Peter Kuttner is a Chicago filmmaker, activist, and cameraman. He is known for his early socially-conscious documentary films that touch on topics such as opposition to United States involvement in the Vietnam War, gentrification of Chicago, racism, and social class. He produced many of these with the film collective Kartemquin Films, of which he was an original member. He is best known for his work on the film The End of the Nightstick (1993) with Cindi Moran and Eric Scholl, which documented police brutality in Chicago and torture allegations against commander Jon Burge. [1] Kuttner has worked extensively in activism and community service, and was a founding member of activist group Rising Up Angry. [2] Kuttner has worked with many collaborators including Kartemquin Collective founder Gordon Quinn, and filmmakers Haskell Wexler and Robert Kramer. [3] [4] He is also known for camera work on a number of major motion pictures including Man of Steel and Source Code . [5]
Kuttner grew up in a middle-class neighborhood and attended public school near Wrigley Field in Chicago, Illinois. [6] He attended college at Northwestern University, where he created the film Cause Without a Rebel (1965), a short documentary film about student political complacency on the Northwestern Campus. Kuttner graduated from Northwestern that same year in 1965. [7]
After graduation, Kuttner joined the War On Poverty Pre-College Film Workshop program. During this time he taught and collaborated with African-American students from Dillard University in New Orleans on the films Tackle is a Girl’s Best Friend (1965) and Mary Had a Little Lamb (1965). [8]
In 1966 Kuttner was hired as a director at Chicago Television Station WTTW (Window to the World), a station that would eventually be owned by PBS. It was here that a visiting crew introduced Kuttner to the Cinéma vérité style of documentary filmmaking. [9] There he made a small number of shows including the arts series "Facets". [7]
After leaving WTTW in the fall of 1967, Kuttner became interested in political activism and eventually reconnected with some Canadian Cinéma vérité filmmakers he had worked with before, who were filming a piece about Norman Mailer out of the Toronto offices of Allan King. During his stay in New York, Kuttner met Melvin Margolis at a film screening, who then introduced him to Newsreel, a New York-based documentary film group whose subjects included the Anti-war movement, the Black Power movement, and the Women's liberation movement. [4] [10] The group had connections to anti-war protestors David Dellinger, Rennie Davis, and Tom Hayden, who would eventually be named as part of the Chicago Seven conspiracy.
Kuttner opened a Chicago chapter of the group, recruiting 15 members, including Jon Jost, and established ties with local film collectives like Kartemquin and The Film Group. The Chicago branch functioned mostly as a distributor for the New York Headquarters. [4] The branch released one film under the name “Chicago Film Co-op”, April 27 (1986), which documented the 1968 Democratic National Convention protests and police response. [11] They also started production on two other films that were later damaged in a fire. One of the films, a documentary about the Black Panther Party's Illinois chapter's involvement in the Free Breakfast for Children program, was lost completely. The other was the film Trick Bag, which Kuttner would eventually restore during his time at Kartemquin. [4]
Kuttner was a founding member of the Chicago New Left activist group Rise Up Angry, where he took a break from filmmaking. [12] There, he wrote film reviews for the organization’s newspaper and helped organize their citywide free clinic. [4] They worked alongside the Peace movement, Black Power movement, and Women's liberation movement.
Kuttner also spent time working with Upward Bound, a college prep program for students from disadvantaged areas. He also worked on the boards of the Community TV Network and Community Film Workshop, both established media programs for Chicago youth. [12]
Kuttner started working with Kartemquin in 1968, and joined officially in 1972 after he got a call from Gordon Quinn. [4] At Kartemquin, his films covered topics ranging from gentrification to funding cuts of home-birth organizations. [13] During his time there he worked on the films Hum 255, Trick Bag, and Now We Live on Clifton, and the Chicago Maternity Center Story (1976). [12] [14]
Trick Bag was a collaboration between Kartemquin, Columbia College Chicago, and Rise Up Angry. [15] Peter Kuttner's connection to Rise Up Angry sparked the creation of the film, [16] as it was originally a Newsreel project that had been left unfinished when the group dissolved. The film negatives were destroyed in a fire, but Kuttner helped restore it from the work print when he joined Kartemquin in 1972. The film features various conversations and interviews with youth, workers, and veterans around Chicago talking about race and class. Trick Bag went on to earn the Chicago International Film Festival "Merit Award".
In 1994 Kuttner collaborated with Chicago Torture Justice, an organization dealing with the aftermath and recovery of brutality experienced at the hands of police officers like Jon Burge. Kuttner produced The End of the Nightstick (1994), a PBS P.O.V. broadcast, with Cyndi Moran and Eric Scholl. [1] The film received a Silver Hugo from the Chicago International Film Festival in 1994. [12]
In 2017 Kuttner worked as an instructor to Community TV Network students, who created a film featuring the south side of Chicago community center. The short film, Welcome to the Peace House, went on to win the CHICAGO Award by the Chicago International Film Festival’s CineYouth Festival. [17] Kuttner has continued his work as a political activist through local activist groups and as a member of the International Alliance of Theatrical Stage Employees Union, and as a board member of South Side Projections. [9] [18]
Kuttner has contributed to a number of commercial productions in Chicago as a camera assistant. Some of these include Ferris Bueller's Day Off (1986), The Dark Knight (2008), Source Code (2011), Transformers: Dark of the Moon (2011), Formosa Betrayed (2009), and the U.S. version of TV series Shameless . Others that were filmed in and around Chicago were Man of Steel (2013), Cheaper by the Dozen (2003), Proof (2005), The Break-Up (2006), Eagle Eye (2008), Traitor (2008), Barbershop 2: Back in Business (2004), and Mad Dog and Glory (1993). [7] [5]
Hoop Dreams is a 1994 American documentary film directed by Steve James, and produced by Frederick Marx, James, and Peter Gilbert, with Kartemquin Films. It follows the story of two African-American high school students, William Gates and Arthur Agee, in Chicago and their dream of becoming professional basketball players.
Steve James is an American film producer and director of several documentaries, including Hoop Dreams (1994), Stevie (2002), The Interrupters (2011), Life Itself (2014), and Abacus: Small Enough to Jail (2016).
Kartemquin Films is a four-time Oscar-nominated 501(c)3 non-profit production company located in Chicago, Illinois, that produces a wide range of documentary films. It is the documentary filmmaking home of acclaimed producers such as Gordon Quinn, Steve James, Peter Gilbert, Maria Finitzo, Joanna Rudnick, Bing Liu, Aaron Wickenden, and Ashley O’Shay (Unapologetic).
Rob Stewart was a Canadian photographer, filmmaker and conservationist. He was best known for making and directing the documentary films Sharkwater and Revolution. He drowned at the age of 37 while scuba diving in Florida, filming Sharkwater Extinction.
The Center for Asian American Media (CAAM) was founded in 1980. The San Francisco–based organization, formerly known as the National Asian American Telecommunications Association (NAATA), has grown into the largest organization dedicated to the advancement of Asian Americans in independent media, specifically the areas of television and filmmaking.
Tami Kashia Gold is a documentary filmmaker, visual artist and educator. She is also a professor at Hunter College of the City University of New York in the Department of Film and Media Studies.
Nancy Schwartzman is an American documentary filmmaker, member of the Directors Guild of America, and The Academy.
Golub is a 1988 documentary film, produced by Kartemquin Films, that examines the life and work of controversial painter, Leon Golub. Inspired by war, political oppression and the fight for Free Speech, Golub and his paintings are famous for their depictions of extreme violence. Also featured prominently in the film is his wife, anti-war feminist and artist, Nancy Spero. The documentary tracks Golub from starting with a blank canvas to a touring North American exhibition and eventually to an exhibition in Northern Ireland.
America ReFramed is a weekly independent documentary series broadcast on World Channel. Since 2012, America ReFramed has broadcast over 120 films by independent filmmakers. The series is co-produced by American Documentary, Inc. and the WORLD Channel. America ReFramed films feature personal stories that have a strong social-issue focus.
Judy Hoffman is an American filmmaker and arts activist based in Chicago. She graduated from Northwestern University with a MFA and currently holds a faculty position at the University of Chicago. Hoffman has played a major role in the development of Kartemquin Films, a documentary filmmaking company founded in Chicago in 1966. Hoffman has worked with extensively with Kwakwaka’wakw, a First Nation in British Columbia, to produce films. Hoffman has brought activism to her films, and continues to show different facets of the city of Chicago.
Saving Mes Aynak is a 2014 independent documentary film, directed, produced, shot and edited by Brent E. Huffman. It was produced out of Kartemquin Films, the landmark Chicago-based documentary house, along with producer Zak Piper.
Almost There is a 2014 independent documentary film, produced by Kartemquin Films. It was directed by Aaron Wickenden and Dan Rybicky.
Kogonada is a South Korean-born American filmmaker. He is known for his video essays that analyze the content, form and structure of various films and television series. The essays frequently use narration and editing as lenses, and often highlight a director's aesthetic. Kogonada—the name is a pseudonym—is a regular contributor to Sight & Sound, and is frequently commissioned by The Criterion Collection to create supplemental videos for its home-video releases. He has also written, directed and edited the feature films Columbus (2017) and After Yang (2021).
Vivian Kleiman is a Peabody Award-winning documentary filmmaker. She has received a National Emmy Award nomination for Outstanding Individual Achievement in Research and executive produced an Academy Award nominated documentary.
Raising Bertie is a 2016 American documentary film directed by Margaret Byrne and produced by Ian Robertson Kibbe, Margaret Byrne, and Jon Stuyvesant. It was distributed by Kartemquin Films and aired in shortened form on the 30th season of PBS's documentary series POV on August 28, 2017.
Minding the Gap is a 2018 documentary film directed by Bing Liu. It was produced by Liu and Diane Moy Quon through Kartemquin Films. It chronicles the lives and friendships of three young men growing up in Rockford, Illinois, united by their love of skateboarding. The film received critical acclaim, winning the U.S. Documentary Special Jury Award for Breakthrough Filmmaking at the Sundance Film Festival, and was nominated for Best Documentary Feature at the 91st Academy Awards.
Bev Grant is an American musician, photographer, filmmaker, and activist based in New York City.
Peter Gilbert is an American documentary filmmaker. He was the cinematographer and one of the producers of Hoop Dreams, a 1994 documentary about two teenage basketball players in Chicago. He has worked on several films for Kartemquin Films, including Vietnam, Long Time Coming, At the Death House Door, and In the Game. He was nominated for a Primetime Emmy for Exceptional Merit In Nonfiction Filmmaking in 2005 for producing With All Deliberate Speed, a documentary about Brown v. Board of Education. Prior to Hoop Dreams, he worked on the cinematography of American Dream by Barbara Kopple, and with Haskell Wexler. He is a member of the Academy of Motion Picture Arts and Sciences.
The Newsreel, most frequently called Newsreel, was an American filmmaking collective founded in New York City in late 1967. In keeping with the radical student/youth, antiwar and Black power movements of the time, the group explicitly described its purpose as using "films and other propaganda in aiding the revolutionary movement." The organization quickly established other chapters in San Francisco, Boston, Washington, DC, Atlanta, Detroit, Chicago, Los Angeles, Washington, DC and Puerto Rico, and soon claimed "150 full time activists in its 9 regional offices." Co-founder Robert Kramer called for "films that unnerve, that shake people's assumptions…[that] explode like grenades in people’s faces, or open minds like a good can opener." Their film's production logo was a flashing graphic of The Newsreel moving in and out violently in cadence with the staccato sounds of a machine gun. A contemporary issue of Film Quarterly described it as "the cinematic equivalent of Leroi Jones's line 'I want poems that can shoot bullets.'" The films produced by Newsreel soon became regular viewing at leftwing political gatherings during the late 1960s and early 1970s, seen in parks, church basements, on the walls of buildings, in union halls, even at Woodstock." This history has been largely ignored by film and academic historians causing the academic Nathan Rosenberger to remark: "it is curious that Newsreel only occasionally shows up in historical studies of the decade."
Katy Gale Chevigny is an American documentary filmmaker. She has produced or directed more than 30 documentary films and won a number of awards for her work.
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