Related Research Articles
John Anthony Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion."
Christian Mounger is an American artist. He works in the field of photography and installations.
Carole Caroompas is an American painter known for work which examines the intersection of pop culture and gender archetypes.
Nancy Chunn is an American artist based in New York, New York. Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings.
Ed Moses was an American artist based in Los Angeles and a central figure of postwar West Coast art.
Maxwell Hendler is an American painter. In 1975, he became the first contemporary artist to have pictures in the collection of the Metropolitan Museum of Art in New York.
The Rosamund Felsen Gallery is one of the longest-running art galleries in Los Angeles, California, involved in and influencing the broader American art community since its establishment in 1978. The gallery has operated four locations since its inception: first on La Cienega Boulevard in Los Angeles, then on Santa Monica Boulevard in West Hollywood, later at Bergamot Station in Santa Monica, and finally in the Arts District, Los Angeles in Downtown Los Angeles.
Miles Coolidge is a Canadian-American photographer and art-educator who teaches as a professor at the University of California, Irvine. Known for his focus on subjects that blur the line between architecture and landscape, Coolidge's work has also been known to engage the viewing space through its use of scale, in combination with its subject matter. His photographic projects have been exhibited internationally in numerous galleries and museums. He lives and works in Los Angeles, California.
Renée Petropoulos is a contemporary artist who currently lives and works in Venice, California.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
James Hayward is a contemporary abstract painter who lives and works in Moorpark, California. Hayward's paintings are usually divided in two bodies of work: flat paintings (1975-1984) and thick paintings. He works in series, some of which are ongoing, and include The Annunciations, The Stations of the Cross, the Red Maps, Fire Paintings, Smoke Paintings, Sacred and Profane and Nothing's Perfect series.
George Herms is an American artist best known for creating assemblages out of discarded, often rusty, dirty or broken every-day objects, and juxtaposing those objects so as to infuse them with poetry, humor and meaning. He is also known for his works on paper, including works with ink, collage, drawing, paint and poetry. The prolific Herms has also created theater pieces, about which he has said, "I treat it as a Joseph Cornell box big enough that you can walk around in. It's just a continuation of my sculpture, one year at a time." Legendary curator Walter Hopps, who met Herms in 1956, "placed Herms on a dazzling continuum of assemblage artists that includes Pablo Picasso, Kurt Schwitters, Marcel Duchamp, and Joseph Cornell, as well as California luminaries Wallace Berman and Edward Kienholz." Often called a member of the West Coast Beat movement, Herms said that Wallace Berman taught him that "any object, even a mundane cast-off, could be of great interest if contextualized properly." "That’s my whole thing," Herms says. "I turn shit into gold. I just really want to see something I've never seen before." George Herms lives and works in Los Angeles.
Jennifer Bolande is an American artist whose work employs various media—primarily photography, sculpture, film and site-specific installations to explore the affinities between particular sets of objects and images and the mercurial meanings they manufacture.
Alice Lang is an Australian contemporary artist. She works and lives in Los Angeles, CA. Lang has mounted many solo exhibitions of her work, and participated extensively in group exhibitions. She has held residencies in Canada, New York, and Los Angeles.
Todd Gray works in photography, performance and sculpture as a contemporary artist who lives and works in Los Angeles, California and Akwidaa, Ghana.
Coleen Sterritt is an American sculptor known for abstracted, hybrid works made from a myriad of everyday objects and materials, combined in unexpected ways. Writers root her work in the tradition of post-minimalists Jackie Winsor, Eva Hesse and Nancy Graves, and assemblage artists such as Louise Nevelson, Robert Rauschenberg and Marisa Merz; she is sometimes associated with contemporaries Jessica Stockholder, Nancy Rubins, and Tony Cragg. Sculpture critic Kay Whitney suggests Sterritt's work "expands and reinterprets three of the most important artistic inventions of the 20th Century—collage, abstraction and the readymade"— in play with the traditions of Arte Povera bricolage and Surrealist psychological displacement. Curator Andi Campognone considers Sterritt one of the most influential post-1970s artists in establishing "the Los Angeles aesthetic" in contemporary sculpture, while others identify her as an inspiration for later West Coast artists creating hand-made, free-standing sculpture counter to trends toward interventions, public art and environmental works. Constance Mallinson writes that Sterritt's work "walks a line between charm and threat, the natural, the industrial and the hand fabricated, rejecting easy associations for complex reads." Los Angeles Times critic David Pagel calls it smart, funky and "subtly rebellious" in its refashioning of discarded material, dumpster finds, and art-historical lineages.
Jeff Colson is an American artist.
Jacci Den Hartog is an American sculptor.
Liz Young was a Los Angeles-based artist known for diverse work investigating body- and nature-focused themes, such as loss, beauty, the inevitability of decay, and the fragility of life. She produced sculpture, installation, performance, painting, drawing and video incorporating fabricated and recontextualized found objects, organic materials, and processes from industrial metalworking to handicrafts, taxidermy and traditional art practices. Young exhibited throughout the United States and Europe, including solo shows at the Los Angeles County Museum of Art (LACMA) and Los Angeles Contemporary Exhibitions (LACE), and alternative spaces such as Hallwalls, Randolph Street Gallery (Chicago) and New Langton Arts ; she participated in group shows at Exit Art, Art in the Anchorage, and Armory Center for the Arts, among others. Her art was discussed in ARTnews, Artforum, Frieze, Los Angeles Times, The New York Times, and The Village Voice, and is included in the LACMA permanent collection. Critic Peter Frank wrote that her work "reflects both on life's relentless erosion of body and spirit, and on our indomitable struggle against these nagging cruelties." Artillery Magazine critic Ezrha Jean Black called her 2017 installation a "mordant yet elegiac show" in which "craft bears out the work’s consciousness." In 2016, Young received a Guggenheim Foundation Fellowship; she was recognized with awards from the Getty Trust and Andy Warhol Foundation, among others. Young lived and worked in Los Angeles from 1981.
References
- 1 2 3 "Patrick Nickell". October 22, 2013.
- 1 2 3 4 "Patrick Nickell". Woodbury University. Retrieved June 6, 2021.
- 1 2 3 4 Roug, Louise (June 24, 2003). "Mining the ephemeral". Los Angeles Times. Retrieved June 6, 2021.
- 1 2 3 4 "Patrick Nickell - Artists - Rosamund Felsen Gallery". www.rosamundfelsen.com. Retrieved June 6, 2021.
- 1 2 3 4 "John Simon Guggenheim Foundation | Patrick Nickell" . Retrieved June 6, 2021.
- ↑ Los Angeles Times
- 1 2 "Check out Jacci Den Hartog's Artwork - Voyage LA Magazine | LA City Guide". voyagela.com. Retrieved June 6, 2021.
- ↑ Whitepages. "Whitepages". Whitepages. Retrieved June 6, 2021.
| General | |
|---|---|
| National libraries | |
| Other | |
