 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(February 2014) |
Paul V Coldwell (born 1952) is an English artist.
| This article includes a list of general references, but it lacks sufficient corresponding inline citations .(February 2014) |
Paul V Coldwell (born 1952) is an English artist.
Born in Marylebone, London, he studied fine art at the West of England College of Art from 1972 to 1975 and then studied printmaking at postgraduate level at the Slade school of art 1975–77, where his teachers included Barto. Dos Santos and Stanley Jones. He was employed as research assistant at the Slade from 1978 to 1981.
He was appointed Subject Leader MA Printmaking at Camberwell College of Arts in 1997 and 1998 took over as project leader for a research project The Integration of Computers within Fine art practice developing his interest in the use of digital technology within Printmaking. He curated Computers & Printmaking with Tessa Sidey, for Birmingham Museums and Art Gallery 1999 and has further developed these concerns through an AHRC funded project The Personalised Surface within Fine Art Digital Printmaking. [1]
In 2001 he was appointed professor at The London Institute (now The University of the Arts London). [2] His curatorial practice includes Digital Responses for the V&A 2002–03 and Morandi's Legacy; Influences on British Art for the Estorick Collection London and Abbot Hall Cumbria 2006, which explored his long-term interest in this Italian artist. His interest in working with collections and other artists is further evidenced in the installation of his work in the house, Kettle's Yard, Cambridge, 2008 entitled "I called while you were out". In addition to his teaching and studio practice, he worked with Paula Rego on all her etchings between 1985 and 2005, including the Nursery Rhymes and Peter Pan. He wrote the catalogue Paula Rego Printmaker 2005 to accompany her travelling print retrospective and authored a chapter on her printmaking technique in Paula Rego-The complete Graphic work, TG Rosenthal, Thames & Hudson. His book Printmaking: A Contemporary Perspective [3] provides a broad overview of the history of printmaking with a focus on contemporary approaches to both new and old print technologies.
Coldwell's practice embraces printmaking, bookworks and sculpture. He has exhibited widely, solo exhibitions include Kafka's Doll & other works, Eagle Gallery London 2007, Case Studies, London Print Studio and Queens Gallery, New Delhi, By this I mean… Arthouse Dublin, 1999 and Freud's Coat, Freud Museum London 1996. He has been selected to represent UK at the Ljubljana Print Biennial in 2005 & 1997, selected for the International Print Triennial, Cracow 2000, 2003 & 2006 and included in the exhibition Prints Now V&A London 2006. His bookworks include, Freud's Coat, With the Melting of the Snows (with text by the then BBC War Correspondent Martin Bell) and Kafka's Doll with text by the poet and author Anthony Rudolf. His work is held in numerous collections including Tate, Imperial War Museum, V&A, British Museum, Arts Council of England and New York Public Library.
He has contributed to numerous conferences and symposia, including as key note speaker at Reflections on Contemporary Printmaking, Portugal 2013, Impact 7 Australia 2011, Password, Lybijana 2014 and SNAP3 International Print Symposium. Kloster Bentlage/Germany 2015. He regularly contributes to the journal Print Quarterly (where he is on the editorial board) and Art in Print.
In 2013 Dr Ben Thomas curated a retrospective exhibition of his graphic work, Paul Coldwell A Layered Practice Graphic Work 1993–2012 staged at University of Kent and University of Greenwich.
Coldwell's work has often taken collections and archives as starting points. In 2013 as a result of researching at The Scott Polar Research Institute, Cambridge, he staged Re-Imagining Scott- Objects and Journeys [4] and then in 2016 following research in London & Vienna, made work for a two person exhibition at the Sigmund Freud Museum, Vienna Setting Memory [5] which was further developed into a solo exhibition at the Freud Museum London Temporarily Accessioned-Freud's Coat Revisited 2017.
Dame Maria Paula Figueiroa Rego was a Portuguese-British visual artist known particularly for her paintings and prints based on storybooks. Rego's style evolved from abstract towards representational, and she favoured pastels over oils for much of her career. Her work often reflects feminism, coloured by folk-themes from her native Portugal.
Hans Ronald Mueck is an Australian sculptor working in the United Kingdom.
The UCL Slade School of Fine Art is the art school of University College London (UCL) and is based in London, England. It has been ranked as the UK's top art and design educational institution. The school is organised as a department of UCL's Faculty of Arts and Humanities.
Abbot Hall Art Gallery is a museum and gallery in Kendal, England. Abbot Hall was built in 1759 by Colonel George Wilson, the second son of Daniel Wilson of Dallam Tower, a large house and country estate nearby. It was built on the site of the old Abbot’s Hall, roughly where the museum is today. Before the Dissolution of the Monasteries this was where the Abbot or his representative would stay when visiting from the mother house of St Mary's Abbey, York. The architect is unknown. During the early twentieth century the Grade I listed building was dilapidated and has been restored as an art gallery.
Book Works is a London-based publisher of books on contemporary visual arts, and print studio specialising in bookbinding, letterpress printing, boxmaking, and printmaking. Established in 1984, it has "the mission to disseminate visual art practice to as wide and diverse an audience as possible." It is a publicly funded organisation and a registered charity, its supporters including Arts Council England and The Henry Moore Foundation.
Luis Camnitzer is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice. For over five decades, his practice has explored the psychological and political dimensions of language.
Hugh Merrill is an American artist, recognized internationally in the contemporary printmaking community. He has written articles on the redefinition of art, printmaking, and education and has taught and lectured on printmaking at over 75 universities, colleges, and schools worldwide.
Jake Auerbach is a British film maker specialising in documentary subjects. Though his films have ranged across the cultural spectrum he is best known for his portraits of artists both contemporary and historical.
Print Quarterly is an international academic journal devoted to the history and art of printmaking, from its origins to the twentieth and twenty-first centuries. It is published in London four times a year, in March, June, September, and December. It was founded in 1984 by the scholar, patron of the arts and business man David Landau, who served as editor for twenty-eight years. The current editor Rhoda Eitel-Porter joined the staff of the periodical in September 2010. The journal’s editorial board comprises notable academics and curators working in prints history and the graphic arts.
Elaine Shemilt is a British artist and researcher especially known as a fine art printmaker.
Marlborough Fine Art was founded in London in 1946 by Frank Lloyd and Harry Fischer. In 1963, a gallery was opened as Marlborough-Gerson in Manhattan, New York, at the Fuller Building on Madison Avenue and 57th Street, which later relocated in 1971 to its present location, 40 West 57th Street. The gallery operates another New York space on West 25th Street, which opened in 2007. It briefly opened a Lower East Side space on Broome Street.
Yanko Tihov is a British and Bulgarian painter and printmaker.
Helen C. Frederick is an American artist, curator, and the founder of Pyramid Atlantic Art Center, an arts organization in Maryland. She is known mainly for printed media and large-scale works created by hand papermaking as a medium of expression that often incorporate the use of language. She has curated exhibitions such as Ten Years After 9/11, which respond to issues about the human condition.
Charlotte Hodes, is a British artist.
Donald Sheridan Farnsworth is an American artist and inventor. He is currently the director of Magnolia Editions in Oakland, California.
Andrew Stein Raftery is an American artist and educator, known for his paintings, burin engravings, and drawings on fictional and autobiographical narratives of contemporary American life.
Dorothea Wight was a British printmaker and artist. Wight is best known for founding the Studio Prints on Queen's Crescent, where editions of artists’ prints were created, working with some of the most important contemporary British artists, including Frank Auerbach, Lucian Freud, Ken Kiff, R. B. Kitaj, Leon Kossoff, Celia Paul, Paula Rego, William Turnbull, Kim Lim and more than 100 other artists. She married her collaborator in the workshop, Marc Balakjian, in 1973. The two would lead Studio Prints in introducing a number of techniques to British printmaking, and the studio was considered "at the forefront of British Printmaking for 40 years".
Robert Kipniss is an award-winning American painter and printmaker whose work has been shown in solo exhibitions at galleries and museums worldwide since 1951. He is a Royal Academician, an elected member of the National Academy of Design, New York, and holds two honorary doctorates. His work is held by more than eighty-eight museums and other institutions, including The Metropolitan Museum of Art, The Art Institute of Chicago, The Detroit Insitute of Arts, the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, the Whitney Museum of American Art, the Smithsonian American Art Museum, the Victoria and Albert Museum, London, and many others.
"For over five decades, Robert Kipniss has prolifically produced paintings, prints, and drawings of remarkable beauty, eloquence, and refinement...he has gained international recognition for his distinctly American images of spacious landscapes and smalltown vistas, as well as quiet interiors and intimate still lifes. Following in the footsteps of such esteemed predecessors as Paul Cézanne (1839-1906) and Giorgio Morandi (1890-1964), the artist has faithfully investigated and reexamined these familiar, humble subjects...He has never felt confined or restricted by their narrow range; rather, he is liberated within it. To be sure, Kipniss's art has always clearly bespoken his independent spirit and lifelong embrace of solitude." — Daniel Piersol, curator of Seen In Solitude: Robert Kipniss Prints from the James F. White Collection, New Orleans Museum of Art.
Peter Jeffrey Matthews is a British printmaker, former teacher at Royal College of Art (RCA) and senior lecturer at Wimbledon School of Art. Educated at Ealing School of Art, Matthews went on to assist at Editions Alecto and editioned most of David Hockney's early etchings. Matthews has also exhibited his own work extensively including at the Royal Academy of Arts (RA), Royal Watercolour Society (RWS) Gallery, and with the Royal Society of Painter-Printmakers, being elected a Fellow and later Council Member 1984–98. His work is held in a number of public collections in the UK and overseas, including the Victoria & Albert Museum (V&A); British Council;the Ashmolean Museum; Albertina Museum, Vienna; Royal Library of Belgium and the Free Library, Philadelphia.
Rafa al-Nasiri was an Iraqi painter, draughtsman, print-maker, educator and author whose works with a social and political message resonated with the Iraqi public in the mid-20th century. He was also very influential in encouraging young artists to take up print-making.
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