The phallus tree was an art motif in Western Europe during the late Middle Ages and the beginning of the Renaissance. [1]
Its concrete significance is hazy, but it appeared in bronze, illuminated manuscript, and paint; it manifested as bawdy humour, religious parody, political comment. The Tuscan Massa Marittima mural, featuring oversized phalluses, some erect, complete with testes, was Guelph propaganda warning that if the Ghibellines were allowed to take control, they would bring with them sexual perversion and witchcraft. [2]
In addition to the striking phallic tree imagery in late medieval and Renaissance art, the symbols have roots that could be traced back to Roman times, especially through the figure of Priapus. As Moser notes, “the phallus itself were magic, able to exist at the center of the area of the obscene without taint or injury” (p. 25). This idea emphasized that the phallus was not only a symbol of fertility but also a talisman against evil. It’s interesting to see how this blend of fertility and protection weaves through different cultures and eras, improving our understanding of the phallus tree and its significance. [3]
A bestiary is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
A herma, commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. Hermae were so called either because the head of Hermes was most common or from their etymological connection with the Greek word ἕρματα, which originally had no reference to Hermes at all. The form originated in ancient Greece, and was adopted by the Romans, and revived at the Renaissance in the form of term figures and atlantes.
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities of Pompeii and Herculaneum around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes.
The Green Man, also known as a foliate head, is a motif in architecture and art, of a face made of, or completely surrounded by, foliage, which normally spreads out from the centre of the face. Apart from a purely decorative function, the Green Man is primarily interpreted as a symbol of rebirth, representing the cycle of new growth that occurs every spring.
A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek tetra, meaning four, and morph, shape.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.
In works of art, the adjective macabre means "having the quality of having a grim or ghastly atmosphere". The macabre works to emphasize the details and symbols of death. The term also refers to works particularly gruesome in nature.
Personification is the representation of a thing or abstraction as a person. It is, in other words, considered an embodiment or an incarnation. In the arts, many things are commonly personified. These include numerous types of places, especially cities, countries, and continents, elements of the natural world such as the trees or four seasons, four elements, four cardinal winds, five senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death.
Massa Marittima is a town and comune of the province of Grosseto, southern Tuscany, Italy, 49 km NNW of Grosseto.
Albanian art refers to all artistic expressions and artworks in Albania or produced by Albanians. The country's art is either work of arts produced by its people and influenced by its culture and traditions. It has preserved its original elements and traditions despite its long and eventful history around the time when Albania was populated to Illyrians and Ancient Greeks and subsequently conquered by Romans, Byzantines, Venetians and Ottomans.
Hortus conclusus is a Latin term, meaning literally "enclosed garden". Both words in hortus conclusus refer linguistically to enclosure. It describes a type of garden that was enclosed as a practical concern, a major theme in the history of gardening, where walled gardens were and are common. The garden room is a similar feature, usually less fully enclosed.
The Joshua Roll is a Byzantine illuminated manuscript of highly unusual format, probably of the 10th century Macedonian Renaissance, believed to have been created by artists of the imperial workshops in Constantinople, and now in the Vatican Library.
Catholic art is art produced by or for members of the Catholic Church. This includes visual art (iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be included as well. Expressions of art may or may not attempt to illustrate, supplement and portray in tangible form Catholic teaching. Catholic art has played a leading role in the history and development of Western art since at least the 4th century. The principal subject matter of Catholic art has been the life and times of Jesus Christ, along with people associated with him, including his disciples, the saints, and motifs from the Catholic Bible.
A phallus is a penis, an object that resembles a penis, or a mimetic image of an erect penis. In art history, a figure with an erect penis is described as ithyphallic.
In Greek mythology, Priapus is a minor rustic fertility god, protector of livestock, fruit plants, gardens, and male genitalia. Priapus is marked by his oversized, permanent erection, which gave rise to the medical term priapism. He became a popular figure in Roman erotic art and Latin literature, and is the subject of the often humorously obscene collection of verse called the Priapeia.
Pilgrim badges are decorations worn by some of those who undertake a Christian pilgrimage to a place considered holy by the Church. They became very popular among Catholics in the later medieval period. Typically made of lead alloy, they were sold as souvenirs at sites of Christian pilgrimage and bear imagery relating to the saint venerated there. The production of pilgrim badges flourished in the Middle Ages in Europe, particularly in the 14th and 15th centuries, but declined after the Protestant Reformation of the mid-16th century. Tens of thousands have been found since the mid-19th century, predominantly in rivers. Together they form the largest corpus of medieval art objects to survive to us today.
Phallic architecture consciously or unconsciously creates a symbolic representation of the human penis. Buildings intentionally or unintentionally resembling the human penis are a source of amusement to locals and tourists in various places around the world. Deliberate phallic imagery is found in ancient cultures and in the links to ancient cultures found in traditional artifacts.
Santa Maria in Provenzano, or the Insigne Collegiata di Santa Maria in Provenzano, is a late-Renaissance-Baroque style, Roman Catholic, collegiate church in Piazza Provenzano Salvani, in the Terza Camollia, just southwest of the basilica of San Francesco, in the city of Siena, region of Tuscany, Italy. This Marian shrine was built around a 14th-century terracotta icon of the Madonna, which was credited with miracles. The Palio of Siena takes place on the day of veneration of this Marian devotion.
A puer mingēns is a figure in a work of art depicted as a prepubescent boy in the act of urinating, either actual or simulated. The puer mingens could represent anything from whimsy and boyish innocence to erotic symbols of virility and masculine bravado.