Peter Day (born 1970) is an English recording/mixing engineer, record producer, and songwriter. Since the beginning of his musical career around 1987, he has been credited on numerous hit records from a diverse list of chart-topping artists that includes Kylie, [1] Sybil, [2] Bananarama, [3] Lisa Scott-Lee, [4] Jason Donavon, [5] and Rick Astley. [6] He is also known for his audio engineering with songwriting/ production trio SAW ('Stock Aitken Waterman'). This led to credits on esteemed records such as 'Band Aid II', which topped the UK singles charts for three weeks running. To date he is credited on 19 top ten hits; 8 of which reaching No. 1. [7] [8]
Pete began his career at PWL (now PWE) Studios in February 1987 [9] as a Tape Operator; where he honed his skills using analogue systems. This first step into the music industry saw him editing recordings from Kylie's first tour of Japan, and within three years he had become Stock Aitken and Waterman's chief engineer. Throughout the next 3 years, he was involved in the recording and production of a variety of chart-hitting records; as well as recording theme tunes children's TV shows WWF [10] and Power Rangers under the instruction of Simon Cowell [11] With the splitting of Mike Stock from Pete Waterman in 1993, [7] Peter helped set up Stock's new London studio in Southwark at 100 Union Street, SE1. [12] Pete then continued as his recording and mix engineer; accompanying such artists as Nicki French [13] and Robson & Jerome [14] in the studio. During this period he helped write and produce material for female vocalists Tatjana [15] and Suzann Rye, [16] as well as disco kings "Lovetrain". [17]
He spent some months at Unique recording studios in New York; after being asked by actor/ recording artist Idris Elba to remix tracks by hip hop group 'Dru Hill' and Sean 'P Diddy' Combs'. Elba suggested the production team adopt the name 'The London Boys' for the duration of the project, which they did. Pete disbanded with Mike Stock soon after.
Subsequently, he re-emerged as one half of DysonDay [18] productions ltd in 1999– Phil Dyson, a former assistant/ keyboardist of Mike Stock studios, completing the duo. The team remixed tracks for Madasun, Faithless, Dido, and Rob Dougan [19] – including his club song, "Clubbed to Death", (which was later released under the Point4 banner). While getting DysonDay productions off the ground, he spent a year teaching studio recording techniques at the Academy of Contemporary Music, close to his home in Guildford.
In 2001, he formed the songwriting/ production quartet Point4 with Phil Dyson, Paul (Bronze) Newton, and Daniel Sherman. They rapidly signed to BMG records as artists with their track 'The First Time', [20] then went on to remix for such artists as Lemar [21] and Atomic Kitten. Record producer Steve Lilywhite (who at the time was working as an A&R for Mercury records) signed ex 'Steps' [22] vocalist Lisa Scott Lee's songs 'Lately', 'Too Far Gone', and 'I'll Wait For you', from her debut album 'Never or now'. [23] Lilywhite eventually could not complete the album, as he joined Columbia Records in 2005, and became engrossed in other projects. [24] Under the alias '56K', Point4 recorded and produced vocalist Bejay Browne's cover of the Duran Duran song, "Save a Prayer", in 2002, [25] after signing to Edel Records [25] (additionally: ‘Gallo records' of South Africa, [26] 'Kontor Records', Germany, and Sony, Australia [26] ).
In the same year, Point4 were signed by Steve Allen to WEA/ London Records under an ulterior name ('Stylus' [26] ) to create and release the single 'Thrill Me'- a track which featured vocals from female singer/ songwriter Jo Jeffries; of whom went on to co-write many songs with Point4. [27]
Lisa Scott Lee's songs "Lately" and "Too Far Gone", produced by Point4, numbered 6 and 11 (respectively) in the 2003 UK charts. [28]
In 2004 Day and Newton separated from Dyson and Sherman, but retained the name and company Point4- relocating to a new studio facility in Fulham. [29] Pete moved to Brixham, Devon, but Point4 remains an active sound engineering group- operating recording sessions between both their London and Devon-based studio facilities. After his move to Brixham, Pete built his own studio and set up Floorless Music LTD, [30] expanding to local talent in the Devon area and signing to Mibe Music NY [31] for advertising and library music creation. Together with Dave Blomberg [32] and Mibe Music, Pete has created and published music for well-known brands and channels such as Netflix, NFL, NBC, CBS, Rio 2016 Olympics, BBC, MTV Catfish and The History Channel.
In 2005, they were requested by The Bank Advertising Agency [33] to remake 'Brakes On' by French music duo 'Air' for their 'Red Tag' campaign for South African Breweries Peroni, which was a successful European launch into the UK running the new version in cinema advertising.
A year later in 2006, Dyson, Day, Jeffries, and fellow songwriter/ keyboardist Huw Williams signed to US-based dance label OM Records, and released their electronic club song 'I'll do you' under the new alias 'Rookiee'. [34] The track underwent some remixing- namely, by artists Andy Caldwell, Richard Dinsdale, and Vernon & Dacosta. [34]
Pete returned at no. 1 in the UK album chart with the release of Kylie Minogue's, Step Back in Time: The Definitive Collection, [35] after its release in 2019 by BMG Rights Management. [36]
As well as recently attaining his certified Pro Tools 'Expert' 310m qualification, Pete is a certified schools programme co-ordinator for Avid, [37] and teaches Music Technology at South Devon College. Along with fellow teacher and acoustician Dan Taylor, he also designed and built the recording studio at the Vantage Point site. [38]
Since 2014, Pete has been HE Programme Leader for Music Production and Sound Engineering at dBs Institute of Sound and Digital Technologies. [39] While working for dBs Institute, Pete attained his MA in Sound Innovation.
Chart Year | Artist | Title | Credit | Official UK Chart Position |
---|---|---|---|---|
1987 | Ferry Aid | Let It Be | assistant engineer | 1 |
1987 | Rick Astley | Whenever You Need Somebody | assistant engineer | 1 |
1989 | Kylie Minogue | Enjoy Yourself | assistant engineer | 1 |
1989 | Band Aid II | Do They Know It's Christmas? | assistant engineer | 1 |
1992 | Kylie Minogue | Greatest Hits | assistant engineer | 1 |
1995 | Robson & Jerome | Unchained Melody/ White Cliffs of Dover | engineer | 1 |
1996 | Robson & Jerome | What Becomes of the Broken Hearted/Saturday Night At The Movies/ You'll Never Walk Alone | engineer | 1 |
2019 | Kylie Minogue | Step Back in Time: The Definitive Collection | engineer | 1 |
Impossible Remixes is the fourth remix album by Australian singer and songwriter Kylie Minogue. It was released on 8 July 1998 by Mushroom Records. The album was materialized while on her Intimate and Live Tour (1998) and contains remixes from her sixth studio album Impossible Princess (1997). Originally scheduled for a 1999 release, Mushroom released Impossible Remixes in Australia in July 1998 after releasing the UK counterpart Mixes (1998) earlier than its original date.
"Hand on Your Heart" is a song by Australian singer Kylie Minogue from her second studio album, Enjoy Yourself (1989), and released as its lead single on 24 April 1989. Much like her previous releases up to Let's Get to It (1991), the song was written and produced by English songwriting and record production trio Stock Aitken Waterman (SAW). Referenced tracks during composition included "This Old Heart of Mine" by the Isley Brothers and "That's the Way Love Is" by Ten City.
"Where Is the Feeling?" is a song by Australian singer-songwriter Kylie Minogue from her fifth studio album, Kylie Minogue (1994). The song was written by Wilf Smarties and Jayn Hanna, while production was handled by Brothers in Rhythm. It was released on 10 July 1995 as the third and final single from the album, by Deconstruction and Mushroom Records, seven months after the release of the second single. A new version was recorded for the single release, featuring spoken vocals by Minogue.
"Better the Devil You Know" is a song by Australian singer-songwriter Kylie Minogue, taken from her third studio album Rhythm of Love (1990). The song was written and produced by Stock Aitken Waterman and was released as the album's lead single on 30 April 1990 by PWL and Mushroom Records. "Better the Devil You Know" is known as the song that re-invented Minogue with more sex appeal, as her previous albums were presented with her "girl next door" persona. Her music onwards presented a more independent approach.
"Cowboy Style" is a song recorded by Australian singer and songwriter Kylie Minogue, for her sixth studio album Impossible Princess (1997). The song was released as the fourth and final single in Australia only on 5 October 1998 through Mushroom Records. Minogue wrote the track with Steve Anderson and Dave Seaman while Brothers in Rhythm produced it. Backed by guitars, synthesisers and drum instruments, "Cowboy Style" is a Celtic pop track in which Minogue sings about her relationship with her then-boyfriend, French director Stephane Sednaoui. Critical response to "Cowboy Style" was positive, with praise driven to Minogue's songwriting and the song's composition; some critics highlighted it as a career stand-out track. Released in Australia and New Zealand, the song charted at number 39 on the Australian Singles Chart.
"Breathe" is a song by Australian singer Kylie Minogue, from her sixth studio album, Impossible Princess (1997). It was released on 16 March 1998 as the third single from the album, and her final one for the Deconstruction Records label. "Breathe" was co-written by Minogue with Ball and Vauk and produced by Dave Ball and Ingo Vauk. Backed by synthesisers and keyboards, it is an electronica track. The lyrics revolve around contemplation and calmness. "Breathe" received mostly positive reviews from music critics, some of whom highlighted the track as an album stand-out and commended the lyrical and vocal delivery.
"Stomp" is a song by British pop group Steps, released as a single on 16 October 2000. The song features a modified orchestral riff from "Everybody Dance", released by Chic in 1978, but Bernard Edwards and Nile Rodgers did not receive songwriting credits until the release of Gold: Greatest Hits in 2001. "Stomp" was the group's second and final single to hit number one on the UK Singles Chart. The track was later released in Australia, Japan, and Europe.
"Word Is Out" is a song written by English musical duo Stock and Waterman for Australian singer Kylie Minogue's fourth studio album, Let's Get to It (1991). Produced by Mike Stock and Pete Waterman, it was released as the first single from Let's Get to It on 26 August 1991. The track aimed to replicate the swingbeat sound, with "New Jack City" by Guy serving as the main plot track. The artwork for the cover was photographed by Ellen Von Unwerth in 1991 for the British edition of Esquire.
"World of Our Own" is a song by Irish boy band Westlife. It was released on 18 February 2002 as the second single from their third studio album of the same name (2001). The song peaked at number one on the UK Singles Chart, becoming their 10th number-one single. "World of Our Own" was the 40th-best-selling single of 2002 in the UK and received a platinum sales certification from the British Phonographic Industry (BPI) for over 600,000 sales and streams. It is the band's fourth-most-streamed song and 12th-best-selling single in both paid-for and combined sales in the United Kingdom as of January 2019.
"If You Were with Me Now" is a song by Australian pop singer Kylie Minogue and American R&B singer Keith Washington. It was written by Minogue, Washington, and British songwriting team Mike Stock and Pete Waterman for Minogue's fourth studio album, Let's Get to It (1991). The song was produced by Stock and Waterman. The song was released as the second single on 21 October 1991 by Mushroom Records and PWL Records. It reached number four on the UK Singles Chart, as well as the top 10 in Ireland and the top 30 in Australia. The song is Minogue's first hit single to feature her as a co-writer.
Stephen John Anderson is a British musician, songwriter and record producer. He is best known for his work with Kylie Minogue on her tours and albums, and as part of the production group Brothers in Rhythm. He has also worked on songs and albums for many recording artists such as Britney Spears, Westlife, Christophe Willem, Judie Tzuke and Susan Boyle.
"Swear It Again" is a song by Irish boy band Westlife. The ballad was released on 19 April 1999 in the United Kingdom as the first single from their self-titled debut album (1999). The song peaked at number one on the UK Singles Chart for two weeks, giving Westlife their first of 14 UK number-one singles. "Swear It Again" is Westlife's only single to have charted in the US, peaking at number 20 on the Billboard Hot 100 and ranking number 75 on the Billboard Hot 100 year-end chart in 2000.
"Too Many Broken Hearts" is a song by Australian singer and actor Jason Donovan, released on 20 February 1989 as the third single from his debut album, Ten Good Reasons (1989), and 1991's Greatest Hits album and again on a later collection in 2006. The song reached number-one in the United Kingdom and Ireland in March 1989. The song additionally peaked within the top 10 in Australia, Denmark, France, the Netherlands, Norway and Spain. British magazine Classic Pop ranked "Too Many Broken Hearts" number 19 in their list of "Top 40 Stock Aitken Waterman songs" in 2021.
"You'll Never Stop Me Loving You" is the debut single of English pop singer Sonia. Written and produced by Stock Aitken Waterman, the song was included on Sonia's debut album, Everybody Knows (1990). The single became Sonia's only number-one single on the UK Singles Chart and reached number 10 on the US Billboard Dance Club Play chart.
"Keep On Movin'" is a song by British boy band Five. It was released on 25 October 1999 as the second single from their second studio album, Invincible (1999), and debuted at number one on the UK Singles Chart, becoming Five's first UK number-one single. "Keep On Movin'" was the 36th-biggest-selling single of 1999 in the UK, and in 2023, it received a double-platinum certification from the British Phonographic Industry (BPI) for sales and streaming figures exceeding 1,200,000 units. "Keep On Movin'" also charted within the top 10 in several other countries, including Hungary, where it reached number one.
"Heartbeat" is a song by British pop group Steps, from their debut studio album Step One (1998). Issued as a double A-side with their cover of the 1979 Bee Gees single "Tragedy", it was released on 9 November 1998 as the fourth single off the album. "Heartbeat" was solely written by Jackie James, and it was the first ballad released as a single by the group. While promoting the 2012 Hit Factory Live event, Pete Waterman revealed that the song had sat in a drawer for years before he gave it to the band to record.
"Anyone of Us (Stupid Mistake)" is the second single from English pop singer Gareth Gates' debut studio album, What My Heart Wants to Say (2002). It was written by Jörgen Elofsson, Per Magnusson, and David Kreuger and produced by Magnusson and Kreuger. The single was released on 8 July 2002, entering the UK Singles Chart at No. 1 and staying there for three weeks, going platinum for sales exceeding 600,000 copies. It was then released in mainland Europe in 2003, reaching No. 1 on the Dutch, Norwegian, and Swedish charts. The video for the single was filmed in Venice, Italy.
"Wouldn't Change a Thing" is a song performed by Australian singer-songwriter Kylie Minogue, recorded for her second studio album Enjoy Yourself (1989). The song was written by Stock Aitken Waterman, and was released on 24 July 1989 by Mushroom and PWL Records. The song was released as the second single off the album.
"Now That I Own the BBC" is a song by American pop and rock duo Sparks, which was released in Europe in 1995 and the UK in 1996 as the third and final single from their sixteenth studio album Gratuitous Sax & Senseless Violins (1994). The song was written and produced by Ron Mael and Russell Mael, with additional production by Linus Burdick.
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