Related Research Articles
Westwood is a commercial and residential neighborhood in the northern central portion of the Westside region of Los Angeles, California. It is the home of the University of California, Los Angeles (UCLA). Bordering the campus on the south is Westwood Village, a major regional district for shopping, dining, movie theaters, and other entertainment.
The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically overlooked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
Landmark Theatres is a movie theatre chain founded in 1974 in the United States. It was formerly dedicated to exhibiting and marketing independent and foreign films. Landmark consists of 34 theatres with 176 screens in 24 markets. It is known for both its historic and newer, more modern theatres. Helmed by its President Kevin Holloway, Landmark Theatres is part of Cohen Media Group.
Tyrus Wong was a Chinese-born American artist. He was a painter, animator, calligrapher, muralist, ceramicist, lithographer and kite maker, as well as a set designer and storyboard artist. One of the most-influential and celebrated Asian-American artists of the 20th century, Wong was also a film production illustrator, who worked for Disney and Warner Bros. He was a muralist for the Works Progress Administration (WPA), as well as a greeting card artist for Hallmark Cards. Most notably, he was the lead production illustrator on Disney's 1942 film Bambi, taking inspiration from Song dynasty art. He also served in the art department of many films, either as a set designer or storyboard artist, such as Rebel Without a Cause (1955), Around the World in 80 Days (1956), Rio Bravo (1959), The Music Man (1962), PT 109 (1963), The Great Race (1965), Harper (1966), The Green Berets (1968), and The Wild Bunch (1969), among others.
Kenny Scharf is an American painter known for his participation in New York City's interdisciplinary East Village art scene during the 1980s, alongside Jean-Michel Basquiat and Keith Haring. Scharf's do-it-yourself practice spanned painting, sculpture, fashion, video, performance art, and street art. Growing up in post-World War II Southern California, Scharf was fascinated by television and the futuristic promise of modern design. His works often includes pop culture icons, such as the Flintstones and the Jetsons, or caricatures of middle-class Americans in an apocalyptic science fiction setting.
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Samella Sanders Lewis was an American visual artist and art historian. She worked primarily as a printmaker and painter. She has been called the "Godmother of African American Art". She received Distinguished Artist Award for Lifetime Achievement from the College Art Association (CAA) in 2021.
“Art is not a luxury as many people think – it is a necessity. It documents history – it helps educate people and stores knowledge for generations to come.” – Dr. Samella Lewis
James Jacob Cline was an American football coach. He served as the head football coach at the Southern Branch of the University of California—now known as the University of California, Los Angeles (UCLA)—from 1923 to 1924, comping a record of 2–10–3.
Paul Sietsema is a Los Angeles–based American artist who works primarily in film, painting and drawing. His work addresses the production, consumption, and proliferation of cultural objects, reflecting his interest in the possibility of an artwork to mediate information or meaning in a way that engages with the aesthetics of a specific time period. In the words of Sarah Robayo Sheridan, “Paul Sietsema compounds organic and artificial detritus in all his artwork, scavenging in history’s wake to identify specific tools of cultural production and foraging for concepts of art promulgated in the words of artists and attitudes of critics. He mines film as a vestige, the medium of the mechanical age, pressing and squeezing its very obsolescence through a contemporary sieve. In so doing, the artist hovers in the switchover between a bodily inscription in the image and a fundamental reconstitution of sight and representation in the matrix of the virtual. Where body stops and image starts is a divide collapsing through a series of innovations and accidents that go back as far as the people of Pompeii trapped in an emulsion that marked their death, but which paradoxically carried forward their image into eternity.”
Zan Stewart is an American jazz writer, musician and former disc jockey.
Zelma Wilson, née Gussin, was an American architect, practicing mainly in California.
Harry Dodge is an American sculptor, performer, video artist, professor, and writer.
Charles Gaines is an American artist whose work interrogates the discourse of aesthetics, politics, and philosophy. Taking the form of drawings, photographic series and video installations, the work consistently involves the use of systems, predominantly in the form of the grid, often in combination with photography. His work is rooted in Conceptual Art – in dialogue with artists such as Sol LeWitt, Lawrence Weiner and Mel Bochner – and Gaines is committed to its tenets of engaging cognition and language. As one of the only African-American conceptual artists working in the 1970s, a time when political expressionism was a prevailing concern among African-American artists, Gaines was an outlier in his pursuit of abstraction and non-didactic approach to race and politics. There is a strong musical thread running through much of Gaines' work, evident in his repeated use of musical scores as well in his engagement with the idea of indeterminacy, as similar to John Cage and Sol LeWitt.
Hodgetts + Fung, also known as HplusF, is an interdisciplinary design studio based in Culver City, California specializing in architectural design, advanced material fabrication, historical restorations, and exhibition design and is led by principals Craig Hodgetts and Hsinming Fung.
Martine Syms is an American artist residing in Los Angeles, specializing in various mediums including publishing, video, installation, and performance. Her artistic endeavors revolve around themes of identity, particularly the representation of the self, with a focus on subjects like feminism and black culture. Syms frequently employs humor and social commentary as vehicles for exploration within her work. In 2007, she introduced the term "Conceptual Entrepreneur" to describe her artistic approach.
Kim McCarty is an artist and watercolor painter living and working in Los Angeles, California. Her work has been exhibited in over twenty solo exhibitions in New York and Los Angeles. She often works in large formats using layers of monochromatic colors.
Travis Collinson is a visual artist whose paintings take elements from photographs and sketches and reinterpret them at larger scale.
Matt Lipps is an American photographer and artist.
N. Dash is an American artist who works primarily in painting. Dash lives and works in New York. Born in 1980 in Miami, Dash studied at New York University, before earning a Master's in Fine Art from Columbia University.
References
- ↑ "CV Paul Pescador". paulpescador.com. Retrieved 11 July 2016.
- ↑ McQuaid, Kate. "What's up at Boston-area art galleries". bostonglobe.com. Retrieved 11 July 2016.
- ↑ Mizota, Sharon (13 December 2014). "Review Paul Pescador's layered images riff on consumer overload". Los Angeles Times . Retrieved 11 July 2016.
- 1 2 Darling, Nikki (9 December 2013). "Paul Pescador and the Dark Side of Intimacy". KCET.com. Retrieved 11 July 2016.
- ↑ Cline, Elizabeth. "A conversation between Elizabeth Cline and Paul Pescador". paulpescador.com. Retrieved 11 July 2016.
- ↑ Cox, Akina. ""3,4,5" "&8"". theartbookreview.org. Retrieved 11 July 2016.
- ↑ "HAMMER LECTURES Charles Atlas: Revenge of the New Puritan". hammer.ucla.edu. 10 March 2015. Retrieved 11 July 2016.
- ↑ Ahn, Abe (19 October 2015). "Forging Queer Identity with Abstraction". hyperallergic.com. Retrieved 11 July 2016.
- ↑ "PAUL PESCADOR". mycalfund.org. Retrieved 11 July 2016.