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Peter Holtslag (born 1957 in Amsterdam) is a Dutch recorder and flauto traverso virtuoso.
Holtslag studied recorder at the Sweelinck Conservatorium in Amsterdam (now Conservatorium van Amsterdam), Frans Brüggen being his great inspiration, graduating with distinction in 1980. He has toured worldwide as a recorder and flauto traverso player, performing with musicians such as Gustav Leonhardt, William Christie and Roy Goodman, as well as with ensembles such as The English Concert, Orchestra of the 18th Century, Akademie für Alte Musik Berlin, La Fontegara Amsterdam and Trio Noname. He has recorded numerous CDs for major labels, including Hyperion, DGG/Archiv, Globe, Aeolus and Chandos.
In 2011, he recorded a CD on the Aeolus label entitled Awakening Princesses, using original 18th-century recorders from the Bate Collection of Musical Instruments of the University of Oxford as a documentary-research project. [1] In 2016 a Bach CD was released (also on Aeolus), using an original transverse flute from Bach's times. [2]
From 1984 to 1988, Holtslag taught at the Guildhall School of Music in London and was a lecturer at the City University, London. In 1988, he was appointed a professor both at the Royal Academy of Music in London and the Hochschule für Musik und Theater, Hamburg. He was awarded an Honorary Member of the Royal Academy of Music (HonRAM) in 2013.
Steven Isserlis is a British cellist. He has had a distinguished career as a soloist, chamber musician, educator, author and broadcaster. Acclaimed for his profound musicianship, he is also noted for his diverse repertoire, command of phrasing, and distinctive sound which is deployed with his use of gut strings.
Solage, possibly Jean So(u)lage, was a French composer, and probably also a poet. He composed the most pieces in the Chantilly Codex, the principal source of music of the ars subtilior, the manneristic compositional school centered on Avignon at the end of the century.
Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Mats Lidström is a Swedish solo cellist, recording artist, chamber musician, composer, teacher and publisher.
Daniel John Taylor, is a Canadian countertenor and early music specialist. Taylor runs the Theatre of Early Music and teaches at the University of Toronto.
Bejun Mehta is an American countertenor. He has been awarded the Echo Klassik, the Gramophone Award, Le Diamant d’Opera Magazine, the Choc de Classica, the Traetta Prize, and been nominated for the Grammy Award, the Laurence Olivier Award, and the Preis der Deutschen Schallplattenkritik. Writing in the Süddeutsche Zeitung, Michael Stallknecht called him "arguably the best counter tenor in the world today."
Robin Blaze is a British countertenor.
Alina Rinatovna Ibragimova is a Russian-British violinist.
Horacio Franco is a Mexican flautist and recorder player. He studied at the National Conservatory in Mexico City and later at the Sweelinck Conservatorium in Amsterdam, with Marijke Miessen and Walter van Hauwe. Franco has performed many genres of music, from medieval, Renaissance, and Baroque music—including Latin American colonial music—to contemporary, folkloric, and popular styles.
Christoph Prégardien is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances and recordings of the Evangelist roles in Bach's St John Passion and St Matthew Passion.
Maurice Steger is a Swiss recorder player and conductor, mostly in Baroque music.
Gloria in excelsis Deo, BWV 191, is a church cantata written by the German Baroque composer Johann Sebastian Bach, and the only one of his church cantatas set to a Latin text. He composed the Christmas cantata in Leipzig probably in 1742, for a celebration by the university of Leipzig. The composition's three movements all derive from the Gloria of Bach's 1733 Kyrie–Gloria Mass, which the composer would later use as the Gloria of his Mass in B minor.
The Weimarer Passion, BWV deest, is a hypothetical Passion oratorio by Johann Sebastian Bach, thought to have possibly been performed on Good Friday 26 March 1717 at Gotha on the basis of a payment of 12 Thaler on 12 April 1717 to "Concert Meister Bachen". It is one of several such lost Passions. Both the text and music are lost, but individual movements from this work could have been reused in latter works such as the Johannes-Passion. At one time, it was thought that the work set chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias, but current consensus is that it is possible that the text reflected a synopsis of two or more Gospel texts, as well as the interspersed chorales and arias.
Michael Vetter was a German composer, novelist, poet, performer, calligrapher, artist, and teacher.
Jan Tomasz Adamus is a Polish conductor, organist, chamber musician, recording artist and music administrator. At present, Adamus serves as general and artistic director of the Kraków early music orchestra and mixed symphonic choir Capella Cracoviensis. Adamus recorded a number of solo CD's including as conductor; with Baroque, Classical and Romantic church music – also playing different historical organs in Silesia. He serves as the artistic director of the International Bach Festival in Świdnica.
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments.
La tempesta di mare, a flute concerto in F major, is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera featuring the flute, from which Vivaldi derived the concerto grosso RV 570.
Dorothee Oberlinger is a German recorder player and professor.
Dorothea Angelika Winter was a German recorder player and recorder teacher. She taught recorder at the Conservatory of Zwolle, Maastricht and at the Royal Conservatory in The Hague. She was a founder and a member of Trio Dolce. John Cage wrote "Three" for Trio Dolce.
Robert Ehrlich is a Northern Irish recorder player and university professor. From October 2015 until 2019, he was rector of the Hochschule für Musik Hanns Eisler Berlin. Previously, he was rector of the University of Music and Theatre Leipzig from 2006 to 2015.