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Phillip E. Wegner is a professor in the Department of English and the Marston-Milbauer Eminent Scholar in English at the University of Florida. [1]
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Phillip E. Wegner is a professor in the Department of English and the Marston-Milbauer Eminent Scholar in English at the University of Florida. [1]
Phillip E. Wegner earned his Bachelor of Arts in Honors English, summa cum laude, at California State University, Northridge in 1986. He earned his PhD from the Literature Program at Duke University in 1993, where he studied under the preeminent Marxist critic Fredric Jameson. He began working as a professor of English at the University of Florida in 1994 and was appointed the Marston-Milbauer Eminent Scholar Professorship in 2012. From 2009 to 2012 he served as the graduate program coordinator. [1] He was awarded the College of Liberal Arts and Sciences Teacher of the Year award in 1996 [1] and 2000. [2]
Professor Wegner has published five books and numerous articles on utopian fiction, contemporary literature, film, cultural studies, Marxism, and science fiction.
Wegner's scholarship is often centered on questions of periodization, particularly in relation to the scholarship of Fredric Jameson, who Wegner has called "the most significant contemporary theorist of periodization." [3] For example, his book Life Between Two Deaths examines the "specific cultural period" of the 1990s, which Wegner argues stretches from the fall of the Berlin Wall in 1989 to September 11, 2001. [4]
Wegner has also written extensively about utopia. In his first book, Imaginary Communities, Wegner argues that the history of the utopian genre is "inseparable from a history of modernity in which the works comprising this important genre play such a significant role." [5] In Shockwaves of Possibility, Wegner makes a similar argument about utopia and the genre of science fiction, arguing that "Utopianism is not simply one among a range of possible themes or motifs in modern science fiction... Rather, Utopianism is fundamental to the very narrative dynamic of this vital modern practice." [6] In addition to his academic research on Utopia, Wegner served as president of the Society for Utopian Studies from 2010 to 2014. [7]
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
A utopia typically describes an imaginary community or society that possesses highly desirable or near-perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book Utopia, which describes a fictional island society in the New World.
Utopian and dystopian fiction are subgenres of speculative fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Fredric Jameson is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
Darko Ronald Suvin is a Canadian academic, writer and critic who became a professor at McGill University in Montreal. He was born in Zagreb, which at the time was in Kingdom of Yugoslavia, now the capital of Croatia. After teaching at the Department for Comparative Literature at the Zagreb University, and writing his first books and poems in his native language, he left Yugoslavia in 1967, and started teaching at McGill University in 1968.
The Isle of Pines is a book by Henry Neville published in 1668. It has been cited as the first robinsonade before Defoe's work. It is also one of the early Utopian narratives, along with Thomas More's Utopia and Francis Bacon's New Atlantis. An example of arcadian fiction, the book presents its story through an epistolary frame: a "Letter to a friend in London, declaring the truth of his Voyage to the East Indies" written by a fictional Dutchman "Henry Cornelius Van Sloetten," concerning the discovery of an island in the southern hemisphere, populated with the descendants of a small group of castaways.
The Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by the English writer Margaret Cavendish, the Duchess of Newcastle. Feminist critic Dale Spender calls it a forerunner of science fiction. It can also be read as a utopian work.
There have been many attempts at defining science fiction. This is a list of definitions that have been offered by authors, editors, critics and fans over the years since science fiction became a genre. Definitions of related terms such as "science fantasy", "speculative fiction", and "fabulation" are included where they are intended as definitions of aspects of science fiction or because they illuminate related definitions—see e.g. Robert Scholes's definitions of "fabulation" and "structural fabulation" below. Some definitions of sub-types of science fiction are included, too; for example see David Ketterer's definition of "philosophically-oriented science fiction". In addition, some definitions are included that define, for example, a science fiction story, rather than science fiction itself, since these also illuminate an underlying definition of science fiction.
Science fiction studies is the common name for the academic discipline that studies and researches the history, culture, and works of science fiction and, more broadly, speculative fiction.
Austin Tappan Wright was an American legal scholar and author, best remembered for his major work of Utopian fiction, Islandia. He was the son of classical scholar John Henry Wright and novelist Mary Tappan Wright, the brother of geographer John Kirtland Wright, and the grandfather of editor Tappan Wright King.
Andrew John Milner is Professor Emeritus of English and Comparative Literature at Monash University. From 2014 until 2019 he was also Honorary Professor of English and Comparative Literary Studies at the University of Warwick. In 2013 he was Ludwig Hirschfeld Mack Visiting Professor of Australian Studies at the Institut für Englische Philologie, Freie Universität Berlin.
Elements of fantastical or supernatural fiction have been part of mainstream Russian literature since the 18th century. Russian fantasy developed from the centuries-old traditions of Slavic mythology and folklore. Russian science fiction emerged in the mid-19th century and rose to its golden age during the Soviet era, both in cinema and literature, with writers like the Strugatsky brothers, Kir Bulychov, and Mikhail Bulgakov, among others. Soviet filmmakers, such as Andrei Tarkovsky, also produced many science fiction and fantasy films. With the fall of the Iron Curtain, modern Russia experienced a renaissance of fantasy. Outside modern Russian borders, there are a significant number of Russophone writers and filmmakers from Ukraine, Belarus and Kazakhstan, who have made a notable contribution to the genres.
A dystopia, also called a cacotopia or anti-utopia, is a community or society that is extremely bad or frightening. It is often treated as an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one simple opposition, as many utopian elements and components are found in dystopias as well, and vice versa.
Gary Wesley Westfahl is an American writer and scholar of science fiction. He has written reviews for the Los Angeles Times, The Internet Review of Science Fiction and Locus Online. He worked at the University of California, Riverside until 2011 and is now an Professor Emeritus at the University of La Verne.
Thomas Patrick Moylan is an American-Irish academic, literary and cultural critic, Professor Emeritus in the Department of Language, Literature, Communication and Culture at the University of Limerick. Moylan's academic interests are in utopian studies and critical theory, science fiction studies, cultural studies, American studies, and Irish studies.
Utopian studies is an interdisciplinary field of study that researches utopianism in all its forms, including utopian politics, utopian literature and art, utopian theory, and intentional communities. In a 1516 book with the same name, the term utopia was created by Sir Thomas More. Utopian studies can be subdivided into three major parts: study of utopian works, communitarianism and utopian social theory. A study opposite to Utopian studies is Dystopian studies. While Utopias are non-existent societies people dream of, dystopias are essentially non-existent and non-desirable societies that individuals deem worse than their present society. They are also known as negative utopias.
The Society for Utopian Studies is a North American interdisciplinary association devoted to the study of utopianism in all its forms, with a particular emphasis on literary and experimental utopias.
Karen L. Hellekson is an American author and scholar who researches science fiction and fan studies. In the field of science fiction, she is known for her research on the alternate history genre, the topic of her 2001 book, The Alternate History: Refiguring Historical Time, and has also published on the author Cordwainer Smith. In fan studies, she is known for her work on fan fiction and the culture of the fan community. She has co-edited two essay collections on fan fiction with Kristina Busse, and in 2008, co-founded the academic journal, Transformative Works and Cultures, also with Busse.
Carl Howard Freedman is an American writer, literary theorist and professor of English literature at Louisiana State University. He is best known for the non-fiction book Critical Theory and Science Fiction, and his scholarly work on the writer Philip K. Dick. Freedman's other works include a series of books on Isaac Asimov, Ursula K. Le Guin and Samuel R. Delany, and several essays and a book on China Miéville. In 2018, he won the Pilgrim Award for lifetime contribution to science fiction and fantasy scholarship.
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