Paul Hayes Tucker | |
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Born | 1950 (age 71–72) New York City |
Occupation | Art historian, professor, curator, author |
Spouse | Maggie Moss-Tucker |
Website | IMB faculty page |
Paul Hayes Tucker (born 1950) is an American art historian, professor, curator, and author. His specialties include Claude Monet [1] and impressionism.
He spent over 40 years teaching at the University of California Santa Barbara, Williams College, the New York University Institute of Fine Arts, Yale University, and the Toledo Museum of Art, including 36 years teaching art history at the University of Massachusetts Boston. He has curated 16 art exhibitions and authored 11 books.
Grandson of Carlton J. H. Hayes, a history professor at Columbia University who was United States Ambassador to Spain during World War II,[ citation needed ] Tucker sought to follow in his grandfather's footsteps as a history scholar. The shift to art history came while studying at Williams College under Whitney Stoddard, Lane Faison, and William Pierson, as well as a trip to Florence to study art in his junior year, and a subsequent fellowship at the Toledo Museum of Art.[ citation needed ] Tucker became enamored with Impressionism and Claude Monet during frequent visits to the Clark Art Institute while attending Williams College.[ citation needed ] It was there he first received the inspiration to one day reunite the artist's Rouen Cathedral (Monet series) in a single exhibition – something he accomplished at the Boston Museum of Fine Arts in 1990.[ citation needed ]
A member of the so-called "Williams Mafia", [2] a group who graduated from Williams College in the 1960s and 1970s, Tucker also served as an All-American defensive end on the football team while earning his undergraduate degree.[ citation needed ]
As an art history graduate student at Yale, where he earned his PhD in 1979, Tucker studied under Robert L. Herbert, a pioneer in developing the social history of art. Tucker's dissertation became his first book: Monet at Argenteuil.[ citation needed ]
Tucker set the attendance record of the Boston Museum of Fine Arts in 1990 with his "Monet in the '90s" exhibition, [3] only to break his own record with "Monet in the 20th Century". He has also curated exhibitions beyond Impressionism into post-war American art as a guest curator for other museums.
This section of a biography of a living person does not include any references or sources .(March 2017) |
He is married to Maggie Moss-Tucker,[ citation needed ] and has two children, actor Jonathan Tucker and Jennie Taylor Tucker.[ citation needed ] Tucker retired from his position at UMass Boston to move to California in 2014, where he continues to work in the area of 19th and 20th century art. His most recent book is a college textbook on modern art titled Never Neutral. Modern Art: Courbet to Pollock.
Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in the 1874 initiated by Monet and his associates as an alternative to the Salon.
Camille-Léonie Doncieux was the first wife of French painter Claude Monet, with whom she had two sons. She was the subject of a number of paintings by Monet, as well as Pierre-Auguste Renoir and Édouard Manet.
Charles Sheeler was an American artist known for his Precisionist paintings, commercial photography, and the avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.
Theodore Robinson was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
Saint-Georges majeur au crépuscule refers to an Impressionist painting by Claude Monet, which exists in more than one version. It forms part of a series of views of the monastery-island of San Giorgio Maggiore. This series is in turn part of a larger series of views of Venice which Monet began in 1908 during his only visit there.
Ursula von Rydingsvard is a sculptor who lives and works in Brooklyn, New York. She is best known for creating large-scale works influenced by nature, primarily using cedar and other forms of timber.
Haystacks is the common English title for a series of impressionist paintings by Claude Monet. The principal subject of each painting in the series is stacks of harvested wheat. The title refers primarily to a twenty-five canvas series which Monet began near the end of the summer of 1890 and continued through the following spring, though Monet also produced five earlier paintings using this same stack subject.
The Rouen Cathedral series was painted in the 1890s by French impressionist Claude Monet. The paintings in the series each capture the façade of the Rouen Cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions.
Wynford Dewhurst RBA was an English Impressionist painter and notable art theorist. He spent considerable time in France and his work was profoundly influenced by Claude Monet.
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny, and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
Sylvia Plimack Mangold is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director and screenwriter James Mangold, and a musician Andrew Mangold.
Bords de la Seine à Argenteuil is an oil painting by an unknown artist. The painting is a landscape depicting the River Seine at Argenteuil in France. It is owned by Englishman David Joel.
Springtime or The Reader is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum.
Charing Cross Bridge is a series of oil paintings by French artist Claude Monet. The paintings depict a misty, impressionist Charing Cross Bridge in London, England. Monet worked on the series from 1899 to 1905, creating a total of 37 paintings depicting the bridge.
Madame Clémentine Valensi Stora (L'Algérienne) is an oil painting by Pierre-Auguste Renoir, completed in 1870. It depicts a young Jewish woman, Rebecca Clémentine Stora, in Algerian costume and is untypical of Renoir's work, leading to debate about the place of the painting within his oeuvre. Renoir and Stora both later repudiated the work.
Josephine Miles Lewis was an American Impressionist artist. The first student, female or otherwise, to graduate from Yale University with a bachelor's in Fine Arts and the University's second female graduate overall, Lewis was known for her portraits of children.
Argenteuil is an 1874 oil on canvas painting by Édouard Manet (1832-1883), first exhibited at the Paris Salon of 1875. It is one of Manet's first works to qualify fully as an Impressionist work, due to its naturalistic subject and its bold palette, such as the blue of the river, mocked by the Figaro journalist Jean Rousseau as "in the foreground, Argenteuil jam on an indigo river" It is now in the Musée des beaux-arts in Tournai, Belgium.
Study of Rocks; Creuse: 'Le Bloc' is an 1889 painting by Claude Monet. It is an oil on canvas and measures 72.4 x 91.4 cm.