Jayme Cortez was a Brazilian born Portuguese comics artist. He is considered one of the most important artists of Brazilian comics. He was born in Portugal and began his career in the Portuguese magazine O Mosquito. He emigrated to Brazil in 1947, and began working with horror and children's comics. In 1959, he founded the Continental publishing house alongside Miguel Penteado, working with important artists such as Rodolfo Zalla, Eugênio Colonnese, Gedeone Malagola, Júlio Shimamoto, Flávio Colin, among others. In 1985, Cortez was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. In 1988, a year after his death, the Prêmio Angelo Agostini created the Jayme Cortez Trophy to award great contributions to Brazilian comics.
Manoel Messias de Mello, better known as Messias de Mello, was a Brazilian illustrator and painter. Born in Alagoas, he moved to São Paulo in the 1930s. He started working as designer of posters and shop windows, until he got a job as an illustrator at Gazeta Juvenil, a children's supplement for the newspaper A Gazeta.
Rodolfo Zalla was an Angentine comics artist. He started drawing comics while still in Argentina in 1953, but his career gained prominence after moving to Brazil with fellow comic artist José Delbo in 1963. He started producing comic strips of characters such as Targo, O Vingador and O Escorpião. He has worked for several comic book publishers and has produced stories in various genres, such as war and terror. He also produced Disney Comics about Zorro for editora Abril. In 1985, he was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. He remained active drawing comics until his death in 2016, at 84 years old.
Eugenio Colonnese was an Italian-born Brazilian comic artist. Son of a Brazilian mother and Italian father, Colonnese moved to Argentina as a child, where he began his career in 1949, working for several Argentine magazines. He moved to Brazil in 1964. Three years later, he created the Estúdio D-Arte with Rodolfo Zalla, with whom he produced several comic books for several Brazilian publishers. In 1967, Colonnese created his main characters: Mirza, a Mulher-Vampira and O Morto do Pântano, which, although they have similarities, respectively, to Vampirella and Swamp Thing, were created some years before these characters.Colonnese worked mainly with horror comics, but he also worked with other genres and did illustration for educational and advertising comics. In 1985, he was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Gedeone Malagola was a Brazilian comics artist and editor. He started his career in the 1940s, drawing for the newspaper A Marmita. He worked for several comic book publishers until he founded his own, Editora Júpiter. His main works were in the 1960s at GEP, where he created the superheroes Raio Negro, Hydroman and Homem Lua. In the late 1960s, Malagola wrote unofficial stories of the X-Men for GEP. In 1986, he was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Nico Rosso was an Italian-Brazilian comic artist. Born in Italy, he studied with the masters Giacomo Grosso and Giovanni Reduzzi. He also taught Illustration and Costume History at the Bernard Semeriz School of Graphic Arts. He married Tina Billi in 1937 and had two children: Gianluigi Rosso and Valeria Rosso. He lost almost all of his possessions during World War II, moving to Brazil in 1947. In São Paulo, he started working in the Arts Department of Editora Brasilgráfica. After that, he became a freelance illustrator, drawing covers and comics for several publishers. Rosso has worked with all comic book genres, but his main works were in the horror genre, including the Coffin Joe comics. He was also a professor at the Escola Panamericana de Artes, which he co-founded. He retired in 1976 for health reasons and died in 1981 after suffering three heart attacks. In 1986, he was awarded posthumously with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Julio Yoshinobu Shimamoto, better known as Julio Shimamoto or Shima, is a Brazilian comic artist of Japanese descent. He started his career in the 1950s in the superhero comic book Capitão 7. He has worked in almost all comic book publishers in Brazil in 1960s and 1970s, such as La Selva, Taika, Outubro, Ebal, Vecchi, Grafipar, Abril, among many others. His main works are Musashi I and Musashi II (2003), about the samurai Miyamoto Musashi, and Subs (2006). One of the main themes of his comics is the samurai, having made the first story on the subject in Brazil: Os Fantasmas do Rincão Maldito, published in 1961. Shimamoto continues to produce new comics even with more than 80 years old, having received several tributes and exhibitions about his work. In 1986, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Flavio Colin was a Brazilian comic artist and illustrator, considered one of the most important comic artists in Brazil. He began his career in the 1950s with an adaptation for the comic book radio series As Aventuras do Anjo, influenced by Milton Caniff, but began to gain prominence with the development of his own stylized artist style. In 1987, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. He also won the Troféu HQ Mix in 1994 and 1995. Flávio Colin died in Rio de Janeiro on 2002.
Sérgio Lima (1925–1988) was a Brazilian illustrator and comics artist. In the 1960s, he worked at the publishing house Prelúdio, where he illustrated cordel leaflets and comic books such as Juvêncio, o justiceiro do sertão, as well as adaptations of cordel literature. He also illustrated the comic book biography of Silvio Santos, written by R. F. Lucchetti, as well as horror comics. In the 1970s, he started to create Disney comics at editora Abril and worke in Os Trapalhões comic book. In 1987, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Cláudio Seto was a Brazilian journalist, visual artist, comic artist, poet, photographer, cultural animator and bonsai artist. Of Japanese descent, at age nine he went to study at a Zen monastery in Japan, where he took the opportunity to visit Osamu Tezuka's studio on weekends. When he returned to Brazil in the 1960s, he was hired by Edrel publishing house, where he published stories about samurai and ninja, who were still little known by Brazilians. Seto is considered the forerunner of the use of the manga style in Brazilian comics and his best-known character was O Samurai. In the 1970s, he moved to Curitiba to work at the Grafipar publishing house, which had hired some of the best Brazilian comic artists of the time. In 1988, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Álvaro de Moya was a Brazilian journalist, professor, researcher, comics artist, illustrator, writer and TV producer. He was one of the pioneers in academic research on comics in Brazil and one of those responsible for the First International Exhibition of Comics, held in São Paulo in 1951. Moya worked on the Disney comics published by Editora Abril, published novel adaptations at the EBAL publishing house, and made cartoons, illustrations and articles about comics for several newspapers. His first book, Shazam!, published in 1970, is considered one of the most important for Brazilian research on comics. In 1989, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Walmir Amaral is a Brazilian comic artist. He worked at the publishing house Rio Gráfica Editora (RGE) from 1957 to 1986, where he produced covers and illustrations for several licensed characters, especially for Lee Falk's The Phantom. In the 1960s, Amaral began writing and drawing the comics for O Anjo, a radio character previously drawn by Flavio Colin. Amaral was also one of the creators of the project Gibi Semanal, in which he worked as editor and writer. The comic book featured weekly publication of comic strips and stories of characters such as Beetle Bailey, Popeye, Peanuts, Frank and Ernest, Tarzan, Rip Kirby, The Cisco Kid, The Spirit, Dick Tracy, Lucky Luke, among many others. In 1990, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Primaggio Mantovi is an Italian-born Brazilian comics artist. Born in Italy, he moved with his family to Brazil at age nine. He began his career at publishing house Rio Gráfica Editora (RGE) in 1964, where he produced around 200 magazine covers and wrote and illustrated comics about western and humor. In 1972, he released his own character at RGE, the clown Sacarrolha, who had his own comic book that was quite successful at the time. Mantovi also created the comic strip Dr. Zoo, o Veterinário, which was published in newspapers in Brazil, Cuba and the Netherlands. From 1973, Mantovi also worked with Disney comics at editora Abril, being responsible for the coordination of "Escolinha Disney", an Abril project that sought to create new talent for the then great Brazilian production of Disney comics. In 1991, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Waldyr Igayara de Souza was a Brazilian comic book artist and editor. He started his career working for the Outubro and Taika publishing houses, as well as the studio Alcântara Machado Propaganda, along with Lyrio Aragão, Julio Shimamoto and Luiz Saidenberg. In 1961, he started working at editora Abril, being one of the first Brazilian artists to work with Disney comics at the publishing house. He created the character Dugan Duck, nephew of Fethry Duck. The character was quite successful in Brazil and Italy, being the only duck with a yellow color. Igayara also worked as editorial director of Abril's children's division for 20 years, creating important children's magazines such as Recreio e Alegria. In 1993, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Ely Barbosa was a Brazilian comics artist. He started working with comics in the early 1970s with his studio, which produced the Os Trapalhões comic book for Bloch publishing house. In 1976, he released his own characters: Turma da Fofura and Turma do Cacá, initially in children's books, but which, with their success, quickly gained comics, first by the publisher RGE and later by the editora Abril. In the 1980s, new characters emerged, such as Amendoins, Gordo and Patrícia, all with their own comic books, which were published until 1992. Barbosa also produced animations and TV commercials, plays and children's television series with his characters, such as Tutti-Frutti and Boa Noite, Amiguinhos in the 1980s and Fofura na TV, in the 1990s. In 1994, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Getulio Delphim - sometimes Delphin or Delfin - is a Brazilian comics artist and illustrator. He began his career at the age of 15 at Rio Gráfica publishing house as a comics penciller and magazine cover designer. At 18, he was working for the publishing houses Outubro and La Selva. One of his main works was in the superhero's comic book Capitão 7. In 1970s, he stopped working only with comics, dedicating himself to advertising illustration. In 1994, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Roberto Fukue, sometimes Roberto O. Fukue or Rof, was a Brazilian comic artist of Japanese descent. He started working with comic books at age 16, following his brother Paulo Fukue, who had been hired by the EDREL publishing house. In 1972, Fukue went to editora Abril, again together with his brother, where he worked for many years with Disney comics, drawing characters like José Carioca, Goofy, Mickey, etc. He also worked on the comic books Senninha and Sítio do Pica-Pau Amarelo, among others. In 1995, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. In 2009, Fukue was part of the creative team that relaunched the comic book Turma do Arrepio, which was a success in the 1990s.
Fernando Ikoma is a Brazilian painter and comic book artist of Japanese descent. He moved to Curitiba at the age of 14, where he started working as an apprentice shop window designer. At 19, Ikoma started to work with comics in search of a better financial situation. He worked as a comic artist at EDREL, EBAL and Abril publishing houses. His main creation in the comics was the character Fikom, published by EDREL in the 1970s and whose adventures took place in the world of dreams, a place where his alter ego, the ugly Mukifa, could play the role of a beautiful hero. He also wrote the book A Técnica Universal das Histórias em Quadrinhos. Ikoma, however, left comics after some years to work as a painter.
Renato Silva was a Brazilian illustrator and comic book artist.
Lyrio Aragão was a Brazilian comic book artist and policeman. He began his career in the 1960s at the October publishing house as an assistant to Jayme Cortez. He created several characters from police comics, inspired by his work as a police investigator, such as Detetive Otávio and Detetive Teobaldo. He also worked at Editora Abril with Disney comics and at D-Arte publishing house in the horror comics Mestres do Terror and Calafrio. In 1994, he was posthumously awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
