Related Research Articles
Morton Wayne Thiebaud was an American painter known for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.
Milton Clark Avery was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.
Henriette Wyeth Hurd was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania.
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”
Charles Sheeler was an American artist known for his Precisionist paintings, commercial photography, and the avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds, as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Audrey Flack is an American artist. Her work pioneered the art genre of photorealism and encompasses painting, printmaking, sculpture, and photography.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
Betty Parsons was an American artist, art dealer, and collector known for her early promotion of Abstract Expressionism. She is regarded as one of the most influential and dynamic figures of the American avant-garde.
Peter Reginato, is an American abstract sculptor and painter.
Joseph Glasco was an American abstract expressionist painter, draftsman and sculptor. He is most known for his early figurative drawings and paintings and in later years for deconstructing the figure to develop his non-objective paintings building on abstraction of the 1950s.
Irene Rice Pereira was an American abstract artist, poet and philosopher who played a major role in the development of modernism in the United States. She is known for her work in the genres of geometric abstraction, abstract expressionism and lyrical abstraction, as well as her use of the principles of the Bauhaus school. Her paintings and writings were significantly influenced by the complex intellectual currents of the 20th century.
Klaus Gunther Perls (1912–2008) was born in Berlin, Germany, where his parents were art dealers. He studied art history in Munich, but after the Nazis stopped granting degrees to Jews he moved to Basel, Switzerland and completed his studies. Here, he wrote a dissertation on the 15th-century French painter Jean Fouquet.
The Archives of American Art is the largest collection of primary resources documenting the history of the visual arts in the United States. More than 20 million items of original material are housed in the Archives' research centers in Washington, D.C., and New York City.
William Clutz was an American artist known for urban paintings, pastels, and charcoal drawings of pedestrian scenes transformed by light. He was associated with a revival in figurative representation in American art during the 1950s and 1960s.
Samuel M. Kootz was a New York City art dealer and author whose Kootz Gallery was one of the first to champion Abstract Expressionist Art.
Dorothy Hood was an American painter in the Modernist tradition. Her work is held in private collections and at several museums, most notably the Museum of Modern Art and Museum of Fine Arts, Houston. Her preferred mediums were oil paint and ink.
Ellen Lanyon was a painter and printmaker from Chicago, Illinois. She received her BFA from the School of the Art Institute of Chicago (SAIC), her MFA from the University of Iowa School of Art and Art History and studied restoration at the Courtauld Institute of Art. She also received an honorary doctorate from SAIC. Her works are in the permanent collections of many major American museums, including the Art Institute of Chicago, the Museum of Contemporary Art Chicago, the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the Ulrich Museum.
The Death of General Montgomery in the Attack on Quebec, December 31, 1775 is an oil painting completed in 1786 by the American artist John Trumbull. It depicts American general Richard Montgomery at the Battle of Quebec during the invasion of Quebec. The painting is on view at the Yale University Art Gallery in New Haven, Connecticut. It is the second in Trumbull's series of national historical paintings on the American Revolutionary War, the first being The Death of General Warren at the Battle of Bunker's Hill, June 17, 1775.
The De Luxe Show was an art exhibition held from August to September 1971 at the DeLuxe Theater in Houston's Fifth Ward. Organized by African American artist Peter Bradley and arts patron John de Menil with the mission of bringing contemporary art into a low-income, predominantly Black community, The De Luxe Show was one of the first racially integrated art exhibitions in the United States and featured some of the most acclaimed artists of the era as well as several emerging artists who would go on to become widely recognized.
References
- ↑ "Peter Bradley - Biography". rogallery.com. Retrieved 13 June 2015.
- ↑ "Peter Bradley by Steve Cannon, Quincy Troupe & Cannon Hersey" . Retrieved 29 May 2019.
- ↑ Szwed, John (9 January 2004). SoWhat. Simon and Schuster. ISBN 9780684859835 . Retrieved 13 June 2015.
- ↑ "Peter Bradley - Matsumi Maki - The Metropolitan Museum of Art". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved 13 June 2015.
- ↑ "Peter Bradley". askart.com. Retrieved 13 June 2015.
- ↑ "PATH, an online arts publication". crosspathculture.org. Retrieved 13 June 2015.
- ↑ Archives of American Art. "Summary of the Peter A. Bradley papers, 1966-1975 - Archives of American Art, Smithsonian Institution". si.edu. Retrieved 13 June 2015.
- ↑ "DE LUXE SHOW". tshaonline.org. Retrieved 13 June 2015.
- ↑ "Peter Bradley".
