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Penelope Allison | |
---|---|
Born | Penelope Mary Allison [1] 1954 [1] |
Academic background | |
Education | University of Canterbury (BA) University of Sydney (MA, PhD) |
Academic work | |
Discipline | Archaeology |
Sub-discipline | Roman archaeology,historical archaeology,classical art,gender in archaeology |
Institutions | University of Leicester |
Penelope Mary "Pim" Allison (born 1954) is a New Zealand academic archaeologist specialising in the Roman Empire. Since 2015,she has been professor of archaeology at the University of Leicester. [2] She is also a Fellow of the Society of Antiquaries and an Honorary Fellow of the Australian Academy of the Humanities. [3]
Allison is originally from North Canterbury in New Zealand. She grew up on a sheep farm. [2]
Allison received an undergraduate degree in pure mathematics from the University of Canterbury,and her MA Honours and her doctorate in archaeology from the University of Sydney. [2] She was a scholar at the British School in Rome,and has taught archaeology and ancient history at the University of Sydney,the Australian National University and the University of Sheffield. She has held several research fellowships,including a fellowship in the Classics faculty at the University of Cambridge and fellowships at the University of Sydney. [4] [5] She joined the School of Archaeology and Ancient History at the University of Leicester as a lecturer in 2006. [2]
She specialises in Roman and historical archaeology and has particular interests in household archaeology,and gender and space. Many of her publications relate to houses and households in Pompeii,and gender and space in Roman military forts in Germany. She is also interested in digital archaeology and how archaeological data can be spread digitally. [2] [4]
Allison is a senior fellow of the Higher Education Academy,a fellow of the Society of Antiquaries of London,an honorary fellow of the Australian Academy of the Humanities and a corresponding member of the Archaeological Institute of America. [2]
Allison's research focuses on household archaeology as well as gender and space. Her current interests have expanded to encompass households and their activities in the colonial outback in Australia and foodways material culture in the Roman and colonial worlds. [2] She also has an interest in digital archaeology and the digital dissemination of archaeological data.
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities of Pompeii and Herculaneum around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes.
Pompeii and Herculaneum were once thriving towns, 2,000 years ago, in the Bay of Naples. Both cities have rich histories influenced by Greeks, Oscans, Etruscans, Samnites and finally the Romans. They are most renowned for their destruction: both were buried in the AD 79 eruption of Mount Vesuvius. For over 1,500 years, these cities were left in remarkable states of preservation underneath volcanic ash, mud and rubble. The eruption obliterated the towns but in doing so, was the cause of their longevity and survival over the centuries.
The House of the Faun, constructed in the 2nd century BC during the Samnite period, was a grand Hellenistic palace that was framed by peristyle in Pompeii, Italy. The historical significance in this impressive estate is found in the many great pieces of art that were well preserved from the ash of the eruption of Mount Vesuvius in 79 AD. It is one of the most luxurious aristocratic houses from the Roman Republic, and reflects this period better than most archaeological evidence found even in Rome itself.
Elizabeth M. Brumfiel was an American archaeologist who taught at Northwestern University and Albion College. She had been a president of the American Anthropological Association.
Eumachia was a Roman business entrepreneur and priestess. She served as the public priestess of Venus Pompeiana in Pompeii as well as the matron of the Fullers guild. She is known primarily from inscriptions on a large public building which she financed and dedicated to Pietas and Concordia Augusta.
The House of Menander is one of the richest and most magnificent houses in ancient Pompeii in terms of architecture, decoration and contents, and covers a large area of about 1,800 square metres (19,000 sq ft) occupying most of its insula. Its quality means the owner must have been an aristocrat involved in politics, with great taste for art.
The Temple of Isis is a Roman temple dedicated to the Egyptian goddess Isis. This small and almost intact temple was one of the first discoveries during the excavation of Pompeii in 1764. Its role as a Hellenized Egyptian temple in a Roman colony was fully confirmed with an inscription detailed by Francisco la Vega on July 20, 1765. Original paintings and sculptures can be seen at the Museo Archaeologico in Naples; the site itself remains on the Via del Tempio di Iside. In the aftermath of the temple's discovery many well-known artists and illustrators swarmed to the site.
A bandeau is a garment comprising, in appearance, a strip of cloth. Today, the term frequently refers to a garment that wraps around a woman's breasts. It is usually part of a bikini in sports or swimsuit. It is similar to a tube top, but narrower. It is usually strapless, sleeveless, and off the shoulder. Bandeaux are commonly made from elastic material to stop them from slipping down, or are tied or pinned at the back or front. In the first half of the 20th century, a "bandeau" was a narrow band worn by women to bind the hair, or as part of a headdress.
Pompeii was a city in what is now the municipality of Pompei, near Naples, in the Campania region of Italy. Along with Herculaneum, Stabiae, and many surrounding villas, the city was buried under 4 to 6 m of volcanic ash and pumice in the eruption of Mount Vesuvius in 79 AD.
Jeanne E. Arnold was an American archaeologist who taught in the anthropology department at the University of California, Los Angeles. Her fields of research covered many topics, but she specialized in the prehistoric and early contact era of the Pacific Coast of North America, in California and British Columbia. Her work in these areas was directed to resolving the economies and political evolutionary trajectories of complex hunter-gatherer groups. She died on November 27, 2022, following a long illness.
Lindsay Allason-Jones, is a British archaeologist and museum professional specialising in Roman material culture, Hadrian's Wall, Roman Britain, and the presence and role of women in the Roman Empire. She is currently a visiting fellow at Newcastle University.
Ellen Swift is a British archaeologist and Professor of Roman Archaeology at the University of Kent.
Sarah Colley is an honorary research fellow in the University of Leicester, school of Archaeology and Ancient History. She was elected as a Fellow of the Society of Antiquaries of London in 2011.
Jennifer Baird, is a British archaeologist and academic. She is Professor in Archaeology at Birkbeck, University of London. Her research focuses on the archaeology of Rome's eastern provinces, particularly the site of Dura-Europos.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.
Patricia "Patty" Anne Baker is an American archaeologist and academic. She is Head of the Department of Classical & Archaeological Studies at the University of Kent and Senior Lecturer in Classical & Archaeological Studies.
The House of the Prince of Naples is a Roman domus (townhouse) located in the ancient Roman city of Pompeii near Naples, Italy. The structure is so named because the Prince and Princess of Naples attended a ceremonial excavation of selected rooms there in 1898.
Nina Crummy is a British archaeologist and artefact specialist, especially of Roman material culture.
Quita Mould is an archaeologist, specialising in small finds and the identification of leather.
Barbara Allison Birley is an archaeologist and museum curator working at the Roman fort of Vindolanda, near Hadrian's Wall.
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