Peony in Love

Last updated
Peony in Love
Peony in Love.jpg
Author Lisa See
CountryUnited States
LanguageEnglish
GenreNovel
Publisher Random House, Inc.
Publication date
2007

Peony in Love is the fifth of Lisa See's novels. Her previous novel, Snow Flower and the Secret Fan , and Peony in Love emphasize the difficulty 19th- and 17th-century Chinese women had in achieving freedom and identity in a society that was both male dominated and rigid in its gender expectations.

Contents

Plot summary

Peony's father, a wealthy, cultured man with important political contacts, is planning a performance of The Peony Pavilion on his estate. This is seen by many as controversial because the opera may influence young women into imitating Liniang, starving themselves to death in hopes of finding love.

Unfortunately, this is just what happens to Peony. She is deeply moved by the text and performance of The Peony Pavilion, having extensively written about her feelings and reactions to love in her copy of the text. On the evening of the opera performance, Peony accidentally meets a handsome young man. After three nighttime meetings, Peony falls in love, but she also falls into deep despair, feeling doomed because of being trapped in an arranged marriage. Following the example of Du Liniang, she starves herself to death, only to learn right before her death that the man her father has picked for her is Wu Ren, the man she loves.

Most of Peony in Love takes place after Peony's death. Because her funeral rituals are not concluded properly, she becomes a "hungry ghost", who wanders far beyond the inner world of women that constrained her in her youth. In the process, she encounters a number of women writers who lament the difficulty of getting their voices heard in a male-dominated world. From her dead grandmother, she learns many painful details about her family's past as the Qing Dynasty violently replaced the Ming Dynasty, details later amplified by Peony's mother. Peony comes to learn about the courage and extreme suffering both older women experienced during the fighting and that the sternness her mother treated her with as a girl was only her attempt to protect her daughter from the evils of the outside world.

Peony shows her enduring love for Ren by her influence on his second wife, although she later realizes that she may have gone too far and actually harmed the girl. Feeling guilty, she puts herself in self-exile, wandering around Hangzhou, until her mother convinces her to go back and make it up for Ren and his second wife. Peony chooses a young and neglected girl to "guide" and, influencing the girl's mother, she slowly molds her into a lovely lady. Ren, a lonely widower, marries the girl as his third wife. After years have past, the third wife starts reading Peony's and the second wife's writings, and after adding on to them she convinces her husband to help her publish them. Not long after Ren realizes that Peony was never given the appropriate funeral rites and finally completes them for her. Peony is no longer a hungry ghost but a spirit who looks forward with great joy to meeting her husband again in the afterworld.

Background

In Peony in Love, the opera The Peony Pavilion by Tang Xianzu, The Three Wives' Commentary on The Peony Pavilion, [1] and the theme of love all play important roles. Of the latter, See has said: "I wanted to explore different aspects of love: gratitude love, pity love, respectful love, romantic love, sexual love, sacrificing love, duty love, and finally mother love". [2] See also stated that The Three Wives' Commentary had a special influence on her as she researched the large amount of writing done by Chinese women in the 17th century, most of it largely unknown today. "Then I came across The Three Wives' Commentary -- the first book of its kind to have been published anywhere in the world to have been written by women -- three wives, no less. With that, my interest turned into an obsession". [3] The three wives of Wu Ren in the novel—Chen Tong (Peony), Tan Ze, and Qian Yi were, in fact, the real women who wrote The Three Wives' Commentary. [4]

The opera presents the love of Du Liniang for a young man, Liu Mengmei, whom she meets in a dream. Unable to turn her dream into reality, Liniang wastes away and dies, haunting Lui as a ghost. Eventually he finds a way to bring Liniang back to life, allowing them to find ultimate happiness.

Film adaptation

On 22 February 2010, Scott Free Productions announced plans to produce an adaptation of the novel with Erin Cressida Wilson writing the script for 20th Century Fox. [5] However, plans fell into development hell.

Notes

  1. Zeitlin, Judith T. (June 1994). "Shared Dreams: The Story of the Three Wives' Commentary on The Peony Pavilion". Harvard Journal of Asiatic Studies . 54 (1): 127–79. doi:10.2307/2719390. JSTOR   2719390.
  2. "A Conversation with Lisa See", Random House Reader's Circle. See, Lisa (2008). Author's Note. Peony in Love (Trade Paperback ed.). Random House. p. 287.
  3. See, Lisa. "Author's Note". Peony in Love. p. 275.
  4. See, Lisa. "Author's Note". Peony in Love. p. 278.
  5. ComingSoon Staff (22 February 2010). "Wilson to Adapt Lisa See's Peony". ComingSoon. Retrieved 10 May 2019.

Related Research Articles

<i>The Bonesetters Daughter</i> 2001 novel by Amy Tan

The Bonesetter's Daughter, published in 2001, is Amy Tan's fourth novel. Like much of Tan's work, this book deals with the relationship between an American-born Chinese woman and her immigrant mother.

<i>The Joy Luck Club</i> (novel) 1989 novel written by Amy Tan

The Joy Luck Club is a 1989 novel written by Amy Tan. It focuses on four Chinese immigrant families in San Francisco who start a club known as The Joy Luck Club, playing the Chinese game of mahjong for money while feasting on a variety of foods. The book is structured similarly to a mahjong game, with four parts divided into four sections to create sixteen chapters. The three mothers and four daughters share stories about their lives in the form of short vignettes. Each part is preceded by a parable relating to the themes within that section.

<span class="mw-page-title-main">Mei Lanfang</span> 20th-century Peking opera artist

Mei Lan, better known by his stage name Mei Lanfang, was a notable Peking opera artist in modern Chinese theater. Mei was known as "Queen of Peking Opera". Mei was exclusively known for his female lead roles (dan) and particularly his "verdant-robed girls" (qingyi), young or middle-aged women of grace and refinement. He was considered one of the "Four Great Dan", along with Shang Xiaoyun, Cheng Yanqiu, and Xun Huisheng.

<span class="mw-page-title-main">The Peony Pavilion</span>

The Peony Pavilion, also named The Return of Soul at the Peony Pavilion, is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598. The plot was drawn from the short story Du Liniang Revives For Love and depicts a love story between Du Liniang and Liu Mengmei that overcomes all difficulties. Tang's play diverges from the short story in that it integrates elements of the Ming dynasty, despite being set in the Southern Song.

Du Liniang is a fictional character from Tang Xianzu's play The Peony Pavilion. "Du" (杜) is her surname; "Li" (丽) means "beautiful", and "Niang" (娘), "young lady". Only sixteen years old, she encounters a dream lover, Liu Mengmei, when she falls asleep in a long-abandoned garden. Overcome by lovesickness, she wastes away and dies, only to be brought back to life. She haunts Liu Mengmei, who now lives in the garden, until he promises to exhume her. She is resurrected and joined in marriage with Liu. Today, Du Liniang is most often seen on the Kunqu stage, where her role is the best-loved of the Guimen Dan role types. Famous interpreters of the role have included Mei Lanfang, Zhang Jiqing, and Jennifer Hua Wenyi.

<span class="mw-page-title-main">Lisa See</span> American writer

Lisa See is an American writer and novelist. Her books include On Gold Mountain: The One-Hundred-Year Odyssey of My Chinese-American Family (1995), a detailed account of See's family history, and the novels Flower Net (1997), The Interior (1999), Dragon Bones (2003), Snow Flower and the Secret Fan (2005), Peony in Love (2007) and Shanghai Girls (2009), which made it to the 2010 New York Times bestseller list. Both Shanghai Girls and Snow Flower and the Secret Fan received honorable mentions from the Asian/Pacific American Awards for Literature.

<i>A Thousand Splendid Suns</i> 2007 novel by Khalid Hosseini

A Thousand Splendid Suns is a 2007 novel by Afghan-American author Khaled Hosseini, following the huge success of his bestselling 2003 debut The Kite Runner. Mariam, an illegitimate teenager from Herat, is forced to marry a shoemaker from Kabul after a family tragedy. Laila, born a generation later, lives a relatively privileged life, but her life intersects with Mariam's when a similar tragedy forces her to accept a marriage proposal from Mariam's husband.

"The Pretty Little Calf" is a Chinese fairy tale collected by Wolfram Eberhard in "Folktales of China". It is related to the theme of the calumniated wife and to the tale type ATU 707, "The Three Golden Children", of the international Aarne-Thompson-Uther Index, in that a woman gives birth to children of wondrous aspect, but jealous relatives conspire to separate them. Similar stories are attested in East Asian literature, specially Mongolian and Korean, wherein the boy is murdered, but is later reborn in the shape of a calf.

Posthumous marriage is a marriage in which at least one of the participating members is deceased.

<i>On Gold Mountain</i>

On Gold Mountain: The One-Hundred-Year Odyssey of My Chinese-American Family describes 100 years of author Lisa See's family history, providing a complex portrait of her family’s hard work, suffering, failures and successes as they moved from China to the United States. Speaking of the Chinese side of her family, See has said: "Things were so fractured and wild at home ... But the weekends with my grandparents became the real center for me ... It was the side of the family I identified more with. It was fun, romantic, solid".

<i>Snow Flower and the Secret Fan</i> 2005 novel by Lisa See

Snow Flower and the Secret Fan is a 2005 novel by Lisa See set in nineteenth-century China. In her introduction to the novel, See writes that Lily, the narrator, was born on June 5, 1824—"the fifth day of the sixth month of the third year of the Daoguang Emperor's reign". The novel begins in 1903, when Lily is 80 years old. It continues on to tell the story of her life from birth, childhood, marriage, and old age. During her lifetime, Lily lives through the reigns of four emperors of the Qing dynasty: Daoguang (1820–1850); Xianfeng (1850–1861); Tongzhi (1861–1875); and Guangxu (1875–1908).

Judith T. Zeitlin is the William R. Kenan Jr. Professor of East Asian Languages and Civilizations at the University of Chicago. Her areas of interest are Ming-Qing literary and cultural history, with specialties in the classical tale and drama. In 2011 she was awarded a Guggenheim Fellowship.

<span class="mw-page-title-main">Ying Huang (soprano)</span>

Ying Huang is a Chinese operatic soprano. She first came to international attention when she sang the title role in Frédéric Mitterrand's 1995 film Madame Butterfly and went on to an international career both in opera and on the concert stage.

<i>Dreams of Joy</i>

Dreams of Joy is a 2011 novel by Lisa See. It debuted as #1 in the New York Times list of best selling fiction. In this book See completes the circle she began in Shanghai Girls. The former novel ends with the suicide of Pearl's husband Sam and the shattering discovery by Joy that May is really her mother, Pearl is her aunt, and Z.G., the famous Chinese artist, is her father. Joy's guilt-driven journey to China to find her father and Pearl's loving pursuit are placed in the context of the tumult and suffering of Mao's China—especially in the context of the horrific famine caused by Mao's misguided Great Leap Forward. See's novel uses Mao's China as her background, but her story focuses on the change and growth of her main characters – Pearl, Joy, Z.G., and May. Susan Salter Reynolds suggests that “it’s a story with characters who enter a reader’s life, take up residence, and illuminate the myriad decisions and stories that make up human history.”

Zhang Jiqing was a Kunqu artist.

The Peony Pavilion is a 1998 production by Peter Sellars, in a mix of Chinese and English translation, of the Ming Dynasty play The Peony Pavilion.

Bai Mudan, also romanized as Pai Mu-tan, is a character from Chinese mythology. She is described as the most beautiful courtesan in the city of Luoyang and a reincarnation of the Peony fairy.

<span class="mw-page-title-main">Caizi jiaren</span>

Caizi jiaren is a genre of Chinese fiction typically involving a romance between a young scholar and a beautiful girl. They were highly popular during the late Ming dynasty and early Qing dynasty.

Zhang Yaotiao was a 9th-century Chinese poet of the Tang dynasty.

<i>The Embroidered Couch</i> Chinese erotic novel

Xiuta yeshi, translated into English as The Embroidered Couch, is a Chinese erotic novel composed during the late Ming dynasty by playwright Lü Tiancheng (呂天成) under various pseudonyms. Believed to be one of the oldest Chinese erotic novels, Xiuta yeshi was first published at around the same time as Jin Ping Mei. It has been constantly banned or censored since then, especially during the Qing dynasty. Literary critics have drawn attention to its obscenity and vivid descriptions of sex. A complete English translation by Lenny Hu was published in 2001.

References

Reviews