Patricia Fortini Brown | |
---|---|
Born | Patricia Ann Fortini November 16, 1936 Oakland, California |
Occupation | Professor of Art & Archaeology |
Children | Paul Wells Meyer, John Jeffrey Meyer |
Academic background | |
Education | Fremont High School, Brigham Young University |
Alma mater | University of California, Berkeley |
Academic work | |
Discipline | Italian Renaissance art |
Sub-discipline | Art and history of Venice |
Institutions | Princeton University |
Patricia Fortini Brown (born 16 November 1936) is Professor Emerita of Art &Archaeology at Princeton University.
Venice and its empire,from the late middle ages through the early modern period,has been the primary site of her scholarly research,with a focus on how works of art and architecture can materialize and sum up significant aspects of the culture in which they were produced. Her recent work has focused on Venetian territories in the Mediterranean and the Terraferma,particularly the Friuli.
Brown was born and raised in Oakland,California,where she graduated from Fremont High School (1954). After attending Brigham Young University,she graduated from the University of California,Berkeley,with an A.B. in Political Science (1959). Brown was active as a studio artist for 17 years and raised two sons before beginning graduate work. Returning to Berkeley in 1976,she earned an M.A. (1978) and PhD (1983) in the History of Art. Brown taught at Princeton for 27 years (1983-2010),where she was the first woman to be promoted to tenure (1989) in the Department of Art &Archaeology and served as department chair for six years (1999 -2005).
Brown was Slade Professor of Fine Arts at the University of Cambridge (2000-2001). [1] She served as president of the Renaissance Society of America (2000-2002), [2] and was a member of the Board of Advisors for the Center for Advanced Study in the Visual Arts (2004-7). She serves on an Advisory committee for “Mediterranean Palimpsests:Connecting the Art and Architectural Histories of Medieval and Early Modern Cities," a Getty-funded research project (with research trips with the MCities group to Nicosia,Cordoba,Granada,Rhodes,and Thessaloniki),2018-20,and has been a member of the Board of Trustees of Save Venice since 2004. [3]
In recognition of her retirement in 2010,Brown was honored with eight sessions at the annual meeting of the Renaissance Society of America in Venice,as well as with a symposium at Princeton University:"Giorgione and His Times:Confronting Alternate Realities" on the 500th anniversary of the death of Giorgione. Selected papers from the two symposia were published in a Festschrift edited by Blake de Maria and Mary E. Frank,Reflections on Renaissance Venice:a celebration of Patricia Fortini Brown (Milan:5 Continents Editions;New York:Harry N. Abrams,2013) (Winner of the Gladys Krieble Delmas Foundation Book Prize in 2015 from the Renaissance Society of America). [4]
Venice is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 126 islands that are separated by expanses of open water and by canals;portions of the city are linked by 472 bridges. The islands are in the shallow Venetian Lagoon,an enclosed bay lying between the mouths of the Po and the Piave rivers. In 2020,around 258,685 people resided in greater Venice or the Comune di Venezia,of whom around 51,000 live in the historical island city of Venice and the rest on the mainland (terraferma). Together with the cities of Padua and Treviso,Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE),which is considered a statistical metropolitan area,with a total population of 2.6 million.
Catherine Cornaro was the last monarch of the Kingdom of Cyprus,also holding the titles of Queen of Jerusalem and Queen of Armenia. She became queen consort of Cyprus by marriage to James II of Cyprus,and then regent of Cyprus during the minority of her son James III of Cyprus in 1473–1474,and finally queen regnant of Cyprus upon his death. She reigned from 26 August 1474 to 26 February 1489 and was declared a "Daughter of Saint Mark" in order that the Republic of Venice could claim control of Cyprus after the death of her husband.
Vittore Carpaccio (UK:/kɑːrˈpætʃoʊ/,US:/-ˈpɑːtʃ-/,Italian:[vitˈtoːre karˈpattʃo];was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina,as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini,Vittore Carpaccio's command of perspective,precise attention to architectural detail,themes of death,and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time;his portrayal of St. Augustine in His Study from 1502,reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
Giosafat Barbaro (1413–1494) was a member of the Venetian Barbaro family. He was a diplomat,merchant,explorer and travel writer. He was unusually well-travelled for someone of his times.
The Scuola Grande di San Marco is a building in Venice,Italy,designed by the well-known Venetian architects Pietro Lombardo,Mauro Codussi,and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice,or six major confraternities,but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo,one of the largest squares in the city.
Paul Oskar Kristeller was a scholar of Renaissance humanism. He was awarded the Haskins Medal in 1992. He was last active as Professor Emeritus of Philosophy at Columbia University in New York,where he mentored both Irving Louis Horowitz and A. James Gregor.
David Rosand was an American art historian,university professor and writer. He died on August 8,2014,from cardiac amyloidosis. Rosand specialized in Italian Renaissance art,and was known for his scholarly work on Venice and Venetian artists,in particular Titian.
Edward Wallace Muir Jr. is a Professor of History and Italian at Northwestern University. He is also Clarence L. Ver Steeg Professor in the Arts and Sciences and Charles Deering McCormick Professor of Teaching Excellence. Known for his use of anthropological methods in historical research,he was a pioneer in the historical study of ritual and feuding. He has been especially influential in using and interpreting microhistorical methods,which were first devised by historians in Italy. His work has focused on Renaissance Italy,especially the Republic of Venice and its territories. He served as president of the American Historical Association in 2023.
The Renaissance Society of America (RSA) is a nonprofit academic membership association founded in 1954 to promote study of the world during the Renaissance period,1300–1700. It is a member of the American Council of Learned Societies. The RSA brings together scholars from many backgrounds in a wide variety of fields of scholarly inquiry. The RSA has thousands of members,including professors,instructors,and graduate students at universities,colleges,and secondary schools;curators and staff at museums,libraries,and other cultural institutions;independent scholars;writers and publishers;and many others interested in Renaissance studies. The Society's Annual Conference takes place in changing cities within North America and Europe.
The Legend of Saint Ursula is a series of large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio,commissioned by the Loredan family and originally created for the Scuola di Sant'Orsola (Ursula) in Venice,which was under their patronage. They are now in the Gallerie dell'Accademia in Venice.
The Sermon of Saint Stephen is an oil-on-canvas by Italian artist of the Venetian school Vittore Carpaccio,painted in 1514. It is now in the Louvre in Paris.
The Scuola di Santa Maria degli Albanesi was a confraternity,a Scuola Piccola,for Albanian Christians Catholics,in Venice,northern Italy. Its building subsists.
Antonio Loredan was a member of the Venetian noble family of Loredan,captain of Venetian-held Scutari and governor in Split,Albania Veneta,and the Morea.
The following is a timeline of the history of the city of Venice,Veneto,Italy.
Deborah Janet Howard,is a British art historian and academic. Her principal research interests are the art and architecture of Venice and the Veneto;the relationship between Italy and the Eastern Mediterranean,and music and architecture in the Renaissance. She is Professor Emerita of Architectural History in the Faculty of Architecture and History of Art,University of Cambridge and a Fellow of St John's College,Cambridge.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice,Italy. Headquartered in New York City,it has an office in Venice,a chapter in Boston,and supporters across the United States and Europe.
The Venetian Renaissance had a distinct character compared to the general Italian Renaissance elsewhere. The Republic of Venice was topographically distinct from the rest of the city-states of Renaissance Italy as a result of their geographic location,which isolated the city politically,economically and culturally,allowing the city the leisure to pursue the pleasures of art. The influence of Venetian art did not cease at the end of the Renaissance period. Its practices persisted through the works of art critics and artists proliferating its prominence around Europe to the 19th century.
Patricia Hochschild Labalme was an American historian and executive director of the Renaissance Society of America.
Hermonia Vivarini (16th-century),was a Venetian glass artist.
The Condulmer were a Venetian family originally from Pavia. Originally wealthy commoners,the different branches of the family were only slowly admitted to the Venetian nobility. Marco Condulmer,a bread merchant,is recorded in 1297. In 1381,Jacopo Condulmer of the Domenico branch was ennobled for his contributions to the treasury during the War of Chioggia in 1379. The Fernovelli branch was ennobled with the election of one of its own,Gabriele,as Pope Eugene IV in 1431. Still,in 1528,Zuan Francesco Condulmer had his name crossed out in the Libro d'Oro for his failure to prove his nobility. A third branch of the family,the Angelo,was ennobled only at the time of the Cretan War (1645–1669).
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