Percy's Progress

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Percy's Progress
Percy's Progress (1974) Film Poster.jpg
Directed by Ralph Thomas
Written by Sid Colin
Harry H. Corbett
Ian La Frenais
Produced by Betty E. Box
Starring Leigh Lawson
Elke Sommer
Judy Geeson
Denholm Elliott
Adrienne Posta
Julie Ege
Vincent Price
Cinematography Tony Imi
Edited byRoy Watts
Music by Tony Macaulay
Distributed by EMI Film Distributors
Release date
18 August 1974 (UK)
CountryUnited Kingdom
LanguageEnglish

Percy's Progress (US title: It's Not the Size That Counts) is a 1974 British comedy film directed by Ralph Thomas and starring Leigh Lawson, Elke Sommer, Denholm Elliott, Judy Geeson and Harry H. Corbett. [1] It was written by Sid Colin, Harry H. Corbett and Ian La Frenais. The film is a sequel to Percy (1971).

Contents

It was the last film from producer Betty Box.

Harry H. Corbett's character was closely modelled on British prime minister Harold Wilson, down to using well-known Wilson phrases such as "thirteen years of Tory misrule" and speaking with a distinct Yorkshire accent.

Plot

Percy is known in England as the man who had the world's first penis transplant, and is exceptionally well endowed. His rampant conquests of married women cause him to flee, to escape incarceration.

A chemical, PX123, is accidentally released into the world's water supply rendering all men impotent. Percy is unaware that he is the only man on earth who can achieve an erection because he was in hiding from the law at sea, drinking nothing but champagne.

When Percy goes ashore to relieve his year-long sexual tension at a brothel, he gains the attention of the British press and subsequently the British government, who then want to use him to repopulate the world. An international pageant is held to find each country's "Miss Conception" representative. At the same time, a team of doctors work to find an antidote to the effects of PX123.

Cast

Production

Betty Box says in her autobiography that they only agreed with Nat Cohen to make a sequel to Percy (1971) if he financed a film about Byron and Shelley, to be called The Reckless Years. However, Cohen reneged on the deal once Percy's Progress was made. [2]

The film was based on an idea by Sid Collin. [3]

The lead role went to Leigh Lawson who Ralph Thomas called "the best young actor around who hasn't already established himself. We saw dozens of good-looking, virilie young actors but we decided that Leigh had the look that we liked." [3]

Filming started in January 1974 and took place at Elstree Studios and on the island of Cyprus. [3] "We're not out for cheap laughs," said Thomas. "Just loud ones." [4]

Release

The US version of the film includes several additional scenes shot by the American distributor, which include an opening scene of a penis transplant operation, and a scene in which a dwarf, played by Luis De Jesus, the star of Blood Sucking Freaks (1976), is seen jumping out of a woman's bed, leaving her to say the film's American title, "It's not the size that counts." [5] [ better source needed ]

Critical reception

The Daily Mirror said "the laughter is still all too frequently of the nervous variety" but said there were "some genuinely funny moments" and "remarkably funny performances." [6]

The Daily Telegraph criticised the "ponderous direction" and the "yawningly repetitive and emphatic script". [7]

The Monthly Film Bulletin wrote:

It's now three years since Ralph Thomas and Betty Box made their first leeringly coy foray into sex comedy; this sequel to Percy finds them maintaining the same approach, with the same jejune results. Their chosen tactic is to beat around the bush (a joke which, oddly, no-one uses): the movie's main protagonist is kept securely locked behind trousers or below the frame-line, and words of four letters rarely have more than their first one uttered. The sexual innuendo on which music halls and Donald McGill thrived for years has lost its gusto; afficionados will find in Percy's Progress no more than a string of impotent jokes about impotence. In some ways, Sid Colin and Ian La Frenais seem aware of this, for they keep drifting into other areas for material – showbiz, TV, ethnic characteristics, and spy movies all have their fair share of parody. The comic focus is further blurred by every scene being decked out with familiar British faces. Some come out of the charades with a shred more dignity than others: James Booth's shambling, Harlesden-based private eye, Harry H. Corbett's silver-haired, H.P. Sauce-loving Prime Minister, Barry Humphries' implacable Edna Everage. Matters aren't improved by the misguided attempt to brighten the movie up with modish fripperies: the soundtrack is chock-a-block with unwanted songs, and the editor treats us to the full range of fancy wipes in the shapes of circles, squares, stars, and even pieces from a jigsaw puzzle. There is no such wantonness in the direction, however; Ralph Thomas' handling is as intensely routine as one has come to expect. [8]

Alexander Walker wrote in his Evening Standard column in 1974 that the film is "just about the deepest depth ever plumbed by the once considerable and now nearly contemptible British film industry in its resolute search for the lowest kind of taste among the thickest kind of people." [9]

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References

  1. "Percy's Progress". British Film Institute Collections Search. Retrieved 27 December 2023.
  2. Box, Betty (2000). Lifting the Lid. Book Guild Ltd. p. 281. ISBN   978-1857764895.
  3. 1 2 3 "Showpage". Sunday Mirror. 27 January 1974. p. 27.
  4. Otterburn-Hall, William (24 March 1974). "An unreprentant team gives birth to funny, sexy films". The San Francisco Examiner. p. 10.
  5. http://img182.imagevenue.com/img.php?image=76302_dwarf1_123_95lo.JPG [ bare URL image file ]
  6. "Dirty days from Percy". Daily Mirror. 30 August 1974. p. 22.
  7. "Progress of a superman". The Daily Telegraph. 30 August 1974. p. 11.
  8. "Percy's Progress". The Monthly Film Bulletin . 41 (480): 204. 1 January 1974. ProQuest   1305833570 via ProQuest.
  9. Walker, Alexander (29 August 1974). "Percy's Progress". Evening Standard.