Related Research Articles
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals.
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.
The New Orleans Rhythm Kings (NORK) were one of the most influential jazz bands of the early to mid-1920s. The band included New Orleans and Chicago musicians who helped shape Chicago jazz and influenced many younger jazz musicians.
Freddie Keppard was an American jazz cornetist who once held the title of "King" in the New Orleans jazz scene. This title was previously held by Buddy Bolden and succeeded by Joe Oliver.
The Hot Five was Louis Armstrong's first jazz recording band led under his own name.
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.
The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.
The Washboard Rhythm Kings, also known as the Washboard Rhythm Boys (1932), Georgia Washboard Stompers (1934-1935), Alabama Washboard Stompers (1930-1932), Washboard Rhythm Band (1932-1933), and Chicago Hot Five were a loose aggregation of jazz performers who recorded as a group for various labels between about 1930 and 1935. Bruce Johnson played washboard.
Stomp Off is an American jazz record company and label founded in 1980 by Bob Erdos in York, Pennsylvania. The label's first release was Feelin' Devilish by Waldo's Gutbucket Serenaders.
The New Orleans Owls were an early jazz band from New Orleans that descended from The Invincibles String band and recorded 23 sides for Columbia from 1925 to 1927 on 78 rpm phonograph record. They are reportedly the first group to record by the electric system operating from a mobile recording van. They played principally for the dancers in the ballroom of the Roosevelt Hotel in New Orleans. The replaced Abbie Brunies' Halfway House Orchestra at the Halfway House dancehall in the late 1920s.
"That's a Plenty" is a 1914 ragtime piano composition by Lew Pollack. Lyrics by Ray Gilbert were added decades later. Several popular vocal versions have been recorded, but it is more often performed as an instrumental.
"Bugle Call Rag", also known as "Bugle Call Blues", is a jazz standard written by Jack Pettis, Billy Meyers and Elmer Schoebel. It was first recorded by the New Orleans Rhythm Kings in 1922 as "Bugle Call Blues", although later renditions as well as the published sheet music and the song's copyright all used the title "Bugle Call Rag".
"Tin Roof Blues" is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions.
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band, fostered awareness of this new style of music.
"Sensation Rag" or "Sensation" is a 1918 jazz instrumental by the Original Dixieland Jazz Band. It is one of the earliest jazz recordings. It is not related to Joseph Lamb's 1908 "Sensation Rag", which is a ragtime piano piece.
Ostrich Walk" is a 1917 jazz composition by the Original Dixieland Jass Band released as an instrumental as an Aeolian Vocalion and a Victor 78. Frankie Trumbauer and Bix Beiderbecke recorded the song in 1927. The song is a jazz milestone as one of the first commercially released "jass" or jazz recordings.
The Chicago Rhythm Kings was the name under which the recordings of several different jazz ensembles were issued. The earliest of these was a jazz octet consisting of vocalist Red McKenzie, cornetist Muggsy Spanier, saxophonist Frank Teschemacher, guitarist Eddie Condon, clarinetist Mezz Mezzrow, pianist Joe Sullivan, drummer Gene Krupa, and bassist and tubist Jim Lanigan. This group, who also recorded under the name the Jungle Kings, released a 1928 record for Brunswick Records as the Chicago Rhythm Kings performing Benton Overstreet's "There'll Be Some Changes Made" and Jack Palmer and Spencer Williams's "I Found a New Baby".
References
- ↑ Brian Rust (2002). Jazz and Ragtime Records (1897-1942): L-Z, index. Mainspring Press. pp. 1306–. ISBN 978-0-9671819-2-9.
- ↑ Chuck Mancuso; David Lampe (1996). Popular Music and the Underground: Foundations of Jazz, Blues, Country, and Rock, 1900-1950. Kendall/Hunt Publishing Company. ISBN 978-0-8403-9088-2.
- ↑ Mario Jorge Jacques. GLOSSARIO DO JAZZ. biblioteca24horas. pp. 361–. ISBN 978-85-7893-002-8.
- ↑ Ken Vail (1993). Jazz milestones: a pictorial chronicle of jazz 1900-1990. Castle Communications. ISBN 9781860740503.
- ↑ Scott Yanow (2005). Jazz: A Regional Exploration. Greenwood Publishing Group. pp. 18–. ISBN 978-0-313-32871-8.
- ↑ Rex Harris; Brian A. L. Rust (1953). Recorded jazz: a critical guide. Penguin Books.
- ↑ "Panama by Tyers; Basin St. Six" . Retrieved December 13, 2019.[ title missing ]
- ↑ Al Hirt, Our Man in New Orleans Retrieved April 10, 2013.
