Pathfinder | ||||
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Studio album by Beggars Opera | ||||
Released | 1972 | |||
Genre | Progressive rock | |||
Length | 37:53 | |||
Label | Vertigo | |||
Producer | Beggars Opera | |||
Beggars Opera chronology | ||||
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Pathfinder is the third album by the Scottish progressive band Beggars Opera, published in 1972.
Progressive rock is a broad genre of rock music that developed in the United Kingdom and United States throughout the mid to late 1960s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening, not dancing.
Beggars Opera were a progressive rock band from Glasgow, Scotland, formed in Glasgow in 1969 by guitarist Ricky Gardiner, vocalist Martin Griffiths, and bassist Marshall Erskine. The line-up consisted of Ricky Gardiner (guitar/vocals), Alan Park (keyboards), Martin Griffiths (vocals),(born 8 October 1949,Newcastle upon Tyne) Marshall Erskine (bass/flute) and Raymond Wilson (drums). After working together building parts of the M40 Motorway near Beaconsfield, the lads moved back to Glasgow to look for an organist and drummer and found Alan Park and Ray Wilson. After an intensive time in rehearsal they took up residency at Burns Howff club/pub in West Regent Street in the center of Glasgow. Tours of Europe followed and the band found success in Germany, appearing on German TV’s legendary “Beat Club” then at the First British Rock Meeting in Speyer in September 1971.
The Mellotron, as found on its predecessor Waters of Change had all but vanished. The music here is pretty much early '70s song-based progressive, typical of the British scene of the time, dominated by the Hammond organ. It is quite an accessible album with catchy and solid melodies. [1]
Waters of Change is the second album by the Scottish progressive band Beggars Opera, published in 1971.
No. | Title | Length |
---|---|---|
1. | "Hobo" | 4:40 |
2. | "MacArthur Park" | 8:20 |
3. | "The Witch" | 5:26 |
4. | "Pathfinder" | 3:44 |
5. | "From Shark to Haggis" | 6:38 |
6. | "Stretcher" | 4:50 |
7. | "Madame Doubtfire" | 4:15 |
Total length: | 37:53 |
Ricky Gardiner is a guitarist and composer.
Journey is the self-titled debut album by the band of the same name. It was released in 1975 on Columbia Records. Unlike their later recordings, this is a jazzy progressive rock album which focuses mainly on the band's instrumental talents. It is the only album to include rhythm guitarist George Tickner among their personnel.
Peter Trewavas is an English musician. He joined Marillion in 1982, taking over the role of bassist, from Diz Minnitt, while acting occasionally as a backing vocalist and acoustic guitarist.
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"Never Comes the Day" is a 1969 single by the progressive rock band The Moody Blues. It was written by band member Justin Hayward, and was the only single released from their 1969 album On the Threshold of a Dream. The song was edited from the album version of 4:43 down to 2:42. The single edit omits the second verse and simply goes into the longer chorus after the first verse. A similar edit was done on the Justin Hayward/John Lodge song "I Dreamed Last Night", but that version ends cold. Despite the fact that the album was a number-one hit in the UK, "Never Comes the Day" was a commercial flop as a single, and did not chart in the UK. The single also included Mike Pinder's "So Deep Within You," another track from the same album, on the B-side.
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