Petra Morath-Pusinelli (* 1967) [1] is a German organist. [2] [3]
She studied Catholic Church Music at the Frankfurt University of Music and Performing Arts. Since 1984 she has been an organist at the church St. Kilian, Wiesbaden, and accompanied various choirs, including the Reger-Chor from the late 1980s and the Bachchor Mainz, conducted by Ralf Otto. She has been a lecturer at the University of Mainz since May 2006. [4]
In 1990, Petra Morath was the organist in John Rutter's Requiem in the version for chamber ensemble, with the Reger-Chor, Monika Fuhrmann (soprano) and instrumentalists, conducted by Gabriel Dessauer, recorded live in St. Bonifatius, Wiesbaden. In 2008 she played the organ part in Otto's album Noël: French Romantic Music for Christmas (2008). [5] In November 2009 she played Duruflé's Requiem with a choir of volunteers in a memorial concert against Antisemitism, initiated and conducted by Gabriel Dessauer. [6]
Andreas Karasiak is a German classical tenor in opera and concert.
Fritz Werner was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973.
Max Reger's 1915 Requiem, Op. 144b, is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden.
Ignace Michiels is a Belgian organist, choral conductor and organ teacher. He is internationally known as a concert organist.
The Reger-Chor is a German-Belgian choir. It was founded in Wiesbaden in 1985 and has been conducted by Gabriel Dessauer in Wiesbaden. Since 2001 it has grown to Regerchor-International in a collaboration with the organist Ignace Michiels of the St. Salvator's Cathedral of Bruges. The choir performs an annual concert both in Germany and Belgium of mostly sacred choral music for choir and organ. Concerts have taken place regularly in St. Bonifatius, Wiesbaden, and in the cathedral of Bruges in its series "Kathedraalconcerten". The choir performed additional concerts at other churches of the two countries and in the Concertgebouw of Bruges.
Gabriel Dessauer is a German cantor, concert organist, and academic teacher. After studies with Diethard Hellmann and Franz Lehrndorfer, he was responsible for the church music at St. Bonifatius, Wiesbaden from 1981 to 2021, conducting the Chor von St. Bonifatius until 2018. Besides normal church services, he conducted them in regular masses with soloists and orchestra for Christmas and Easter and a yearly concert. In 1995 he prepared the choir for a memorial concert commemorating the 50th anniversary of the end of World War II, performing Britten's War Requiem with choirs from countries involved in the war, and concerts in Wiesbaden and Macon, Georgia. Programs of choral concerts included Hermann Suter's Le Laudi in 1998, the German premiere of Rutter's Mass of the Children in 2004, and the world premiere of Colin Mawby's Bonifatiusmess in 2012 which he had commissioned for the choir's 150th anniversary. The concert of 2008, Vivaldi's Gloria and Haydn's Nelson Mass, was also performed at San Paolo dentro le Mura in Rome.
Max Beckschäfer is a German organist, composer and academic who taught at the Hochschule für Musik und Theater München and the Hochschule für Musik Augsburg-Nürnberg. He received commissions from the Munich Biennale, the concert series Klangspuren, the Dresdner Kreuzchor, the Palucca-Ballettschule Dresden and Die Singphoniker. He wrote an organ version of Reger's Hebbel-Requiem.
Diethard Hellmann was a German Kantor, composer and academic teacher, first in Leipzig at the Friedenskirche and the Musikhochschule, then from 1955 in Mainz at the Christuskirche and the Peter Cornelius Conservatory, finally in Munich where he was president of the Musikhochschule München from 1981 to 1988. He was known for a weekly Bach cantata in Mainz, broadcast by SWR.
St. Bonifatius in Wiesbaden, Germany, is the central Catholic parish and church in the capital of Hesse. The present building was designed by architect Philipp Hoffmann in Gothic Revival style and built from 1844 to 1849. Its twin steeples of 68 m (223 ft.) dominate the Luisenplatz. The parish is part of the Diocese of Limburg.
Marktkirche is the main Protestant church in Wiesbaden, the state capital of Hesse, Germany. The neo-Gothic church on the central Schlossplatz was designed by Carl Boos and built between 1853 and 1862. At the time it was the largest brick building of the Duchy of Nassau. It is also called Nassauer Landesdom.
Martin Lutz is a German musicologist, conductor and harpsichordist. He was the musical director of the concert choir Schiersteiner Kantorei in Wiesbaden from 1972 to 2017, and founded the biennial festival Wiesbadener Bachwochen in 1975.
The Chor von St. Bonifatius is a German mixed choir, the church choir of the parish St. Bonifatius, Wiesbaden. It was founded in 1862 as a male choir and was a mixed choir from 1887. From 1981 to 2018, it was conducted by Gabriel Dessauer, who founded two children's choirs. The group sang the first performance in Germany of John Rutter's Mass of the Children and performed in Azkoitia, San Sebastián, Görlitz, Bruges, Macon and Rome. Colin Mawby composed for the choir the Missa solemnis Bonifatius-Messe for the 150th anniversary, celebrated on 3 October 2012. From 2019, the choir has been conducted by Roman Twardy who conducted in his first concert Dvořák's Stabat Mater. On 1 January 2022, Johannes Schröder became church musician. He conducted as his first choral concert Verdi's Requiem in an arrangement for small ensemble.
Andreas Boltz is a German church musician and composer. From autumn 1993 until 2011, he was the Regional Cantor of the diocese of Mainz in Darmstadt. He was awarded the Premio Speciale in 1992 at the International Composers Competition in Trieste. Since June 2011, he has been cathedral music director at the Frankfurt Cathedral.
Der 100. Psalm, Op. 106, is a composition in four movements by Max Reger in D major for mixed choir and orchestra, a late Romantic setting of Psalm 100. Reger began composing the work in 1908 for the 350th anniversary of Jena University. The occasion was celebrated that year with the premiere of Part I, conducted by Fritz Stein on 31 July. Reger completed the composition in 1909. It was published that year and premiered simultaneously on 23 February 1910 in Chemnitz, conducted by the composer, and in Breslau, conducted by Georg Dohrn.
Johannes Hill is a German baritone in concert and in oratorios, who has performed internationally. Singing in choirs from age 10, he has performed major roles in oratorios, such as both Jesus and Pilate in Bach's Passions, and Pope Francis in the premiere of Laudato si'. He has also performed in vocal ensembles such as Kammerchor Stuttgart and Collegium Vocale Gent.
Roman Twardy is a German teacher, academic lecturer and the conductor of the Wiesbadener Knabenchor boys' choir in Wiesbaden, Hesse, Germany. The choir appears internationally and has made recordings. From 2019, Twardy is also interim conductor of the church choir Chor von St. Bonifatius in Wiesbaden.
Johannes M. Schröder is a German organist, composer and Catholic church musician. After several years responsible for the church music at the Westerwälder Dom, he moved to St. Bonifatius, Wiesbaden. He is also a lecturer and a music editor.
Fabian Kelly is a German tenor and choral conductor. As a singer, he is most active in concert, including historically informed performances in works such as Monteverdi's Vespro della Beata Vergine and Handel's Messiah. He recorded a revival of Franz Ignaz Beck's opera L'isle déserte and Mozart's Requiem.
Johann-Werner Prein is an Austrian operatic bass-baritone who made an international career, performing at major houses and festivals based in Germany. He performed leading roles of both the baritone repertoire such as Wagner's Sachs in Die Meistersinger von Nürnberg and bass roles such as Mozart's Sarastro in Die Zauberflöte. In recordings, he has focused on operas of the early 20th century, such as Busoni's Turandot and Schulhoff's Flammen in its 1994 premiere.
Zofia Kilanowicz is a Polish operatic soprano who has performed internationally, with a focus on Polish music. She appeared as Roxana in Szymanowski's King Roger in Paris and New York City, and recorded Górecki's Second Symphony and Third Symphony.