Pat Caplice

Last updated

Patrick "Pat" Caplice (born 4 April 4 1927, Sydney) [1] is an Australian jazz musician (drums and vibraphone). [2]

Contents

Career

Caplice studied harmony at the New South Wales Conservatorium of Music between 1952 - 1955, [3] and during that time his groups The Pat Caplice Ensemble and Pat Caplice Quintet performed on the ABC's 2FC-NA radio stations. [4] [5] Caplice performed with The Art Ray Quintet who released their album 'Midnight Melodies' in 1952. [6] [7]

Caplice led several of his own groups. In 1954, The Pat Caplice Trio consisted of Jan Gold (guitar), Ken McClure (bass), and Caplice (vibraphone), and appeared on ABC radio. [8] Caplice also worked with Jan Gold in The Pat Caplice Ensemble, alongside John Morrow (bass), Ken Hardy (bass clarinet), Peter Richardson (flute), and Don Osborne (drums). The Ensemble released their first recording 'Mood Modern' in February 1957, [3] and in their review The Sydney Morning Herald called The Ensemble, "one of the few Australian avant garde jazz groups, is reminiscent of the brilliant Swedish modernists more than the American school." [9]

The Pat Caplice Trio continued to perform at clubs in Sydney, and were noted for their experimentation in jazz instrumentation. [10] In 1958, the trio expanded to include Mal Cunningham on flute and recorded as The Pat Caplice Quartet. Released by Columbia Records as 'Caprice: Adventures In Sound With Pat Caplice', the album was credited as the "first 12-inch long-playing record made by an Australian jazz band." [10] ABC Weekly praised the album for displaying "the latest trends in jazz", and Caplice's ability to provide an atmosphere for his musicians to play their best. [11]

Although Caplice's records were reviewed favourably and sold well at the time, his band didn't receive enough work and disbanded. [12] [2]

During the mid-1950s, Caplice briefly worked at Sydney's 2UW as a panel operator before returning to music. [3] He also recorded as part of the Music Maker 1957 All-Stars, which also featured Freddy Logan, Don Burrows, and others voted Australia's best jazz musicians at the time. [2]

Related Research Articles

<span class="mw-page-title-main">Max Roach</span> American jazz percussionist, drummer, and composer (1924–2007)

Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.

<span class="mw-page-title-main">Oscar Pettiford</span> American jazz musician and composer

Oscar Pettiford was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom.

<span class="mw-page-title-main">Cal Tjader</span> American Latin jazz musician

Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform music of Afro-Jazz, the Caribbean, México and Latin America.

<span class="mw-page-title-main">Kenny Clarke</span> American jazz drummer (1914–1985)

Kenneth Clarke Spearman, nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents.

<span class="mw-page-title-main">Percy Heath</span> American jazz bassist

Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.

<span class="mw-page-title-main">Red Norvo</span> American jazz musician

Red Norvo was an American musician, one of jazz's early vibraphonists, known as "Mr. Swing". He helped establish the xylophone, marimba, and vibraphone as jazz instruments. His recordings included "Dance of the Octopus", "Bughouse", "Knockin' on Wood", "Congo Blues", and "Hole in the Wall".

<span class="mw-page-title-main">Australian jazz</span>

Jazz music has a long history in Australia. Over the years jazz has held a high-profile at local clubs, festivals and other music venues and a vast number of recordings have been produced by Australian jazz musicians, many of whom have gone on to gain a high profile in the international jazz arena.

<span class="mw-page-title-main">Ronnie Scott</span> British jazz saxophonist

Ronnie Scott OBE was a British jazz tenor saxophonist and jazz club owner. He co-founded Ronnie Scott's Jazz Club in London's Soho district, one of the world's most popular jazz clubs, in 1959.

<span class="mw-page-title-main">Chris Barber</span> English bandleader and trombonist (1930–2021)

Donald Christopher Barber was an English jazz musician, best known as a bandleader and trombonist. He helped many musicians with their careers and had a UK top twenty trad jazz hit with "Petite Fleur" in 1959. These musicians included the blues singer Ottilie Patterson, who was at one time his wife, and Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Barber's band. He provided an audience for Donegan and, later, Alexis Korner, and sponsored African-American blues musicians to visit Britain, making Barber a significant figure in launching the British rhythm and blues and "beat boom" of the 1960s.

<span class="mw-page-title-main">Red Mitchell</span> American jazz musician and poet

Keith Moore "Red" Mitchell was an American jazz double-bassist, composer, lyricist, and poet.

Teddy Kotick was an American jazz bassist, who appeared as a sideman with many of the leading figures of the 1940s and 1950s, including Charlie Parker, Buddy Rich, Artie Shaw, Horace Silver, Phil Woods and Bill Evans.

John Joseph "Jack" Brokensha was an Australian-born American jazz vibraphonist, known for his work with the Australian Jazz Quartet and Motown Records.

<span class="mw-page-title-main">Cab Kaye</span> English jazz musician

Nii-lante Augustus Kwamlah Quaye, known professionally as Cab Kaye, was an English jazz singer and pianist of Ghanaian descent. He combined blues, stride piano, and scat with his Ghanaian heritage.

"Bags' Groove" is a jazz composition by Milt Jackson. It was first recorded by the Milt Jackson Quintet on April 7, 1952 for Blue Note Records, later released on Wizard of the Vibes. Lou Donaldson, John Lewis, Percy Heath and Kenny Clarke were on that date. Next was the Mat Mathews quintet with Herbie Mann, Bud Powell, Mat Mathews again, a bootleg version by the Modern Jazz Quartet, the Lighthouse All-Stars, bassist Buddy Banks' quartet and then Jay Jay Johnson and Kai Winding. Other important recordings include those by Ray Bryant, Oscar Peterson, Al Haig, George Russell, Mal Waldron.

The Australian Jazz Quartet (AJQ), also known as the Australian Jazz Quintet, was a jazz group active in the 1950s, best known for collaborations with Dave Brubeck, Gerry Mulligan and Carmen McRae.

The Esso Australian Jazz Summit is a live compilation album of jazz music recorded live at the Bondi Beach. The album was nominated for 1987 ARIA Award for Best Jazz Album.

Robert Graeme Barnard was an Australian trumpet and cornet player. He was nominated at the ARIA Music Awards of 1996 for Best Jazz Album for Live at the Sydney Opera House, which was recorded with the Australian Jazz Allstars.

AtmaSphere is an Australian jazz ensemble led by formed by David Jones. They were nominated for the ARIA Award for Best Jazz Album in 1994 for their album Flying. Flying was released in 1993 and included guest appearances from Mike Nock and Don Burrows.

Frederick "Freddy" Logan (1930–2003) was a Jazz musician.

The Port Jackson Jazz Band was an Australian Dixieland jazz group formed in 1944 and based in Sydney. They were noted as the longest running traditional jazz band in Australia, though had multiple breakups along the way.

References

  1. Myers, Eric (Oct 2022). "PAT CAPLICE: MODERN JAZZ PIONEER" (PDF). Eric Myers. Retrieved 11 March 2023.
  2. 1 2 3 "Men At Work". Music Maker: 12, 13, 34. September 1957.
  3. 1 2 3 "Pat Caplice Waxes "New Sound"". Music Maker: 5. Feb 1957.
  4. "ABC Weekly Vol. 15 No. 28 (11 July 1953)". Trove. Retrieved 2023-02-15.
  5. "ABC Weekly Vol. 15 No. 18 (2 May 1953)". Trove. Retrieved 2023-02-15.
  6. Peter, Walker, C. Hogan, T. Beilharz (2012). Rock 'n' labels: Tracking the Australian recording industry in 'The Vinyl Age': Part One, 1945-1970. OCLC   1033985766.
  7. Lord, Tom (1997). The jazz discography. Vol. 18. West Vancouver, B.C., Canada. pp. R159. ISBN   1-881993-17-5. OCLC   30547554.
  8. "ABC weekly Vol. 16 No. 7 (13 February 1954)". Trove. 13 February 1954. Retrieved 2023-02-15.
  9. "A man called Belafonte". The Sydney Morning Herald . 17 February 1957. p. 62.
  10. 1 2 "Jazz, Classics In The Same Music Club!". The Sydney Morning Herald . 1 March 1958. p. 2.
  11. Sainthill, Peter (9 April 1958). "The Changing Face of Jazz - ABC Weekly Vol. 20 No. 15 (9 April 1958)". Trove. Retrieved 2023-02-16.
  12. Johnson, Bruce (1987). The Oxford companion to Australian jazz. Oxford University Press. ISBN   0-19-554791-8. OCLC   17634882.

Pat Caplice discography at Discogs