Hans Hofmann was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism. Born and educated near Munich, he was active in the early twentieth-century European avant-garde and brought a deep understanding and synthesis of Symbolism, Neo-impressionism, Fauvism, and Cubism when he emigrated to the United States in 1932. Hofmann's painting is characterized by its rigorous concern with pictorial structure and unity, spatial illusionism, and use of bold color for expressive means. The influential critic Clement Greenberg considered Hofmann's first New York solo show at Peggy Guggenheim’s Art of This Century in 1944 as a breakthrough in painterly versus geometric abstraction that heralded abstract expressionism. In the decade that followed, Hofmann's recognition grew through numerous exhibitions, notably at the Kootz Gallery, culminating in major retrospectives at the Whitney Museum of American Art (1957) and Museum of Modern Art (1963), which traveled to venues throughout the United States, South America, and Europe. His works are in the permanent collections of major museums around the world, including the Metropolitan Museum of Art, Tate Modern, Germanisches Nationalmuseum, National Gallery of Art, and Art Institute of Chicago.
Wolf Kahn was a German-born American painter.
Gabriel Laderman was a New York painter and an early and important exponent of the Figurative revival of the 1950s and 1960s.
Louis Finkelstein was an American painter, art critic and professor who taught for at Queens College, City University of New York. Several of his works have been compared to those of French artist and Post-Impressionist painter Paul Cézanne (1839–1906).
Taro Yamamoto belonged to the New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including Paris.
Jan Müller was a New York-based figurative expressionist artist of the 1950s. According to art critic Carter Ratcliff, "His paintings usually erect a visual architecture sturdy enough to support an array of standing, riding, levitating figures. Gravity is absent, banished by an indifference to ordinary experience." According to the poet John Ashbery, Müller "brings a medieval sensibility to neo-Expressionist paintings."
Anne Tabachnick was an American expressionist painter whose style drew inspiration from Abstract Expressionism and the European tradition.
Paul Gordon Georges was an American painter. He painted large-scale figurative allegories and numerous self-portraits.
The Provincetown Art Association and Museum (PAAM) in Provincetown, Massachusetts is accredited by the American Alliance of Museums. It was founded as the Provincetown Art Association on August 22, 1914, with the mission of collecting, preserving, exhibiting and educating people about the work of Cape Cod artists. These included Impressionists, Modernists, and Futurists as well as artists working in more traditional styles. The original building at 460 Commercial Street, is listed on the National Register of Historic Places.
Roland Conrad Petersen is a Danish-born American painter, printmaker, and professor. His career spans over 50 years, primarily in the San Francisco Bay Area and is perhaps best-known for his "Picnic series" beginning in 1959 to today. He is part of the Bay Area Figurative Movement.
Robert Goodnough was an American abstract expressionist painter. A veteran of World War II, Goodnough was one of the last of the original generation of the New York School;, even though he began exhibiting his work in galleries in New York City in the early 1950s. Robert Goodnough was among the 24 artists from the total of 256 participants who were included in the famous 9th Street Art Exhibition, (1951) and in all the following New York Painting and Sculpture Annuals from 1953 to 1957. These Annuals were important because the participants were chosen by the artists themselves. Early in his career starting in 1950 he showed his paintings at the Wittenborn Gallery, NYC. He had shown at the Tibor de Nagy Gallery in New York City from 1952 to 1970 and again from 1984 to 1986. In 1960 and 1961 he had solo exhibitions at The Art Institute of Chicago. A veteran of scores of solo exhibitions and hundreds of group exhibitions in the United States and abroad, Goodnough also had solo exhibitions in 1969 at the Whitney Museum of American Art in NYC and the Albright-Knox Art Gallery in Buffalo. A major work by Goodnough is included in The Governor Nelson A. Rockefeller Empire State Plaza Art Collection in Albany, NY. In later years his paintings were also associated with the Color Field movement.
Robert Beauchamp was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing". He was a Guggenheim Fellow and a student of Hans Hofmann.
Rosemarie Beck was an American abstract expressionist, figurative expressionist painter in the post-World War II era. She was married to the writer and editor Robert Phelps.
Hiroyuki Hamada is a Japanese born sculptor based in the United States.
George McNeil was an American abstract expressionist painter.
Ann Walsh is a visual artist, primarily working with paint, Plexiglas and vinyl. Her work has been displayed in The Everson Museum of Art, the Portland Museum of Art, the Saint-Gaudens National Historic Site and the Lori Bookstein Gallery, among others.
Elena Sisto is an American painter based in New York.
Dante Raphael Giglio, better known as Giglio Dante, was an Italian-born American painter.
James Lechay was an American painter who described himself an "abstract impressionist".
Eve Aschheim is an American draftsperson and painter.
