| Precious Falling | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 31 August 1998 | |||
| Recorded | 1997-1998 | |||
| Genre | Noise pop | |||
| Length | 70:42 | |||
| Label | Kitty Kitty, Domino, Hidden Agenda | |||
| Producer | Tom Cullinan | |||
| Quickspace chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Pitchfork Media | 7.8/10[ citation needed ] |
Precious Falling is the second album by Quickspace, released in 1998. [2] [3]
The Independent called Precious Falling "a confidently diverse album, ranging from murkier, muted vocal early tracks like 'Take Away' to the country-flavoured, violin-weeping epic, 'Goodbye Precious Mountain'." [4] The Sunday Times determined that "tunes that Stereolab would render with academic earnestness are here given a good kicking, wobbly girl-boy vocals lending everything an air of first-take euphoria." [5]
AllMusic wrote: "Most interesting are the experimental and filmic songs like 'Hadid', 'The Mountain Waltz' and 'Goodbye Precious Mountain', where the band stretch their remixing and arranging skills." [1] Magnet thought that "where Stereolab made music for cocktail parties and designer drugs, Quickspace’s Cullinan and singer Nina Pascale were loaded for mushrooms and cheap wine." [6]
Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's music combines influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist movements. On stage, they play in a more feedback-driven and guitar-oriented style. The band also draw from funk, jazz and Brazilian music, and were one of the first artists to be dubbed "post-rock". They are regarded among the most innovative and influential groups of the 1990s.
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar.
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