Panic was a bi-monthly humor comic that was published by Bill Gaines' EC Comics line during the mid-1950s as a companion to Harvey Kurtzman's Mad , which was being heavily imitated by other comic publishers.
Panic was edited by Al Feldstein (who became the editor of Mad a few years later). Beginning with its first issue (February–March 1954), Panic had a 12-issue run over two years. Feldstein was the primary cover artist, with stories illustrated by Jack Davis, Will Elder, Jack Kamen, Joe Orlando, Basil Wolverton and Wally Wood. Some story ideas were by Nick Meglin, later the co-editor of Mad. Scripts were by Feldstein, Elder and Jack Mendelsohn, later a co-screenwriter of Yellow Submarine (1968) and an Emmy-nominated TV comedy writer.
EC dubbed Panic the "only authorized imitation" of Mad, but Mad's creator didn't enjoy the joke. Almost thirty years later, Harvey Kurtzman told an interviewer, "Panic was another sore point. Gaines, by some convoluted reasoning, decided to double the profit of Mad by doing a Feldstein version of Mad and he just plundered all of my techniques and artists. For this there was a real conflict of interests." [1]
The publication was immediately controversial, as detailed by Steve Stiles in his article,"It's a Panic!": [2]
What Panic also earned was a storm of indignation that burst over Gaines' head with the very first issue, and all over the holiday of "Peace on Earth, Good Will Towards Men". It's strange that Gaines didn't see it coming, but some people got very annoyed with a satire of "The Night Before Christmas". To put it mildly. [2]
Gaines later recalled, "The trouble we had on the Santa Claus story was Bill Elder. He had put a sign on the sleigh of Santa Claus, 'Just Divorced'. Now how do a bunch of iconoclastic, atheist bastards like us know that Santa Claus is a saint and that he can't be divorced and that this is going to offend Boston?" This didn't stop Gaines from later dressing in a Santa suit and posing for a Mad subscription offer as a benevolent gift giver (because the subscription rate was only a few cents cheaper than buying the issues at cover price).
As a result of the parody, Panic was ultimately banned from sale in the state of Massachusetts. Gaines puckishly responded by issuing a press release announcing that as a "retaliatory measure," EC was pulling all copies of its Picture Stories from the Bible comic book out of Massachusetts. It took the newspapers a few days to realize that the discontinued comic hadn't been on sale in Massachusetts, or anywhere else, in five years.
More legal hassles came EC's way because of another story from the first issue, a gory parody of Mickey Spillane's Vengeance Is Mine called My Gun is the Jury that ended with one of Spillane's bombshell women revealed as a transvestite. A few days after the Santa controversy in Massachusetts, EC's offices were raided by the New York City police. Gaines' associate Lyle Stuart willingly took responsibility and was arrested; the charge was quickly thrown out of court. In the meantime, abrasive gossip columnist Walter Winchell reported the story without mentioning that Stuart was released without result, and added, "Attention all newsstands! Anyone selling the filth of Lyle Stuart will be subject to the same arrest!" Winchell may have been motivated by "The Secret Life of Walter Winchell", a negative book based on a series of negative magazine articles about him written by Stuart, but his rhetoric cost him $21,500 after Stuart sued for libel. Stuart used the money to start his own publishing house.
Mad was quickly and widely imitated, to the point where creator and editor Harvey Kurtzman mocked his competitors' wave of copycat humor comic books in Mad's 17th issue. But he was particularly unhappy with EC's own imitation. "I was pretty bitter about it," Kurtzman said in 1965. "The publisher and I got into a series of ever-increasing arguments going around in ever diminishing circles."
Publisher Gaines rejected Kurtzman's complaint, telling an interviewer decades later:
Sometimes Harvey loses sight of the fact that this was my business, that I was publishing these magazines, that one of my magazines was Mad, that I had a lot of other magazines making more or less profits, some of them none, and what's so immoral about me putting out another magazine imitating my own magazine? You see Harvey could never realize that Mad was mine; he thought it was his. [Laughter.] That was the basic problem. To me Mad was one of the EC Comics. If we put out The Vault of Horror and it's successful, what's wrong with putting out Tales From the Crypt? If we put out Mad and it's successful, what's wrong with putting out — all the time we put out Panic, Harvey felt we were competing with him, and I used to say, "Harvey, we're not competing with you, we're all one company. [Laughter.] The money comes from everywhere and it goes into a pot and from this pot we publish." Why am I competing?
And it was something that Harvey could never understand. He felt it was separate. The fact that 30 to 70 other people were imitating Mad, Martin Goodman had half a dozen, there were 70 titles I understand, my printer once counted them up, because he used to keep a list of all the comics published and he told me there were 70. I think he was wrong, but there were certainly 30, 40, or 50 imitations of Mad. You know, Eek, Ecch, Oook, Turn Blue was Shelly Mayer's, I can't even remember them all, Crazy, Cracked, Nutty, Silly, Woppy, Daffy, we got all these imitations of Mad, that's OK, but if I put out Panic it's immoral [laughter]. [1]
Panic has been reprinted by publisher Russ Cochran several times. In 1985, it formed part of his Complete EC Library , published (in black and white) as a slipcased hardcover two-volume set. Panic was also reprinted issue-by-issue between March 1997 and December 1999 by Cochran (in association with Gemstone Publishing). This complete run was later rebound, with covers included, in three softcover EC Annuals . Dark Horse Comics subsequently published two hardback volumes of reprints as part of their EC Archives series, with volume 1 (issues 1 to 6) published in 2016 and volume 2 (issues 7 to 12) published in 2017.
# | Date | Cover Artist | Story | Story Artist |
---|---|---|---|---|
1 | February/March 1954 | Al Feldstein | My Gun Is the Jury! | Jack Davis |
This Is Your Strife | Joe Orlando | |||
Little Red Riding Hood | Jack Kamen | |||
The Night Before Christmas | Bill Elder | |||
2 | April/May 1954 | Al Feldstein | African Scream! | Wally Wood |
The Lady or the Tiger? | Bill Elder | |||
Breakfast with the Fershlugginers | Joe Orlando | |||
Come Back, Little Street Car! | Jack Davis | |||
3 | June/July 1954 | Al Feldstein | Li'l Melvin | Bill Elder |
The Quite-a-Man! | Wally Wood | |||
Mother Goon's Nertzery Rhymes | Joe Orlando | |||
Strike It Richly! | Jack Davis | |||
4 | August/September 1954 | Basil Wolverton | Smiddy | Bill Elder |
Hindu | Wally Wood | |||
Just Plain Bull | Joe Orlando | |||
I Touched a Flying Saucer! | Jack Davis | |||
5 | October/November 1954 | Al Feldstein | Tick Dracy | Bill Elder |
Panic's Dictionary of Sports | Jack Davis | |||
Spots Before Your Eyes! | Joe Orlando | |||
You Too Can Hook a Zillionaire! | Wally Wood | |||
6 | December/January 1955 | The Phansom | Bill Elder | |
Executive Seat | Wally Wood | |||
Comic Strip Advertising | Joe Orlando | |||
Popular Mecpanics Magazine | Jack Davis | |||
7 | February/March 1955 | Mel Padooka | Bill Elder | |
You Axed for it! | Jack Davis | |||
Travel Posters | Joe Orlando | |||
Them There Those | Wally Wood | |||
8 | April/May 1955 | Irving Oops | Bill Elder | |
Carmen | Joe Orlando | |||
Panic Peeks into Some Old Under Paints | Jack Davis | |||
Gone with the Widow | Wally Wood | |||
9 | June/July 1955 | Rx Migrane M.D. | Bill Elder | |
Drive In Movie! | Jack Davis | |||
Zoo Charade | Joe Orlando | |||
Bo Bummel, or Much Ado About Clothing | Wally Wood | |||
10 | August/September 1955 | Captain Izzy and Washt Upps | Bill Elder | |
A Star is Corn | Jack Davis | |||
Punch Lines | Bill Elder | |||
Foreign Movies | Jack Davis | |||
11 | October/November 1955 | Mary Worthless! | Bill Elder | |
Shaggy Dog Stories! | Jack Davis | |||
Sunday at the Beach! | Bill Elder | |||
20,000 Leaks Under the Sea | Wally Wood | |||
12 | December/January 1956 | Jack Davis | Charlie Chinless | Bill Elder |
House Hunting! | Jack Davis | |||
The Heartaches of Joliet's Groans! | Bill Elder | |||
'S a Tragic Air Command | Wally Wood |
Mad is an American humor magazine first published in 1952. It was founded by editor Harvey Kurtzman and publisher William Gaines, launched as a comic book series before it became a magazine. It was widely imitated and influential, affecting satirical media, as well as the cultural landscape of the late 20th century, with editor Al Feldstein increasing readership to more than two million during its 1973–1974 circulation peak.
William Maxwell "Bill" Gaines was an American publisher and co-editor of EC Comics. Following a shift in EC's direction in 1950, Gaines presided over what became an artistically influential and historically important line of mature-audience comics. He published the satirical magazine Mad for over 40 years.
E.C. Publications, Inc., is an American comic book publisher specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series. Initially, EC was founded as Educational Comics by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines died in a boating accident in 1947, his son William Gaines took over the company and was renamed Entertaining Comics. He printed more mature stories, delving into horror, war, fantasy, science-fiction, adventure, and other genres. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes that anticipated the Civil Rights Movement and the dawn of the 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor magazine Mad, leading to the company's greatest and most enduring success. Consequently, by 1956, the company ceased publishing all its comic lines except Mad.
Harvey Kurtzman was an American cartoonist and editor. His best-known work includes writing and editing the parodic comic book Mad from 1952 until 1956, and writing the Little Annie Fanny strips in Playboy from 1962 until 1988. His work is noted for its satire and parody of popular culture, social critique, and attention to detail. Kurtzman's working method has been likened to that of an auteur, and he expected those who illustrated his stories to follow his layouts strictly.
John Burton Davis Jr. was an American cartoonist and illustrator, known for his advertising art, magazine covers, film posters, record album art, and numerous comic book stories. He was one of the founding cartoonists for Mad in 1952. His cartoon characters are characterized by extremely exaggerated anatomy, including big heads, skinny legs, and large feet.
John Powers Severin was an American comics artist noted for his distinctive work with EC Comics, primarily on the war comics Two-Fisted Tales and Frontline Combat; for Marvel Comics, especially its war and Western comics; and for his 45-year stint with the satiric magazine Cracked. He was one of the founding cartoonists of Mad in 1952.
William Elder was an American illustrator and comic book artist who worked in numerous areas of commercial art but is best known for a frantically funny cartoon style that helped launch Harvey Kurtzman's Mad comic book in 1952.
Albert Bernard Feldstein was an American writer, editor, and artist, best known for his work at EC Comics and, from 1956 to 1985, as the editor of the satirical magazine Mad. After retiring from Mad, Feldstein concentrated on American paintings of Western wildlife.
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Two-Fisted Tales is an anthology war comic published bi-monthly by EC Comics in the early 1950s. The title originated in 1950 when Harvey Kurtzman suggested to William Gaines that they publish an adventure comic. Kurtzman became the editor of Two-Fisted Tales, and with the dawn of the Korean War, he soon narrowed the focus to war stories. The title was a companion comic to Frontline Combat, and stories Kurtzman wrote for both books often displayed an anti-war attitude. It returned to adventure-themed stories in issues #36 through #39, co-edited by John Severin and Colin Dawkins, with a cover-title change to The New Two-Fisted Tales.
Tales from the Crypt is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in March 1947 as International Comics. It continued under this title for five issues before becoming International Crime Patrol (#6) and Crime Patrol (#7–16). It was retitled The Crypt of Terror with issue #17. Two more issues were published under this title before it was rebranded as Tales from the Crypt for issue #20. The comic bore this title for 27 issues until being discontinued after issue #46.
Shock SuspenStories is an American bi-monthly comic book anthology series that was published by EC Comics from 1952 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in February/March 1952 and ran for 18 issues until being discontinued after the December/January 1955 issue. It covered a broad range of topics, including crime, science fiction, and horror.
Weird Fantasy is an American dark fantasy and science fiction anthology comic that was part of the EC Comics line in the early 1950s. The companion comic for Weird Fantasy was Weird Science. Over a four-year span, Weird Fantasy ran for 22 issues, ending with the November–December 1953 issue.
Weird Science was an American science fiction comic book magazine that was part of the EC Comics line in the early 1950s. Over a four-year span, the comic ran for 22 issues, ending with the November–December, 1953 issue. Weird Fantasy was a sister title published during the same time frame.
Jack Kamen was an American illustrator for books, magazines, comic books and advertising, known for his work illustrating crime, horror, humour, suspense and science fiction stories for EC Comics, for his work in advertising, and for the onscreen artwork he contributed to the 1982 horror anthology film Creepshow.
Debuting in August 1952, Mad began as a comic book, part of the EC line published from offices on Lafayette Street in Lower Manhattan. In 1961 Mad moved its offices to mid-town Manhattan, and from 1996 onwards it was located at 1700 Broadway until 2018 when it moved to Los Angeles, California to coincide with a new editor and a reboot to issue #1.
"Superduperman" is a satirical story by Harvey Kurtzman and Wally Wood that was published in the fourth issue of Mad. Lampooning both Superman and Captain Marvel, it revolutionized the types of stories seen in Mad, leading to greatly improved sales. Writers such as Alan Moore have cited this story as an influence.
Three Dimensional E.C. Classics was a quarterly comic book anthology series published by EC Comics in 1954. It began publication with its Spring 1954 issue and ceased with its March 1954 issue, producing a total of two issues. The stories it contained were classics in that they were recyclings of stories that had already appeared in earlier EC comic books. However, all new artwork was done for these books, rather than applying the 3-D process to the original illustrations from the first presentations of the stories. They were three-dimensional because they were presented in Anaglyph 3-D. Two 3-D viewers were included with each issue.
Harvey Kurtzman's Jungle Book is a graphic novel by American cartoonist Harvey Kurtzman, published in 1959. Kurtzman aimed it at an adult audience, in contrast to his earlier work for adolescents in periodicals such as Mad. The social satire in the book's four stories targets Peter Gunn-style private-detective shows, Westerns such as Gunsmoke, capitalist avarice in the publishing industry, Freudian pop psychology, and lynch-hungry yokels in the South. Kurtzman's character Goodman Beaver makes his first appearance in one of the stories.
American cartoonist Harvey Kurtzman was the founding editor and primary writer for the humor periodical Mad from its founding in 1952 until its 28th issue in 1956. Featuring pop-culture parodies and social satire, what began as a color comic book became a black-and-white magazine with its 24th issue.