Standard photographic print sizes are used in photographic printing. Cut sheets of paper meant for printing photographs are commonly sold in these sizes.
Many nominal and effective sizes are specified in international standardISO 1008 using millimeters only, although most are clearly derived from integer-inch lengths. They are highlighted in the table below.
In the US, size names are often denoted with a code of the format nR, where the number n represents the length of the shorter edge in inches. In the normal series, the long edge is the length of the short edge plus 2 inches (10 in or less) or 3 inches (11 in and above). The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer level digital cameras and Micro 4/3 cameras [1] American S8R or Japanese 6PW at 203 mm × 305 mm is the closest 3∶2 approximation to A4 at 210 mm × 297 mm (√2∶1).
The sizes with 7 × 9+1⁄2, 12 × 16 (4∶3) and 9+1⁄2 × 12 inches (5∶4) are used for black-and-white paper.
In Japan, the same print sizes (and several additional ones) are known by different designations. The Japanese L is equivalent to 3R, while 2L—twice the size—matches 5R. KG represents the size of a traditional 4 × 6 in (4R) Japanese postcard (hagaki). [2]
This paragraph may require cleanup to meet Wikipedia's quality standards. The specific problem is: The difference or equivalence between 4R, KG, PC, 10 × 15 and A6 (the international postcard size) should be made clearer.(November 2019) |
The nP or cut (切り, kiri) series are defined in reference to a full page size (全紙, zenshi) of 457 × 560 mm, with smaller numbers (fewer cuts) indicating larger sizes. [3] A W suffix indicates sizes with an extended long edge, similar to the American S prefix. Japanese Chou sizes are for envelopes and Hagaki for postcards. They do not match exactly the related sizes from ISO 216, like A6 for international standard postcards.
Unlike ISO 216 paper sizes, the aspect ratios of photographic prints vary, so exact scaling of prints is not always possible. However, some logical correspondences are between the sizes, noted below when applicable.
Many of the standard sizes are the same as sheet film formats, and are appropriate for making contact sheets from these films.
US | Japan | China | cm | Alias | in × in | mm × mm | min. Mpx | Aspect ratio | Standard |
---|---|---|---|---|---|---|---|---|---|
1" | 2.5 × 3.5 | 1 × 1.5 | 25.4 × 38.1 | No | |||||
Big 1"/Small 2" | 1.29921 × 1.88976 | 33 × 48 | No | ||||||
2" (for certificates) | 1.37795 × 1.92913 | 35 × 49 | No | ||||||
2" | 1.37795 × 2.08661 | 35 × 53 | No | ||||||
A9 | (1.5 × 2) | 37 × 52 | 0.27 | 7∶5 (√2) | ISO 216 | ||||
Wallet | 2 × 3 | (50.8 × 76.2) | 0.54 | 3∶2 | No | ||||
A8 | (2 × 3) | 52 × 74 | 0.54 | 7∶5 (√2) | ISO 216 | ||||
2R | Wallet (old) | 2+1⁄2 × 3+1⁄2 | (63.5 × 88.9) | 1.78 | 7∶5 | No | |||
A7 | (3 × 4) | 74 × 105 | 1.08 | 7∶5 (√2) | ISO 216 | ||||
DSC | (3+1⁄4 × 4+2⁄3) | 83 × 119 | 1.38 | 3∶2 [lower-alpha 1] (1.43) | No | ||||
(3+1⁄2 × 4+2⁄3) | 89 × 119 | 1.48 | 4∶3 [lower-alpha 1] (1.34) | No | |||||
3R | L | 5" | 9 × 13 | Enprint [5] | 3+1⁄2 × 5 | 89 × 127 | 1.58 | 10∶7 (1.43) | ISO 1008 |
PC | 10 × 15 | Hagaki | (3.9 × 5.8) | 100 × 148 | 1.94 | 3∶2 [lower-alpha 1] (1.48) | No | ||
A6 | (4.1 × 5.8) | 105 × 148 | 2.17 | 7∶5 (√2) | ISO 216 | ||||
4R | KG | 6" | 4 × 6 | 102 × 152 | 2.16 | 3∶2 | No | ||
4 × 4 | 102 × 102 | 1.45 | 1∶1 | No | |||||
4+1⁄2 × 6 | 114 × 152 | 2.43 | 4∶3 | US? | |||||
5 × 5 | 127 × 127 | 2.26 | 1∶1 | No | |||||
5R | 2L | 7" | 13 × 18 | 5 × 7 | 127 × 178 | 3.15 | 7∶5 (√2) | ISO 1008 | |
15 × 20 | Ofuku Hagaki | (5.8 × 7.9) | 148 × 200 | 4.12 | 4∶3 [lower-alpha 1] (1.35) | No | |||
A5 | (5.8 × 8.3) | 148 × 210 | 4.34 | 7∶5 (√2) | ISO 216 | ||||
6R | 8P | 8" | 6 × 8 | 152 × 203 | 4.32 | 4∶3 | US? | ||
18 × 24 | 7 × 9+1⁄2 | 178 × 240 | 6.00 | 4∶3 [lower-alpha 1] (1.36) | ISO 1008 | ||||
8R | 6P | 20 × 25 | 8 × 10 | 203 × 254 | 7.20 | 5∶4 | ISO 1008 | ||
Letter | 8+1⁄2 × 11 | 215.9 × 279.4 | 8.42 | 13∶10 (1.29) | ISO 1008 | ||||
8R+, S8R | 6PW | Small 12" | 20 × 30 | 8 × 12 | 203 × 305 | 8.64 | 3∶2 | US? | |
A4 | (8+1⁄4 × 11+2⁄3) | 210 × 297 | 8.70 | 7∶5 (√2) | ISO 1008 | ||||
24 × 30 | 9+1⁄2 × 12 | 240 × 305 | 10.3 | 5∶4 [lower-alpha 1] (1.26) | ISO 1008 | ||||
10R | 4P | 12" | 10 × 12 | 254 × 305 | 10.8 | 6∶5 | ISO 1008 | ||
4PW | 10 × 14+1⁄2 | 254 × 368 | 13.0 | 3∶2 [lower-alpha 1] (1.45) | No | ||||
10R+, S10R | 10 × 15 | 254 × 381 | 13.5 | 3∶2 | US? | ||||
11R | 28 × 36 | 11 × 14 | 279 × 356 | 14.7 | 5∶4 [lower-alpha 1] (1.27) | ISO 1008 | |||
A3 | (11+2⁄3 × 16+1⁄2) | 297 × 420 | 17.4 | 7∶5 (√2) | ISO 216 | ||||
12R | 12 × 15 | 305 × 381 | 16.2 | 5∶4 | No | ||||
11R+, S11R | Tabloid, Ledger | 11 × 17 | 279 × 432 | 16.8 | 3∶2 [lower-alpha 1] (1.55) | US? | |||
30 × 40 | 12 × 16 | 305 × 406 | 17.3 | 4∶3 | ISO 1008 | ||||
12R+, S12R | 12 × 18 | 305 × 457 | 19.4 | 3∶2 | US? | ||||
14R | 14 × 17 | 355 × 431 | 17∶14 | No | |||||
16R | 40 × 50 | 16 × 20 | 406 × 508 | 28.8 | 5∶4 | ISO 1008 | |||
16R+, S16R | 16 × 24 | 406 × 609 | 3∶2 | No | |||||
A2 | (16+1⁄2 × 23+1⁄3) | 420 × 594 | 34.8 | 7∶5 (√2) | ISO 216 | ||||
20R | 50 × 60 | 20 × 24 | 508 × 610 | 43.2 | 6∶5 | ISO 1008 | |||
20R+, S20R | 20 × 28 | 508 × 711 | 7∶5 | No | |||||
22R | 20 × 29.5 | 508 × 749 | 59∶40 | No | |||||
24R | 24 × 31.5 | 609 × 800 | 21∶16 | No | |||||
A1 | (23+1⁄3 × 33+1⁄10) | 594 × 841 | 69.7 | 7∶5 (√2) | ISO 216 | ||||
24R+, S24R | 24 × 35.5 | 609 × 901 | 3∶2 | No | |||||
30R | 30 × 40 | 762 × 1,016 | 4∶3 | No |
The aspect ratio of a geometric shape is the ratio of its sizes in different dimensions. For example, the aspect ratio of a rectangle is the ratio of its longer side to its shorter side—the ratio of width to height, when the rectangle is oriented as a "landscape".
ISO 216 is an international standard for paper sizes, used around the world except in North America and parts of Latin America. The standard defines the "A", "B" and "C" series of paper sizes, which includes the A4, the most commonly available paper size worldwide. Two supplementary standards, ISO 217 and ISO 269, define related paper sizes; the ISO 269 "C" series is commonly listed alongside the A and B sizes.
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide. The standard image exposure length on 35 mm for movies is four perforations per frame along both edges, which results in 16 frames per foot of film.
Paper size standards govern the size of sheets of paper used as writing paper, stationery, cards, and for some printed documents.
An f-number is a measure of the light-gathering ability of an optical system such as a camera lens. It is calculated by dividing the system's focal length by the diameter of the entrance pupil. The f-number is also known as the focal ratio, f-ratio, or f-stop, and it is key in determining the depth of field, diffraction, and exposure of a photograph. The f-number is dimensionless and is usually expressed using a lower-case hooked f with the format f/N, where N is the f-number.
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film with a film gauge of 35 mm (1.4 in) loaded into a standardized type of magazine for use in 135 film cameras.
120 is a film format for still photography introduced by Kodak for their Brownie No. 2 in 1901. It was originally intended for amateur photography but was later superseded in this role by 135 film. 120 film survives to this day as the only medium format film that is readily available to both professionals and amateur enthusiasts.
126 film is a cartridge-based film format used in still photography. It was introduced by Kodak in 1963, and is associated mainly with low-end point-and-shoot cameras, particularly Kodak's own Instamatic series of cameras.
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the 24 mm × 36 mm used in 35 mm photography, but smaller than 4 in × 5 in.
Large format photography refers to any imaging format of 9 cm × 12 cm or larger. Large format is larger than "medium format", the 6 cm × 6 cm or 6 cm × 9 cm size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras, and much larger than the 24 mm × 36 mm frame of 35 mm format.
Panoramic photography is a technique of photography, using specialized equipment or software, that captures images with horizontally elongated fields of view. It is sometimes known as wide format photography. The term has also been applied to a photograph that is cropped to a relatively wide aspect ratio, like the familiar letterbox format in wide-screen video.
A hole punch, also known as hole puncher, or paper puncher, is an office tool that is used to create holes in sheets of paper, often for the purpose of collecting the sheets in a binder or folder. A hole punch can also refer to similar tools for other materials, such as leather, cloth, or sheets of plastic or metal.
Instant film is a type of photographic film that was introduced by Polaroid Corporation to produce a visible image within minutes or seconds of the photograph's exposure. The film contains the chemicals needed for developing and fixing the photograph, and the camera exposes and initiates the developing process after a photo has been taken.
In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. In the case of digital cameras, the imaging device would be a digital image sensor. The most commonly used definition of crop factor is the ratio of a 35 mm frame's diagonal (43.3 mm) to the diagonal of the image sensor in question; that is, . Given the same 3:2 aspect ratio as 35mm's 36 mm × 24 mm area, this is equivalent to the ratio of heights or ratio of widths; the ratio of sensor areas is the square of the crop factor.
The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from folio, to quarto (smaller) and octavo. Historically, these terms referred to the format of the book, a technical term used by printers and bibliographers to indicate the size of a leaf in terms of the size of the original sheet. For example, a quarto historically was a book printed on sheets of paper folded in half twice, with the first fold at right angles to the second, to produce 4 leaves, each leaf one fourth the size of the original sheet printed – note that a leaf refers to the single piece of paper, whereas a page is one side of a leaf. Because the actual format of many modern books cannot be determined from examination of the books, bibliographers may not use these terms in scholarly descriptions.
The ISO 217:2013 standard defines the RA and SRA paper formats.
In digital photography, the image sensor format is the shape and size of the image sensor.
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen. The word anamorphic and its derivatives stem from the Greek anamorphoo, compound of morphé with the prefix aná.
In 1992, the American National Standards Institute adopted ANSI/ASME Y14.1Decimal Inch Drawing Sheet Size and Format, which defined a regular series of paper sizes based upon the de facto standard 8+1⁄2 in × 11 in "letter" size to which it assigned the designation "ANSI A". This series also includes "ledger"/"tabloid" as "ANSI B". This series is somewhat similar to the ISO 216 standard in that cutting a sheet in half would produce two sheets of the next smaller size. Unlike the ISO standard, however, the arbitrary aspect ratio forces this series to have two alternating aspect ratios. ANSI/ASME Y14.1 has been revised or updated in 1995, 2005, 2012 and 2022. It had an accompanying standard, ANSI/ASME Y14.1M, that defined metric drawing paper sizes based upon ISO 216 and ISO 5457. ASME Y14.1 and ASME Y14.1M have now been revised and consolidated into one document, ASME Y14.1-2020, Drawing Sheet Size and Format, published on 18 December 2020.
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, width:height. Common aspect ratios are 1.85:1 and 2.40:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography.
NOUN: a standard photographic print (5 × 3.5 in.) produced from a negative