Parliamentary cretinism (German : parlamentarische Kretinismus) is a pejorative term within Marxist discourse initially referring fixation on parliamentary proeceedings in political conflict to the exclusion of other things, in particular in the context of socialist politics appealing to exclusively parliamentary means, specifically in the 19th century. [1] , associated with claims that it means 'confimenent to an imaginary world'. [2]
The term parliamentary cretinism was originally coined by Karl Marx in chapter five of his 1852 political book, the Eighteenth Brumaire of Louis Bonaparte , [3] published in 1852 following Louis Napoleon's coup d'état in France. [4] Marx and Engels considered this a fatal delusion for the socialist movement, believing it would only waste time and allow reactionary forces to grow stronger. Marx, particularly, held the view that parliaments are indirectly representing the interests of classes but resolve problems superficially, with its politics ideologically displaced and abstracted from social conditions. [5] This means, for Marx, that parliamentary cretinism creates an imaginary world without sense, memory, and understanding of the real world. [6] This condition perpetuates parliamentarism by defending it against the proletariat through the destruction of the Parliament itself to reinforce the executive branch. [7]
Friedrich Engels wrote:
'Parliamentary cretinism' is an incurable disease, an ailment whose unfortunate victims are permeated by the lofty conviction that the whole world, its history and its future are directed and determined by a majority of votes of just that very representative institution that has the honour of having them in the capacity of its members. [8]
Karl Marx was a German-born philosopher, political theorist, economist, historian, sociologist, journalist, and revolutionary socialist. His best-known works are the 1848 pamphlet The Communist Manifesto and his three-volume Das Kapital (1867–1894); the latter employs his critical approach of historical materialism in an analysis of capitalism, in the culmination of his intellectual endeavours. Marx's ideas and their subsequent development, collectively known as Marxism, have had enormous influence on modern intellectual, economic and political history.
The Communist Manifesto, originally the Manifesto of the Communist Party, is a political pamphlet written by Karl Marx and Friedrich Engels, commissioned by the Communist League and originally published in London in 1848. The text is the first and most systematic attempt by Marx and Engels to codify for wide consumption the historical materialist idea that "the history of all hitherto existing society is the history of class struggles", in which social classes are defined by the relationship of people to the means of production. Published amid the Revolutions of 1848 in Europe, the manifesto remains one of the world's most influential political documents.
Friedrich Engels was a German philosopher, political theorist, historian, journalist, and revolutionary socialist. He was also a businessman and Karl Marx's lifelong friend and closest collaborator, serving as a leading authority on Marxism.
The English Revolution is a term that has been used to describe two separate events in English history. Prior to the 20th century, it was generally applied to the 1688 Glorious Revolution, when James II was deposed and a constitutional monarchy established under William III and Mary II.
Bonapartism is the political ideology supervening from Napoleon Bonaparte and his followers and successors. The term was used to refer to people who hoped to restore the House of Bonaparte and its style of government. In this sense, a Bonapartiste was a person who either actively participated in or advocated for conservative, nationalist, monarchist, and imperial political factions in 19th-century France.
Marxism is a political philosophy and method of socioeconomic analysis. It uses a dialectical and materialist interpretation of historical development, better known as historical materialism, to analyse class relations, social conflict, and social transformation. Marxism originates with the works of 19th-century German philosophers Karl Marx and Friedrich Engels. Marxism has developed over time into various branches and schools of thought, and as a result, there is no single, definitive Marxist theory. Marxism has had a profound effect in shaping the modern world, with various left-wing and far-left political movements taking inspiration from it in varying local contexts.
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth. Marxists believe that economic and social conditions, and especially the class relations that derive from them, affect every aspect of an individual's life, from religious beliefs to legal systems to cultural frameworks. From one classic Marxist point of view, the role of art is not only to represent such conditions truthfully, but also to seek to improve them ; however, this is a contentious interpretation of the limited but significant writing by Marx and Engels on art and especially on aesthetics. For instance, Nikolay Chernyshevsky, who greatly influenced the art of the early Soviet Union, followed the secular humanism of Ludwig Feuerbach more than he followed Marx.
Karl Marx's idea that the state can be divided into three subject areas: pre-capitalist states, states in the capitalist era and the state in post-capitalist society. Overlaying this is the fact that his own ideas about the state changed as he grew older, differing in his early pre-communist phase, the young Marx phase which predates the unsuccessful 1848 uprisings in Europe and in his later work.
The Mountain, with its members collectively called Democratic Socialists, was a political group of the French Second Republic.
Marxism is a method of socioeconomic analysis that originates in the works of 19th century German philosophers Karl Marx and Friedrich Engels. Marxism analyzes and critiques the development of class society and especially of capitalism as well as the role of class struggles in systemic, economic, social and political change. It frames capitalism through a paradigm of exploitation and analyzes class relations and social conflict using a materialist interpretation of historical development – materialist in the sense that the politics and ideas of an epoch are determined by the way in which material production is carried on.
Scorpion and Felix, A Humoristic Novel is the only comedic fictional story to have been written by Karl Marx. Written in 1837 when he was 19 years old, it has remained unpublished. It was likely written under the influence of The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne.
Joseph Arnold Weydemeyer was a military officer in the Kingdom of Prussia and the United States as well as a journalist, politician and Marxist revolutionary.
In Marxist theory, the Lumpenproletariat is the underclass devoid of class consciousness. Karl Marx and Friedrich Engels coined the word in the 1840s and used it to refer to the unthinking lower strata of society exploited by reactionary and counter-revolutionary forces, particularly in the context of the revolutions of 1848. They dismissed the revolutionary potential of the Lumpenproletariat and contrasted it with the proletariat. Among other groups, criminals, vagabonds, and prostitutes are usually included in this category.
The correct place of Karl Marx's early writings within his system as a whole has been a matter of great controversy. Some believe there is a break in Marx's development that divides his thought into two periods: the "Young Marx" is said to be a thinker who deals with the problem of alienation, while the "Mature Marx" is said to aspire to a scientific socialism.
Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx. Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors. The English literary critic and cultural theorist Terry Eagleton defines Marxist criticism this way: "Marxist criticism is not merely a 'sociology of literature', concerned with how novels get published and whether they mention the working class. Its aims to explain the literary work more fully; and this means a sensitive attention to its forms, styles and, meanings. But it also means grasping those forms styles and meanings as the product of a particular history." In Marxist criticism, class struggle and relations of production are the central instruments in analysis.
The Eighteenth Brumaire of Louis Napoleon is an essay written by Karl Marx between December 1851 and March 1852, and originally published in 1852 in Die Revolution, a German monthly magazine published in New York City by Marxist Joseph Weydemeyer. Later English editions, such as the 1869 Hamburg edition with a preface by Marx, were entitled The Eighteenth Brumaire of Louis Bonaparte. The essay serves as a major historiographic application of Marx's theory of historical materialism.
Marxist historiography, or historical materialist historiography, is an influential school of historiography. The chief tenets of Marxist historiography include the centrality of social class, social relations of production in class-divided societies that struggle against each other, and economic constraints in determining historical outcomes. Marxist historians follow the tenets of the development of class-divided societies, especially modern capitalist ones.
In Marxist philosophy, the dictatorship of the proletariat is a condition in which the proletariat, or working class, holds control over state power. The dictatorship of the proletariat is the transitional phase from a capitalist to a communist economy, whereby the post-revolutionary state seizes the means of production, mandates the implementation of direct elections on behalf of and within the confines of the ruling proletarian state party, and institutes elected delegates into representative workers' councils that nationalise ownership of the means of production from private to collective ownership. During this phase, the organizational structure of the party is to be largely determined by the need for it to govern firmly and wield state power to prevent counterrevolution, and to facilitate the transition to a lasting communist society.
Historical materialism is Karl Marx's theory of history. Marx located historical change in the rise of class societies and the way humans labor together to make their livelihoods.
The following outline is provided as an overview of and topical guide to Marxism: