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Getulio Delphim - sometimes Delphin or Delfin - is a Brazilian comics artist and illustrator. He began his career at the age of 15 at Rio Gráfica publishing house as a comics penciller and magazine cover designer. At 18, he was working for the publishing houses Outubro and La Selva. One of his main works was in the superhero's comic book Capitão 7. In 1970s, he stopped working only with comics, dedicating himself to advertising illustration. In 1994, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Roberto Fukue, sometimes Roberto O. Fukue or Rof, was a Brazilian comic artist of Japanese descent. He started working with comic books at age 16, following his brother Paulo Fukue, who had been hired by the EDREL publishing house. In 1972, Fukue went to editora Abril, again together with his brother, where he worked for many years with Disney comics, drawing characters like José Carioca, Goofy, Mickey, etc. He also worked on the comic books Senninha and Sítio do Pica-Pau Amarelo, among others. In 1995, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. In 2009, Fukue was part of the creative team that relaunched the comic book Turma do Arrepio, which was a success in the 1990s.
Fernando Ikoma is a Brazilian painter and comic book artist of Japanese descent. He moved to Curitiba at the age of 14, where he started working as an apprentice shop window designer. At 19, Ikoma started to work with comics in search of a better financial situation. He worked as a comic artist at EDREL, EBAL and Abril publishing houses. His main creation in the comics was the character Fikom, published by EDREL in the 1970s and whose adventures took place in the world of dreams, a place where his alter ego, the ugly Mukifa, could play the role of a beautiful hero. He also wrote the book A Técnica Universal das Histórias em Quadrinhos. Ikoma, however, left comics after some years to work as a painter.
Péricles de Andrade Maranhão, who signed only as Péricles, was a Brazilian cartoonist and caricaturist. He moved to Rio de Janeiro around 1942, starting to work in Diários Associados magazines, where he published his first characters. Péricles also illustrated Millôr Fernandes' texts in the Pif-Paf section of O Cruzeiro. His greatest success, however, was the gag cartoon O Amigo da Onça, a character he drew for nearly 20 years, from 1943 until his death. O Amigo da Onça is a cynical man whose main objective in life is to harm or tease others. The name came from a joke that has some variations, but usually involves a hunter who tells a friend how he ran away from a jaguar, but his friend doubts him or creates complicated situations, to which the hunter concludes by asking: "Are you my friend or friend of the jaguar?". The expression gained popularity with Péricles' character and is still used in Brazil today as a synonym for untrustworthy people. Péricles committed suicide on New Year's Eve 1961, asphyxiated by cooking gas. He also left a note on his doorstep that said "Don't strike a match". Getúlio Delphim and Zé Geraldo did O Amigo da Onça for two years. After them, Carlos Estevão worked on the comic from 1964 until his death in 1972. In 1999, Péricles was awarded posthumously with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Renato Silva was a Brazilian illustrator and comic book artist.
Lyrio Aragão was a Brazilian comic book artist and policeman. He began his career in the 1960s at the October publishing house as an assistant to Jayme Cortez. He created several characters from police comics, inspired by his work as a police investigator, such as Detetive Otávio and Detetive Teobaldo. He also worked at Editora Abril with Disney comics and at D-Arte publishing house in the horror comics Mestres do Terror and Calafrio. In 1994, he was posthumously awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
References
- ↑ "Paulo Fukue". Lambiek Comiclopedia.
- ↑ "Pabeyma: como o futuro era visto no passado" (in Portuguese). Bigorna.net. March 17, 2006.
- ↑ "Minami Keizi, a Edrel e as HQs brasileiras: Memórias do desenhista, do roteirista e do editor" (PDF) (in Portuguese). INTERCOM. 2006.
- ↑ "Os primeiros mangás brasileiros" (in Portuguese). ABRADEMI. May 17, 1994.
- ↑ "Tudo sobre o Dia do Quadrinho Nacional e o Troféu Angelo Agostini" (in Portuguese). Bigorna.net. December 16, 2005. Archived from the original on October 31, 2021. Retrieved November 3, 2021.
