Group f/64 or f.64 was a group founded by seven 20th-century San Francisco Bay Area photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint. In part, they formed in opposition to the pictorialist photographic style that had dominated much of the early 20th century, but moreover, they wanted to promote a new modernist aesthetic that was based on precisely exposed images of natural forms and found objects.
Tony Ray-Jones was an English photographer.
Documentary photography usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life. It is typically undertaken as professional photojournalism, or real life reportage, but it may also be an amateur, artistic, or academic pursuit.
Laura Gilpin was an American photographer.
The Royal Photographic Society of Great Britain, commonly known as the Royal Photographic Society (RPS), is one of the world's oldest photographic societies. It was founded in London, England, in 1853 as the Photographic Society of London with the objective of promoting the art and science of photography, and in 1853 received royal patronage from Queen Victoria and Prince Albert.
Sonya Noskowiak was a 20th-century German-American photographer and member of the San Francisco photography collective Group f/64 that included Ansel Adams and Edward Weston. She is considered an important figure in one of the great photographic movements of the twentieth century. Throughout her career, Noskowiak photographed landscapes, still lifes, and portraits. Her most well-known, though unacknowledged, portraits are of the author John Steinbeck. In 1936, Noskowiak was awarded a prize at the annual exhibition of the San Francisco Society of Women Artists. She was also represented in the San Francisco Museum of Art’s “Scenes from San Francisco” exhibit in 1939. Ten years before her death, Noskowiak's work was included in a WPA exhibition at the Oakland Museum in Oakland, California.
George A. Tice is an American photographer. His work depicts a broad range of American life, landscape, and urban environment, mostly photographed in his native New Jersey. He has lived all his life in New Jersey, except for his service in the U.S. Navy, a brief period in California, a fellowship in the United Kingdom, and summer workshops in Maine, where he taught at the Maine Photographic Workshops, now the Maine Media Workshops.
William Thomas Saunders (1832–1892) was a British-born photographer who settled in China and became the leading photographer in Shanghai during the late Qing dynasty. He was the first photographer known to produce hand-coloured photographs in China.
Source is a quarterly photography magazine published in Belfast. It is distributed throughout Ireland, Great Britain and internationally.
Colin Telfer Gifford is a British railway photographer. Gifford pioneered the "New Approach" to railway photography in the 1960s during the declining years of steam. This approach relies heavily on abstraction and sought to encapsulate the dirty working atmosphere of the railway.
Robert Alexander was born in Brooklyn, New York, United States, on the November 21, 1943. He spent most of his early life there, eventually working as a freelance photographer and photographer's assistant from various addresses, including Remsen Street in the downtown area of the city. Alexander studied Art History at the University of Pennsylvania from 1961 to 1965, and conducted brief stints at both the New School for Social Research and the School of Visual Arts. By the early seventies, Alexander had moved to Manhattan and had begun his work as a freelance photographer; although he continued to assist other photographers for several years. He also worked as a commercial photographer, contributing to catalogues and advertising for jewelry and clothing manufacturers.
Emma Barton (1872–1938) was an English portrait photographer.
Henry Cyril Casserley was a British railway photographer. His prolific work in the 1920s and 1930s, the result of travelling to remote corners of the railway network in the United Kingdom and Ireland, has provided subsequent generations with a valuable source of illustrations for books and magazines.
Walter Landon Chappell was an American photographer and poet, primarily known for his black and white photography of landscapes, nature, and the human body.
Morley Baer, an American photographer and teacher, was born in Toledo, Ohio. Baer was head of the photography department at the San Francisco Art Institute, and known for his photographs of San Francisco's "Painted Ladies" Victorian houses, California buildings, landscape and seascapes.
Dody Weston Thompson was a 20th-century American photographer and chronicler of the history and craft of photography. She learned the art in 1947 and developed her own expression of “straight” or realistic photography, the style that emerged in Northern California in the 1930s. Dody worked closely with contemporary icons Edward Weston, Brett Weston and Ansel Adams during the late 1940s and through the 1950s, with additional collaboration with Brett Weston in the 1980s.
Clare Strand is a British conceptual photographer based in Brighton and Hove in the UK. She makes, as David Campany puts it, "black-and-white photographs that would be equally at home in an art gallery, the offices of a scientific institute, or the archive of a dark cult. ... They look like evidence, but of what we cannot know."
Neeta Madahar is a British artist who specialises in photography of nature, birds, and flora. She has had solo exhibitions in Canada, Barcelona, Berlin, Boston, France, London, and New York and had a book, Flora, published by Nazraeli Press. She was named as one of the UK's 50 most significant contemporary photographers in an issue of Portfolio Magazine.
Paddy Summerfield is a British photographer who has lived and worked in Oxford in the UK all his life.
Dick Arentz is an American fine art photographer and author, known for his textbook on platinum-palladium printing. Arentz's text book, Platinum & Palladium Printing, Focal Press. 1st edition (1999), 2nd edition (2004) “is known in online forums and industry magazines as the most comprehensive book on the subject.” Other photography insiders such as Dr. Michael J. Ware and Bill Jay have commended the author as a master-craftsman in platinum-palladium printing. Arentz has mentored other photographers in the platinum-palladium printing process by conducting more than 40 workshops for organizations such as The Center for Creative Photography, The Friends of Photography and The Museum of Photographic Arts. His work was displayed at over fifty one-man exhibits in museums and private galleries in the US and Europe.
