Paulo Henrique (born Paulo Henrique Carreira Jorge; 1968 in Luanda, Angola) is a Portuguese choreographer and multimediaperformance artist. As a choreographer, he has created several performance and installation works, integrating different media such as video, sound, text, voice, and plastic arts. Since 2009 Paulo Henrique has been based in Paris, France.
Originally from Luanda, Angola, Henrique's family moved to Leiria, Portugal, in 1975 as a result of the civil war in Angola. He studied at Forum Dança in Lisbon. In addition, he took part in several artistic residencies such as "European Choreographic Forum"/Shinkansen and "Korper – technik|Body – Technology". Paulo Henrique was awarded a grant from Centro Nacional de Cultura, the Gulbenkian Foundation and the Luso–American Foundation to attend the Lee Strasberg Theater Institute in New York, where he also attended the Film/Video Arts Institute. From 1997 to 1999, he undertook an internship with the Trisha Brown Dance Company and collaborated with various other artists and disciplines.[citation needed]
He has worked on projects and works with Vera Dentro, Bernardo Montet, Margarida Bettencout, Meg Stuart, Meredith Monk, Robert Flynt, Jack Shamblin, Lance Gries, Olga Mesa, Lidia Martinez, Madalena Vitorino, David Zambrano, Barbara Duchow. He has taught at Forum Dança, CEM, and Arte Total, and has been a guest lecturer at Brighton University (Postgraduate diploma in Digital Media Arts). Several of his works are now stored as part of the Digital Performance Archive (DPA) in London and his work has been discussed in the 2007 book "Digital Performance".[1]
His work has been performed throughout Europe, Brazil, Africa, and in the United States at venues such as the Dance Theater Workshop[2] and La Mama in New York, the Mousonturm in Frankfurt, and the Belém Cultural Center in Lisbon. He has had works commissioned by the Festival Danças Na Cidade and for Lisbon's Expo 98. Paulo Henrique was one of the first Portuguese artists to integrate new technology and video into the performances to create stage multimedia pieces.[citation needed]
"Transformation ou métamorphose" – Vers un progrès ininterrompu – video/photography, Paris 2012
"Minimally Invasive" (video) | artist collective|"Body and Bodies, transgressions and narratives”|MiMo, Image Museum, Leiria 2013
"Vecteurs du Corps"12, Video-mapping José Budha, Semaine des cultures étrangères, Casa André de Gouveia, Paris 2013
"Mémoire d'une image absent", (299 ways to come down the steps/Stars on the Stairs), Lieux Publics, Marseille European capital of culture, 2013
"Vecteurs du Corps" (video) + "Contract With The Skin" (video), Special Effects Festival, New York, 2014
Video Performance by Paulo Henrique, CHANTIERS d'EUROPE|Calouste Gulbenkian Paris, 2014
"Un homme. Une machine" (video – improvisation), Intervention dance: Paulo Henrique, Digital Art: João Martinho Moura (WIDE/SIDE, 2015), video edition: Play Bleu: Arte total|GNRation Gallery, Braga, 2015.
Crucial Interventions (video: Play Bleu) / GUELRA|Arte Total, Braga 2015
Don't Look (video: Play Bleu) / GUELRA|Arte Total, Braga 2015
Performance Act created for 'Corps et Artivisme', Paris 2019
My body is made of other people's noise [12](my body is made of noise from others) / GUELRA – artistic residency / dance / multimedia – Arte Total and GNRation, Braga 2020
He has worked on projects and works with Vera Dentro, Bernardo Montet, Margarida Bettencout, Meg Stuart, Meredith Monk, Robert Flynt, Jack Shamblin, Lance Gries, Olga Mesa, Lidia Martinez, Madalena Vitorino, David Zambrano, Barbara Duchow. He has taught at Forum Dança, CEM, and Arte Total, and has been a guest lecturer at Brighton University (postgraduate diploma in digital media arts). Several of his works are now stored as part of the Digital Performance Archive (DPA) in London and his work has been discussed in the book "Digital Performance"[13] by Steve Dixon, MIT Press, 2007.
Collaborations
2020: Life Lines, livre photographie by Eric Rhein, Institue193, ISBN978-1732848238
2019: Performance Act with Evelyne le Pollotec, invitation by Alberto Sorborelli, "Corps et Artivisme" by Sarah Trouche, Paris
2018: Effraction with Evelyne le Pollotec, performance intervention – sculpture "Parure" by d'Axel Rogier-Waeselynck, CRR 93, Paris
2018: The Fop with Jack Shamblin, Mia Kunter productions, Dixon Place, New York
2017: PN6 La Porte Noir, photography Nathalie Tiennot, Paris
2015: UnNamed with João Martinho Moura, GUELRA, GNRation and ARTE TOTAL residency, Braga
2013: Stars on the Stairs with Lidia Martinez/ Lieux Publics, Marseille European capital of cultural, Marseille
2013: Body Vectors –Video Mapping José BUDHA, Semaine des cultures étrangères, Paris
2007: 21 of April, photography Oswaldo Ruiz / Œuvre: Mitcham, London
2006: Behind the scenes of the Museum: A Performance Master Arts with the 'Seven Sisters Group', TATE Modern Museum, London
2005: The Dance, Fine Arts/Nudes with Eva Mueller, New York
2003: The Yellow Sound
2003: Phobias in Polyphony, Robert Flynt, New York
2001: [Your] Numbered Days, free photograph by Robert Flynt, Dr. Cantz'sche Druckerei, New York
1997/1998: Partial Disclosures [14] photography Robert Flynt, New York
Other collaborations: Bernardo Montet, Margarida Bettencourt & Carlos Zingaro, Cristina Benedita & Carlos Zingaro, Laurent Simões, Manuel Granja, Helder Luis, André Guedes, Luciana Fina, Filipe Lopes/ PlayBleu.[citation needed]
Producers: Mark Deputter – Dances in the City Festival/ Alkantara Festival. Gil Mendo – Dance Forum. Rita Castro Neves. Genoveva Oliveira, Ana David – Musée m|i|mo. Graça Passos – CENTA. Sofia Neuparth – CEM Ghislaine Boddington – Butterfly Effect Network. Sue Gollifer – Brighton University. Cristina Mendanha – Arte Total/ Salvo Conduto and GUELRA with GNRation.[citation needed]
Photography: Bill Jacbson, Eric Rhein, Christophe Apatie.[citation needed]
↑ Dixon, Steve (2007). Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, Mass.: MIT Press. ISBN978-0-262-04235-2.
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