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Parasol's Sweet Sixteen was a compilation album series release by American record label and distributor Parasol Records, compiling new and previously released songs by artists on their subsidiary and distributed labels Action Musik, Bird Song Recordings, Galaxy Gramophone, Hidden Agenda Records, Mud Records, Reaction Recordings, and Spur Records. The series has received several positive reviews from critics.
Editors at AllMusic Guide rated this release three out of five stars, with critic Stanton Swihart calling it a collection that "serves as proof enough that this is ground well worth treading" and a sampler that "is packed to the gills with sensational music from across the pop spectrum". [1] David Fufkin of PopMatters wrote that Parasol is a great label due to its strong roster of artists and quality songs and recommends that readers buy the compilation for its high quality and low price. [2]
Editors at AllMusic Guide rated this release three out of five stars, with reviewer Stephen Cramer calling it "an eclectic mix of some of indie's lesser-known shining stars". [3]
Editors at AllMusic Guide rated this release three out of five stars, with critic Jason Ankeny praising the diverse roster on Parasol displayed here, writing that the label "ranks among America's most consistently interesting independent labels, continually moving beyond the company's indie pop roots to encompass an impressive breadth of sensibilities from neo-psychedelia to alternative country to synth pop". [4]
Editors at AllMusic Guide rated this release 3.5 out of five stars, with writer Stewart Mason calling Parasol "one of the biggest and best indie pop labels in America" and criticizing earlier volumes for being too cautious with track selection, an issue solved here and also opining that "these 20 tracks flow together much better than the haphazardly sequenced earlier volumes in the series", summing up that this is the "first essential volume in this series". [5] Writing for PopMatters, Patrick Schabe writing that "that Parasol and company prove with this sampler why they’re at the top of the game when it comes to supporting the best of the best in indie pop", with an excellent selection of tracks, but opining that "the track ordering there is a decided slump towards the end of the disc". [6]
Editors at AllMusic Guide rated this release four out of five stars, with reviewer Johnny Loftus calling it "heavy on tasteful chamber and indie pop", with several standout tracks; he ultimately recommends the album to long-time fans of the label as well as anyone interested in finding new indie pop. [7]
Editors at AllMusic Guide rated this release three out of five stars, with critic Richie Unterberger writing that "although there's a lot of variety, there's not much of a consistent sound or approach, other than generally falling under the umbrella of early 21st century indie pop" and characterizing the album as "pleasant, mildly quirky, guitar-oriented indie pop, often with echoes of vintage greats like the Kinks and the Beach Boys" that could be appropriate for college radio. [8] Writing for PopMatters, Christine Di Bella opines that "for the most part, this collection lives up to Parasol's reputation for doing the time warp, with some notable exceptions", but noting that even with the weaker tracks, the compilation "still [has] a pretty good win/loss percentage". [9]
Editors at AllMusic Guide rated this release three out of five stars, with critic Richie Unterberger casting the release as "a wide-ranging label sampler, without much uniting the selections save the companies to which the artists were signed" and calls this compilation "pretty acceptable listening, and good fodder for something obscure to add to a college radio play list, but there's not much in the way of standout tunes". [10] Patrick Schabe of PopMatters considering the general quality of Parasol's samplers as high, and writing that this edition "neither surprises nor disappoints in its offerings" that "doesn’t really show the Parasol group breaking ground into any vastly new territories, it adds further weight to Parasol’s solidified place at the center of indie pop in the US and abroad"; he recommends the album for anyone interested in indie pop. [11]
Editors at AllMusic Guide rated this release 3.5 out of five stars, with critic Richie Unterberger writing that "while it's not easy to generalize about a lengthy anthology of cuts from 20 different groups on a variety of labels", the sampler tends toward indie pop that pays homage to many 1960s and 1970s influences and speculates if "many listeners' tastes are wide enough to enjoy this as a start-to-finish experience in one gulp", but praising the "commendable level of variety". [12]
Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
Simon Philip Bonney is an Australian country rock musician. He formed Crime & the City Solution in late 1977 as a post punk group and an outlet for his song writing. The band has had different line-ups throughout their history, with Bonney as the only mainstay. Bronwyn Adams joined in 1986 on violin and backing vocals – the pair later married. Incarnations of Crime & the City Solution have existed in Sydney, Melbourne, London, Berlin and Detroit. When Crime & the City Solution split up in the early 1990s Bonney and Adams relocated to the United States where he released two solo albums, Forever (1992) and Everyman (1996). Crime & the City Solution reformed in 2012.
Eli and the Thirteenth Confession is the second album by New York City-born singer, songwriter, and pianist Laura Nyro, released in 1968.
Show and Tell is the American band Silvertide's full-length debut album. Produced by Oliver Leiber and mixed by Kevin "Caveman" Shirley, the band released it on September 28, 2004. Show and Tell features a melodic hard rock style deliberately reminiscent of the aggressive work done by groups achieving prominence in the 1970s and 1980s, examples being AC/DC, Aerosmith, and Led Zeppelin.
Lo-fi is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music.
The Early Four Track Recordings is a compilation album by indie rock band Of Montreal. It contains early recordings from the band, with the song titles changed to ones which tell a fictional story about actor Dustin Hoffman eating his bathtub. The album was originally released January 16, 2001, by Kindercore and later reissued by Polyvinyl Record Co. on March 7, 2006.
Deep Elm Records is an independent record label releasing albums by bands such as Lights & Motion, The Appleseed Cast, Brandtson, The White Octave, and Planes Mistaken for Stars. It also released the compilation series The Emo Diaries.
Godstar were a psychedelic pop band which formed in 1991. The group's founding mainstay, Nic Dalton, is a multi-instrumentalist who was also in The Plunderers, Sneeze and The Lemonheads, and ran the Half A Cow record label. Other members were Robyn St Clare The Hummingbirds, Alison Galloway on drums (ex-Jupiter) and Tom Morgan on guitar and vocals. In September 1993 the band toured nationally promoting their debut studio album, Sleeper. In July 1995 their second album, Coastal, appeared and was followed by another national tour. The group disbanded later that year. Dalton's Half a Cow label issued further Godstar material under the name The Godstar Reminder. Around this time, Dalton formed other groups including The Kombi Nation, The Ultimate Vanilla and Chewee. Galloway and Morgan were also members of Smudge, an indie pop band, during their time with Godstar.
Eric Clapton and the Powerhouse was a British blues rock studio group formed in 1966. They recorded three songs, which were released on the Elektra Records compilation What's Shakin' in 1966. A possible fourth song remained unreleased.
Richie Unterberger is an American author and journalist whose focus is popular music and travel writing.
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
Roots is a 1968 studio album by American singing duo the Everly Brothers. Originally on the Warner Bros. label, the album was re-released on CD in 1995 by Warner Bros. and in 2005 by Collectors' Choice Music. The album is a classic example of early country rock.
The Recommended Records Sampler is a sampler double album by various artists released by English independent record label Recommended Records on LP in 1982. It contains tracks by musicians and groups on the Recommended Records catalogue at the time.
The Pulsars was a new wave/indie rock band from Chicago, Illinois, led by Dave Trumfio and his brother, Harry Trumfio. They signed to Herb Alpert and Jerry Moss's Almo Sounds label and recorded two albums in the mid-1990s, one of which was released and another that has yet to be released.
Here's the Answer is the second studio album by American country artist Skeeter Davis. The album was released in January 1961 on RCA Victor Records and was produced by Chet Atkins. The album consisted of cover versions of hit singles by country artists and answer songs to the hits.
The Love Exchange was an American psychedelic rock band, best known for their single "Swallow the Sun", released in 1967. Sixteen-year-old Bonnie Blunt was the band's lead singer. They were signed by Uptown Records, a subsidiary of MCA Records.
Elk City is an American art-pop band from New York City, New York, formed in 1997 as a spin-off of Melting Hopefuls. The original lineup consisted of Renee LoBue, Ray Ketchem and Peter Langland-Hassan.
Spirit Touches Ground is the third studio album by singer-songwriter Josh Clayton-Felt, which was released through Dreamworks Records in 2002, two years after his death from cancer.
A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one performer or by several performers. If the recordings are from one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If the recordings are from several artists, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology.
The Shirelles Sing to Trumpets and Strings is the sophomore album from American soul girl group The Shirelles, released in 1961. The album has received positive reviews from critics.