Percy's Progress | |
---|---|
Directed by | Ralph Thomas |
Written by | Sid Colin Harry H. Corbett Ian La Frenais |
Produced by | Betty E. Box |
Starring | Leigh Lawson Elke Sommer Judy Geeson Denholm Elliott Adrienne Posta Julie Ege Vincent Price |
Cinematography | Tony Imi |
Edited by | Roy Watts |
Music by | Tony Macaulay |
Distributed by | EMI Film Distributors |
Release date |
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Country | United Kingdom |
Language | English |
Percy's Progress (US title: It's Not the Size That Counts) is a 1974 British comedy film directed by Ralph Thomas and starring Leigh Lawson, Elke Sommer, Denholm Elliott, Judy Geeson and Harry H. Corbett. [1] It was written by Sid Colin, Harry H. Corbett and Ian La Frenais. The film is a sequel to Percy (1971).
Harry H. Corbett's character was closely modelled on British prime minister Harold Wilson, down to using well-known Wilson phrases such as "thirteen years of Tory misrule" and speaking with a distinct Yorkshire accent.
Percy is known in England as the man who had the world's first penis transplant, and is exceptionally well endowed. His rampant conquests of married women cause him to flee, to escape incarceration.
A chemical, PX123, is accidentally released into the world's water supply rendering all men impotent. Percy is unaware that he is the only man on earth who can achieve an erection because he was in hiding from the law at sea, drinking nothing but champagne.
When Percy goes ashore to relieve his year-long sexual tension at a brothel, he gains the attention of the British press and subsequently the British government, who then want to use him to repopulate the world. An international pageant is held to find each country's "Miss Conception" representative. At the same time, a team of doctors work to find an antidote to the effects of PX123.
Betty Box says in her autobiography that they only agreed with Nat Cohen to make a sequel to Percy (1971) if he financed a film about Byron and Shelley, to be called The Reckless Years. However, Cohen reneged on the deal once Percy's Progress was made. [2]
The US version of the film includes several additional scenes shot by the American distributor, which include an opening scene of a penis transplant operation, and a scene in which a dwarf, played by Luis De Jesus, the star of Blood Sucking Freaks (1976), is seen jumping out of a woman's bed, leaving her to say the film's American title, "It's not the size that counts." [3] [ better source needed ]
The Monthly Film Bulletin wrote:
It's now three years since Ralph Thomas and Betty Box made their first leeringly coy foray into sex comedy; this sequel to Percy finds them maintaining the same approach, with the same jejune results. Their chosen tactic is to beat around the bush (a joke which, oddly, no-one uses): the movie's main protagonist is kept securely locked behind trousers or below the frame-line, and words of four letters rarely have more than their first one uttered. The sexual innuendo on which music halls and Donald McGill thrived for years has lost its gusto; afficionados will find in Percy's Progress no more than a string of impotent jokes about impotence. In some ways, Sid Colin and Ian La Frenais seem aware of this, for they keep drifting into other areas for material – showbiz, TV, ethnic characteristics, and spy movies all have their fair share of parody. The comic focus is further blurred by every scene being decked out with familiar British faces. Some come out of the charades with a shred more dignity than others: James Booth's shambling, Harlesden-based private eye, Harry H. Corbett's silver-haired, H.P. Sauce-loving Prime Minister, Barry Humphries' implacable Edna Everage. Matters aren't improved by the misguided attempt to brighten the movie up with modish fripperies: the soundtrack is chock-a-block with unwanted songs, and the editor treats us to the full range of fancy wipes in the shapes of circles, squares, stars, and even pieces from a jigsaw puzzle. There is no such wantonness in the direction, however; Ralph Thomas' handling is as intensely routine as one has come to expect. [4]
Alexander Walker wrote in his Evening Standard column in 1974 that the film is "just about the deepest depth ever plumbed by the once considerable and now nearly contemptible British film industry in its resolute search for the lowest kind of taste among the thickest kind of people." [5]
Percy is a 1971 British comedy film directed by Ralph Thomas starring Hywel Bennett, Denholm Elliott, Elke Sommer and Britt Ekland.
Elke Sommer is a German actress. She appeared in numerous films in her heyday throughout the 1960s and 1970s, including roles in The Pink Panther sequel A Shot in the Dark (1964), the Bob Hope comedy Boy, Did I Get a Wrong Number! (1966), Agatha Christie's And Then There Were None (1974), and the British Carry On series in Carry On Behind (1975).
Harry H. Corbett was an English actor and comedian, best remembered for playing rag-and-bone man Harold Steptoe alongside Wilfrid Brambell in the long-running BBC television sitcom Steptoe and Son. His success on television led to appearances in comedy films including The Bargee (1964), Carry On Screaming! (1966) and Jabberwocky (1977).
To Sir, with Love II is a 1996 American television film directed by Peter Bogdanovich. A sequel to the 1967 British film To Sir, with Love, it stars Sidney Poitier reprising the role of Mark Thackeray. The film premiered on April 7, 1996 on CBS. Like the first film, it deals with social issues in an inner city school.
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The 39 Steps is a 1959 British thriller film directed by Ralph Thomas and starring Kenneth More and Taina Elg. Produced by Betty Box, it is a remake of the 1935 Alfred Hitchcock film, loosely based on the 1915 novel The Thirty-Nine Steps by John Buchan.
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Sid Colin was an English scriptwriter, working for radio, television and the cinema. He is best remembered for creating the television comedy The Army Game (1957–59) and writing for Up Pompeii! (1969–1970), as well as films including Carry On Spying and Percy's Progress. He occasionally collaborated with regular Carry On series writer Talbot Rothwell. Earlier in his career, he was a musician and occasional lyricist.
Sex comedy, erotic comedy or more broadly sexual comedy is a genre in which comedy is motivated by sexual situations and love affairs. Although "sex comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of Ovid and Giovanni Boccaccio may be considered sex comedies.
Here We Go Round the Mulberry Bush is a 1968 British comedy film produced and directed by Clive Donner and starring Barry Evans, Judy Geeson and Angela Scoular. The screenplay is by Hunter Davies based on his 1965 novel of the same name.
Penis transplantation is a surgical transplant procedure in which a penis is transplanted to a patient. The penis may be an allograft from a human donor, or it may be grown artificially, though the latter has not yet been transplanted onto a human.
Joey Boy is a 1965 British comedy war film directed by Frank Launder and starring Harry H. Corbett, Stanley Baxter, Bill Fraser, Percy Herbert, Lance Percival, Reg Varney and Thorley Walters. It was based on the 1959 novel by Eddie Chapman.
Bless This House is a 1972 British comedy film directed by Gerald Thomas starring Sid James, Diana Coupland, Terry Scott, June Whitfield and Peter Butterworth. It is a spin-off from the television sitcom Bless This House.
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Doomwatch is a 1972 British science fiction film directed by Peter Sasdy and starring Ian Bannen, Judy Geeson and John Paul. It was based on the BBC television series Doomwatch (1970–1972). The screenplay was written by Clive Exton. In the United States it was released by Embassy Pictures.
Hammerhead is a 1968 British Eurospy thriller film directed by David Miller and starring Vince Edwards, Judy Geeson and Diana Dors. Its plot concerns a criminal mastermind who attempts to steal NATO secrets, with an American agent hot on his trail. It is based on the 1964 novel of the same title by English novelist James Mayo, and produced by Irving Allen and written by Herbert Baker, who made the Matt Helm films for Columbia Pictures. It was filmed in London and Portugal.
Fear in the Night is a 1972 British psychological horror film directed, produced, and co-written by Jimmy Sangster and produced by Hammer Film Productions. The film stars Judy Geeson as a psychologically-fragile woman who, upon relocating to a rural boarding school where her husband has taken a job, finds herself being tormented by a mysterious figure with a prosthetic arm. Peter Cushing and Joan Collins, respectively, also star as the school's mysterious headmaster and his wife.
Rattle of a Simple Man is a 1964 British comedy-drama film directed by Muriel Box and starring Diane Cilento, Harry H. Corbett and Michael Medwin. It was written by Charles Dyer, based on his 1962 play La Crécelle(Rattle of a Simple Man).
The Touchables is a 1968 British crime drama film directed by Robert Freeman and starring Judy Huxtable, Esther Anderson and James Villiers. It was written by Ian La Frenais from a story by Donald Cammell. Cammell, who shares screenplay credit, would later rework its themes in Performance (1970).
Percy is a 1969 comedy novel by the British writer Raymond Hitchcock. It recounts the story of a British man who has the world's first penis transplant, following an accident.