Patrick Andy

Last updated

Patrick Andy
Bornc. 1960
Clarendon Parish, Jamaica
OriginClarendon Parish, Jamaica
Genres Reggae
Instrumentvocals

Patrick Andy (born c. 1960, Clarendon Parish, Jamaica) [1] is a reggae singer, whose stage name is a reference to his similarity to the older reggae singer Horace Andy.

Contents

Biography

Patrick Andy began singing at church and in school, and began his recording career working with spiritually conscious Roots Reggae vocalist, engineer and producer Yabby You in the mid-1970s, often covering socially aware songs by Horace Andy, such as "Every Tongue Shall Tell" and "Youths of Today", which Yabby You released on his own label as King Tubby's vocal and dub 45s, giving the artist his distinctive, respected and authoritative imprimatur. [2]

In 1978 he had a hit on the UK based Grove label, run by King Sounds and Michael Reuben Campbell with "Woman, Woman, Woman", in combination with Ranking Barnabas, and a solo hit with "My Angel". [2] In the early 1980s he began recording with producer Joseph Hoo Kim at Channel One Studios, and further hits followed with "Tired Fe Lick Weed Inna Bush" and "Pretty Me". [2]

By the mid 1980s the musical style and fashion was gradually moving from the Roots Radics Scientist (musician) engineered slower, spacious dancehall style towards digtial reggae sounds, but Patrick Andy still continued to enjoy further hits in a dancehall style, with "Get Up Stand Up" (1984, based on Half Pint's hit "Greeting" ) , "Smiling", and "Sting Me a Sting, Shock Me a Shock", recorded for Prince Jammy in 1985, the latter based on the digital Sleng Teng rhythm, but played on real instruments. [2] More hits followed and Andy recorded a number of "clash" albums, where tracks were split between Andy and a series of "opponents", including Sleng Teng star Wayne Smith, Frankie Jones, Half Pint, and Horace Andy. [1]

Discography

Related Research Articles

Raggamuffin music is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling.

Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honouring of God, called Jah by Rastafarians. It is identified with the life of the ghetto sufferer, and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae.

<span class="mw-page-title-main">Sugar Minott</span> Jamaican reggae singer (1956–2010)

Lincoln Barrington "Sugar" Minott was a Jamaican reggae and dancehall singer, record producer and sound-system operator.

<span class="mw-page-title-main">Horace Andy</span> Jamaican singer (born 1951)

Horace Andy is a Jamaican roots reggae songwriter and singer, known for his distinctive vocals and hit songs such as "Government Land", as well as "Angel", "Spying Glass", and "Five Man Army" with English trip hop group Massive Attack. He is also famous for a cover version of "Ain't No Sunshine". Andy is often described as one of the most respected and influential singers in Jamaica.

<span class="mw-page-title-main">Sly and Robbie</span> Jamaican rhythm section and production duo

Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery.

<span class="mw-page-title-main">King Jammy</span> Musical artist

Lloyd Woodrowe James, better known as Prince Jammy or King Jammy, is a Jamaican dub mixer, sound system owner and record producer. He began his musical career as a dub master at King Tubby's recording studio. His dubs are known for their clear sound and use of effects.

<span class="mw-page-title-main">Sleng Teng</span> 1985 single by Wayne Smith

"Sleng Teng" is the name given to one of the first fully computerized riddims, influential in Jamaican music and beyond. The riddim, which was the result of work by Noel Davey, Ian "Wayne" Smith, and Lloyd "King Jammy" James, was first released with Wayne's vocals under the title "Under Mi Sleng Teng" in early 1985.

<span class="mw-page-title-main">Wayne Smith (musician)</span> Jamaican reggae and dancehall musician

Wayne Smith was a Jamaican reggae and dancehall musician best known for his 1985 hit "Under Me Sleng Teng", which is regarded as the track which initiated the digital era of reggae.

<span class="mw-page-title-main">Pressure Sounds</span> British record label

Pressure Sounds is a British DIY record label, specialising in releasing reggae music. Run by Pete Holdsworth, it is one of the most enduring reggae labels in the UK, specialising in reissuing obsolete tunes. It was originally a subsidiary of On-U Sound.

Clive Bright, better known as Tenor Saw, was a Jamaican dancehall singjay in the 1980s, considered one of the most influential singers of the early digital reggae era. His best-known song was the 1985 hit "Ring the Alarm" on the "Stalag" riddim.

<span class="mw-page-title-main">Cutty Ranks</span> Jamaican dancehall singer

Philip Thomas, better known as Cutty Ranks, is a Jamaican dancehall singer.

<span class="mw-page-title-main">Johnny Osbourne</span> Musical artist

Johnny Osbourne is one of the most popular Jamaican reggae and dancehall singers of all time, who rose to success in the late 1970s and mid-1980s. His album Truths and Rights was a roots reggae success, and featured "Jah Promise" and the album's title track, "Truths and Rights".

George Phang is a Jamaican reggae record producer, famously known for owning the Powerhouse label.

Roy Anthony Johnson, better known simply as Anthony Johnson, is a Jamaican reggae musician who was a member of the group Mystic I and is known for the 1980s hit song "Gunshot".

<span class="mw-page-title-main">Michael Prophet</span> Musical artist

Michael George Haynes, known professionally as Michael Prophet, was a Jamaican roots reggae singer known for his "crying" tenor vocal style, whose recording career began in 1977. Prophet was one of Jamaica’s most popular roots reggae singers and had several prominent hits during his 40-year career. After his death his family, together with Thomas Evers of Rockers Artist Agency, released the highly rated live album "live at plein les watts"

Summer Records was a Canadian reggae record label, active between the mid-1970s and late 1980s. Based in Malton, Ontario, a suburb of Toronto, it became one of Canada's first Black-owned record labels, as well as one of the first to release Canadian-made reggae music.

John McMorris, better known as Little John, is a Jamaican dancehall musician best known for his 1980s recordings.

Frankie Jones, also known as Jah Frankie Jones, is a Jamaican reggae singer best known for his recordings of the late 1970s and 1980s.

Anthony Cameron, better known as Anthony Red Rose, is a Jamaican singjay.

Okuda Hiroko is the Japanese inventor and musicologist who, at the start of her career in 1980 composed the rhythm and bass preset backing tracks included in Casio's electronic keyboards. These included the "rock" rhythm, which became the ubiquitous Sleng Teng Riddim, heralded the Ragga movement, and has since underpinned hundreds of hit reggae songs. Okuda and Casio have allowed her backing-rhythm work to proliferate under a free attribution-only license, which have contributed to their popularity and widespread use. She holds more than a dozen patents in the fields of electronic musical instruments and presently works at the intersection of electronic music and visual art.

References

  1. 1 2 Moskowitz, David V. (2006) "Andy, Patrick", in Caribbean Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady and Dancehall, Greenwood Press, ISBN   0-313-33158-8, p.13
  2. 1 2 3 4 Larkin, Colin (1998) "Andy, Patrick", in The Virgin Encyclopedia of Reggae, Virgin Books, ISBN   0-7535-0242-9, p.12