Masaaki Suzuki is a Japanese organist, harpsichordist, conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Mats Lidström is a Swedish solo cellist, recording artist, chamber musician, composer, teacher and publisher.
The Krzysztof PendereckiAcademy of Music in Kraków is a conservatory located in central Kraków, Poland. It is the alma mater of the renowned Polish contemporary composer Krzysztof Penderecki, who was also its rector for 15 years. The academy is the only one in Poland to have two winners of the International Chopin Competition in Warsaw as well as a few further prize-winners among its alumni.
Daniel John Taylor, is a Canadian countertenor, conductor and early music specialist. Taylor directs the Trinity Choir, the Theatre of Early Music and is Professor of Opera, Voice and Early Music at the University of Toronto. Daniel Taylor is the General and Artistic Director of the Toronto Consort.
Robin Blaze is a British countertenor.
Lars Ulrik Mortensen is a Danish harpsichordist and conductor, mainly of Baroque solo music, chamber music and early music repertory. He was a professor in Munich in 1996–99 and has since then been artistic director of Concerto Copenhagen. He received the Léonie Sonning Music Prize in 2007.
Christoph Prégardien is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances and recordings of the Evangelist roles in Bach's St John Passion and St Matthew Passion.
Peter Watchorn is an Australian-born harpsichordist who has combined a virtuosic keyboard technique, musical scholarship and practical experience in the construction of harpsichords copied from original instruments of the 17th and 18th centuries. As well as presenting many solo public performances and broadcasts of baroque keyboard music and participating in choral and orchestral performances, he has made numerous commercial CD recordings of solo harpsichord music from the 17th and 18th centuries.
The Sonata in E major for flute and basso continuo is a sonata for transverse flute and figured bass composed by J. S. Bach in the 1740s. It was written as the result of a visit in 1741 to the court of Frederick the Great in Potsdam, where Bach's son Carl Philipp Emanuel had been appointed principal harpsichordist to the king the previous year. It was dedicated to Michael Gabriel Fredersdorf, the king's valet and private secretary, who, like the king, was an amateur flautist.
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto, for example, it must have been written after 1723. The title, however, is the work of 20th-century editors. The title in the only surviving 18th-century manuscript is "Solo p[our une] flûte traversière par J. S. Bach".
Maurice Steger is a Swiss recorder player and conductor, mostly in Baroque music.
Gloria in excelsis Deo, BWV 191, is a church cantata written by the German Baroque composer Johann Sebastian Bach, and the only one of his church cantatas set to a Latin text. He composed the Christmas cantata in Leipzig probably in 1742, for a celebration by the university of Leipzig. The composition's three movements all derive from the Gloria of Bach's 1733 Kyrie–Gloria Mass, which the composer would later use as the Gloria of his Mass in B minor.
The Weimarer Passion, BWV deest, is a hypothetical Passion oratorio by Johann Sebastian Bach, thought to have possibly been performed on Good Friday 26 March 1717 at Gotha on the basis of a payment of 12 Thaler on 12 April 1717 to "Concert Meister Bachen". It is one of several such lost Passions. Both the text and music are lost, but individual movements from this work could have been reused in latter works such as the Johannes-Passion. At one time, it was thought that the work set chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias, but current consensus is that it is possible that the text reflected a synopsis of two or more Gospel texts, as well as the interspersed chorales and arias.
Michael Vetter was a German composer, novelist, poet, performer, calligrapher, artist, and teacher.
Nicolas Altstaedt is a German-French cellist. His versatile career incorporates solo performance, chamber music, conducting, and artistic programming, with a repertoire spanning from early music to the contemporary.
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments.
La tempesta di mare, a flute concerto in F major, is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera featuring the flute, from which Vivaldi derived the concerto grosso RV 570.
Dorothee Oberlinger is a German recorder player and professor.
Hermann Schey was a German-born Dutch bass-baritone and voice teacher. He performed internationally and recorded, especially works by Johann Sebastian Bach but also world premieres.
Robert Ehrlich is a Northern Irish recorder player and university professor. From October 2015 until 2019, he was rector of the Hochschule für Musik Hanns Eisler Berlin. Previously, he was rector of the University of Music and Theatre Leipzig from 2006 to 2015.
