae, or The Works of That Great Monarch and Glorious Martyr King Charls the I, is a book that deals with the events leading to the execution of Charles I of England. Originally published in 1650, it is a collective work of the civil and sacred writings on the King. It incorporates the Eikon Basilike as well as speeches and letters by the King during the rise of Oliver Cromwell and the Parliamentarians. It is sometimes referred to as "The King's Works".