Patate (film)

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Patate
Directed by Robert Thomas (director)
Screenplay by Marcel Achard (play)
Robert Thomas (director)
Produced by André Hakim
Jacques Dorfmann
Robert Haggiag
Starring Pierre Dux
Jean Marais
Danielle Darrieux
Sylvie Vartan
Cinematography Robert Lefebvre
Edited by Henri Taverna
Music by Raymond Le Sénéchal
Directed by Jacques Météhen
Arrangements by Hubert Rostaing
Production
companies
Belstar Productions
Les Films du Siècle
Sicilia Cinematografica
Ultra Film
Distributed by 20th Century Fox
Release dates
21 October 1964 France,
17 November 1965, New York
Running time
95 minutes
CountriesFrance
Italy
LanguageFrench
Box office Box-office France 1964: 39th rank with 1,392,078 admissions

Patate is a 1964 French film starring Pierre Dux, Jean Marais, Danielle Darrieux and Sylvie Vartan. It is based upon the eponymous play by Marcel Achard, adapted by Robert Thomas, who also directed.

Contents

It was released in English as ''Friend of the Family''.

Synopsis

Léon Rollo, known as "Patate", accompanied by his wife Edith and his daughter Alexa whom he adores, is an unlucky inventor. His best friend, who is called Noël, succeeds in everything he does and Patate is jealous of his exceptional luck.

Filming locations

Only in Paris:

Reception

It had admissions in France of 1,392,070 [1] Box-office France 1964: 39th rank with 1,392,078 admissions

According to Fox records, the film needed to earn $1,800,000 in rentals to break even and made $855,000, meaning it made a loss. [2]

About the film

Robert Thomas is less a filmmaker than an author of successful plays including the famous Huit Femmes created in 1958, which became François Ozon's biggest success in 2002 at the cinema.

Thomas' film is inspired by the eponymous play by Marcel Achard - Patate written in 1956 and premiered in Paris in 1957 at the Théâtre Saint-Georges. It played 2775 times over seven years.

The enormous theatrical success of Marcel Achard's play, was attractive to film producers including the American 20th Century Fox. The cinematographic adaptation is not up to the play. Robert Thomas' film does not stand out in by elegance nor innovation. From the worst theater filmed. [3] It's not bad for all that (the rhythm holds up) but clearly without panache.

In an interview, Marcel Achard speaking of Thomas's film, declared: [4] "The only thing I can say is that the film has little to do with the play. Achard did not participate in the adaptation nor the production, and the only resemblance to the original, is the credit: by Marcel Achard". He continues: “If it were entitled “The envious”, for example, or “Two false friends, instead of” Patate”, it would leave me completely indifferent".

The distribution of the film was however excellent but that is not enough to save the film from shipwreck writes Carole Weisweiller. [5] This film is worth especially for the performance of Pierre Dux, who created the role in the theater, masterful in his role of "Patate", a failed toy designer. It's clearly Dux's movie from start to finish. He is both amusing and tragic, relegating to the role of supporting artists, the two cinematographic icons: Jean Marais who does well in the role of the old handsome and Danièle Darrieux, dazzling with beauty having at least the opportunity to perform the song “« Le Diable au Cœur »”, to music by Jacques Météhen. There are also all the great supporting roles in the film: Anne Vernon, Noël Roquevert, Jane Marken, Hubert Deschamps, Henri Virlojeux and Jacques Jouanneau.

The discovery of the film is Sylvie Vartan. This is her 1st major role in cinema after a few minor appearances, and before the few others in her short film career. She is in full glory as a teenager, the time of 'copains': 1963 is the year of En Écoutant la Pluie , 1964 is the year of La Plus Belle pour Aller Danser ; the focus of the film is on her, she is twenty years old, she has her mischievous side, it is the baby-boom youth, she exhibits her nonchalance to her circle of friends, she is Sylvie Vartan in a French farce, a pièce de boulevard.

Lanvin [FR] Danielle Darrieux and Anne Vernon are dressed by Lanvin
Sylvie Vartan is dressed by Réal

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References

  1. "Box Office Figures for Jean Marais films". Box Office Story.
  2. Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox . L. Stuart. p.  324.
  3. Jean Tulard, Guide des films, 2 editions Robert Laffont _ 1990, volume 2, page 399
  4. Télé 7 jours
  5. Carole Weisweiller and Patrick Renaudot, Jean Marais, the beloved, Éditions de La Maule, 2013, page 201