Related Research Articles
Colleen Browning was an Anglo-American realist and magical realist painter.
Gabriel Laderman was a New York painter and an early and important exponent of the Figurative revival of the 1950s and 1960s.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
Classical Realism is an artistic movement in the late-20th and early 21st century in which drawing and painting place a high value upon skill and beauty, combining elements of 19th-century neoclassicism and realism.
Émilie Charmy was an artist in France's early avant-garde. She worked closely with Fauve artists like Henri Matisse, and was active in exhibiting her artworks in Paris, particularly with Berthe Weill.
Amelia Alcock-White is a Canadian artist based in Vancouver.
Jacob Collins is an American realist painter working in New York City. He is a leading figure of the contemporary classical art revival.
Graydon Parrish is a realist painter living in Austin, Texas. He is both trained in and an exponent of the atelier method which emphasizes classical painting techniques.
Artists’ Choice Museum in New York City was started in 1976 by many of the same younger artists who were active in the Alliance of Figurative Artists and the Figurative Coops. The first exhibition, a survey of 146 contemporary figurative artists was selected and organized by the artists of the Green Mountain, Bowery, Prince Street, and First Street Galleries - although it was a broad survey and did not exhibit just artists from those galleries. After the first show older artists were brought into its structure. Other group shows followed in clusters of galleries on 57th street and in museums: “Benefit Exhibit” in 1979, “Younger Artists: Benefit Exhibit” in 1980, “Intimate Visions” in 1982, “Narrative Sculpture” in 1982, “Painted Light” in 1983 and “Bodies and Souls” in 1983 to name some. By 1980 The Museum was publishing a bimonthly newsletter and by 1982 a magazine. By 1984 the Museum finally had a home; a building on West Broadway. This space only lasted until 1986 when the organization ceased to exist.
John Nelson Shanks was an American artist and painter. His best known works include his portrait of Diana, Princess of Wales, first shown at Hirschl & Adler Gallery in New York City, April 24 to June 28, 1996 and the portrait of president Bill Clinton for the National Portrait Gallery.
Clive Head is a painter from Britain.
Aleksander Balos is a Romani-Polish-American artist and figurative painter, known for his classical photorealistic paintings depicting contemporary subject matter and narrative. He currently lives in the United States and is a naturalised American.
Alfred Russell was an artist who was a member of the early New York school of Abstract Expressionism. He exhibited in Paris and New York along with such well known painters as Willem de Kooning, Jackson Pollock, Ad Reinhardt and Mark Rothko. Later in life, Russell, disillusioned with abstraction, turned to figurative painting, with inspiration from the classical world.
Frederick J. Brown was a New York City based visual artist originally from Chicago. His style ranges from abstract expressionism to figurative. His art work was influenced by historical, religious, narrative and urban themes. He is noted for his extensive portrait series of jazz and blues musicians.
Patricia Cronin is a New York-based feminist cross-disciplinary artist. Since the early-1990s, Cronin has garnered international attention for her photographs, paintings and sculptures that address contemporary human rights issues. Cronin's conceptual artistic practice transits across many aesthetic platforms addressing social justice issues of gender, sexuality and class, including: lesbian visibility, feminist art history, marriage equality and international rights of women and LGBTQ+ people. She subverts traditional art images and forms in a wide range of two and three-dimensional time-honored artists' materials and breathes new life into these images and forms by injecting her specific political content. Her critically acclaimed statue, "Memorial To A Marriage", is the first and only Marriage Equality monument in the world. A 3-ton Carrara marble mortuary sculpture of her life partner and herself was made before gay marriage was legal in the U.S., and has been exhibited widely across the country and abroad. Cronin began her career working for the Anne Frank Stichting (Foundation)Archived 2015-10-25 at the Wayback Machine in Amsterdam installing the traveling exhibition "Anne Frank in the World" in Europe and the U.S. Giving presence to female absence is a consistent thread that runs through and connects each body of work.
Dorothy Hood was an American painter in the Modernist tradition. Her work is held in private collections and at several museums, most notably the Museum of Modern Art and Museum of Fine Arts, Houston. Her preferred mediums were oil paint and ink.
Edward Eugene Boccia (1921–2012) was an American painter and poet who lived and worked in St. Louis, Missouri and served as a university professor in the School of Fine Arts, Washington University in St. Louis. Boccia's work consisted mostly of large scale paintings in Neo-Expressionist style, and reflect an interest in religion and its role in the modern world. His primary format was the multi-panel painting.
Najia Mehadji is an artist of Franco-Moroccan heritage who lives and works between Paris, France and Essaouira, Morocco.
Bruno Civitico was an Italian-born American painter, draughtsman and teacher. He is widely considered to be "a major player in the development of Classicism," and "one of the most important artists of the Neoclassical Figurative revival movement."
Ethel Fisher was an American painter whose career spanned more than seven decades in New York City, Miami and Los Angeles. Her work ranges across abstraction and representational genres including large-scale portraiture, architectural "portraits," landscape and still-life, and is unified by a sustained formal emphasis on color and space. After studying at the Art Students League in the 1940s, Fisher found success as an abstract artist in Florida in the late 1950s, and began exhibiting her work nationally and in Havana, Cuba. Her formative work of this period embraced the history of art, architecture and anthropology; she referred to it as "abstract impressionist" to distinguish her approach to form and color from that of Abstract Expressionism.
References
- ↑ Caporale, Wende (June–July 2013). "A Day in the Life of an Artist: Patricia Watwood". International Artist (91): 26–29.
- ↑ Panero, James (May 2, 2012). "Painting Outside the Box". The New Criterion, May 2.
- ↑ "Patricia Watwood - Greening Gallery". Greening Gallery. Retrieved 15 October 2020.
- ↑ Parks, John A. (May 2010). "Contemporary & Classical". American Artist. 74 (809): 36–43.
- ↑ Duncan, James (February 2012). "Patricia Watwood: Myths and Individuals". American Artist. 76 (826): 53.
- ↑ Kralik, Brandon (June 4, 2013). "Contemporary Classical Painting is Still Growing". Huffington Post.
- ↑ Trippi, Peter (December 2011). "Patricia Watwood: Making the Timeless Timely". Fine Art Connoisseur. 8 (6): 36–40.
- ↑ Tao, Zuoqi (September 15, 2012). "American Contemporary Realist Painting Scale for the First Time in Beijing". Beijing Daily. Archived from the original on April 30, 2014.
- ↑ Holden, Constance (February 15, 2002). "Random Samples". Science. 295: 1227. doi:10.1126/science.295.5558.1227a. S2CID 220102753.
- ↑ "Dr. Russel Patterson and the History of Neurological Surgery at Weill Cornell". weill.cornell.edu.
